BA (Hons) Liberal Arts with a Year Abroad

Key details

BA (HONS) LIBERAL ARTS WITH A YEAR ABROAD

Start Year

2023

Attendance

Full Time

Award

Degree of Bachelor of Arts

UCAS course code

Y00A

Entry Requirements

AAB

Duration (years)

Cross the boundaries of subjects and disciplines and build a unique degree that is aligned with your intellectual interests and career objectives.

Liberal Arts at UEA harnesses the best research-led teaching from across the University, resulting in a radically different, innovative, and unique programme. The course is based in the Faculty of Arts and Humanities, but also taught across the Faculty of Social Sciences, and the Faculty of Sciences. This multidisciplinary and multi-Faculty approach means that in all elements of your degree you will benefit from the world-leading expertise alongside the supportive and inclusive teaching techniques of UEA’s academics, whilst retaining a home and core support network within the Liberal Arts team.

Our creative and flexible approach to student-centred learning, and strong emphasis on pastoral support, encourages you to achieve at the highest level. Liberal Arts at UEA combines academic and intellectual rigour with a supportive community and stimulating atmosphere to ensure an excellent student experience.

About

By studying Liberal Arts at UEA, you can enjoy the prospect of taking control of your studies while still being supported by a course structure.

This is an innovative and challenging programme aimed at ambitious and versatile students who do not want to be limited by traditional disciplinary boundaries. Our course is ideal if you wish to study more than one subject area while accessing greater flexibility than traditional joint degrees allow. Whichever subjects you choose, you will be learning at the forefront of your chosen disciplines with our stimulating, exciting research-led programme.

The course offers in-depth learning in your chosen field of specialisation, selected from subjects within the Faculty of Arts and Humanities, which will constitute your major. This is then complemented by the study of other subjects alongside it, selected from within the Faculty of Arts and Humanities, the Faculty of Social Sciences, or the Faculty of Science, which will constitute your minor.

If you are looking for the freedom to follow your interests and passions, wherever these might take you, then Liberal Arts at UEA will be for you. This course will equip you with the knowledge, skills and confidence to lead and innovate. Whilst studying Liberal Arts at UEA, you will build an original and unique portfolio of expertise that will make you stand out from the crowd.

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Liberal Arts at UEA

Liberal Arts at UEA harnesses the best research-led teaching from across the University, resulting in a radically different, innovative, and unique programme.

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Important Information

Whilst the University will make every effort to offer the courses listed, changes may sometimes be made arising from the regular review of course programmes. Where this activity leads to significant (but not minor) changes to programmes, there will normally be prior consultation of students and others. Changes may for example consist of variations to the content and method of delivery of programmes, courses and other services, to discontinue programmes, courses and other services and to merge or combine programmes or courses. The University will endeavour to keep such changes to a minimum, and will inform students.

Assessment for Year 1

You will be assessed through a variety of methods, which will vary greatly depending on your academic choices. During your first year, assessment methods could include coursework, exams, group work, written reports, or presentations. At the beginning of each module, you will be given detailed information on how and when you’ll be assessed.

The core module assessment will be a year-long coursework portfolio based on the theoretical ideas that you have explored during your degree so far.

Feedback
Support will be on hand throughout your time as a Liberal Arts student at UEA, and we are committed to providing regular and appropriate feedback on your academic progress and achievement in order to enable you to reflect upon, and plan, your academic and skills development effectively.

Structure

On this course, you’ll be exposed to a wide range of disciplinary perspectives, theories and methods that will encourage you not only to explore in detail, but also to use, apply, and combine in analysing and understanding the complexity of the contemporary world.

At the heart of your Liberal Arts degree at UEA will sit a group of broad-based core modules that will facilitate the development of your abilities to learn from, and through, interdisciplinary approaches.

In year one, the core module focuses on methodological theory and practice within the Humanities. In addition to this interdisciplinary module, you will make a wide range of elective choices (selected from within arts and humanities subjects) guided towards a discipline-based major, alongside a minor pathway (with the latter selected from a range of subjects from within the arts and humanities, or social sciences, or sciences).

Teaching and Learning

Liberal Arts at UEA integrates the latest learning and teaching approaches to give you a varied and stimulating programme. By choosing your own elective modules in each of the years of your BA Liberal Arts degree at UEA, your studies will be unique to you. You will select modules from across different Schools, allowing you to sample different methodologies, approaches and theories throughout your degree. No matter which disciplines you explore during your studies, teaching is led by internationally respected academics at the forefront of research, and will involve a mixture of tailored small group experiences with fellow Liberal Arts students, and opportunities to study alongside other students in your major field and optional modules, through a combination of lectures, seminars, tutorials, practical classes, workshops, one-on-one support, and self-directed learning. Throughout the programme, you will move between different Schools and Faculties across UEA, whilst retaining a home and core support network within the Liberal Arts team.

In first year seminars, you’ll learn how to listen to and critique the ideas of others, as well as how to present and defend your own arguments effectively. In our Liberal Arts core module, you will be taught with an interdisciplinary approach in regular seminars by staff with specialisms from across the Humanities. The teaching within your elective modules will depend on the practice with the School your module is based in. Through all these sessions and your academic modules, you’ll gain the crucial interdisciplinary research skills of uncovering resources and critically assessing sources.

Academic Support
From the outset, you will be assigned your own academic adviser who will help you tailor your choices from across the different subject areas, ensuring you create a degree that ignites your passion and crosses conventional disciplinary boundaries. Your academic adviser will follow you closely as you progress through your studies, providing academic advice, encouragement, and offering assistance in any areas where you feel extra support will help you make the most of your time and potential here at UEA.

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Assessment for Year 2

As with year one, you will complete different types of assessment depending on which modules you choose for your major and minor pathways. The types of assessment will build on those you have experienced in your first year, and similarly might include written reports, coursework, exams, work produced within a group setting, or presentations. As you progress into the second year of your degree, you’ll develop as a self-motivated researcher and independent thinker.

Your core module will be assessed through an interdisciplinary practice-based project, deriving from the conclusions drawn during your classes. The assessment will allow you to showcase your practical, problem solving, analytical skills whilst also honing your interdisciplinary knowledge.

Structure

In year two, your studies will continue to include further a broad-based module which will allow you to develop practical expertise in the application of multiple disciplinary perspectives when solving significant and increasingly complex problems. The core module will be central to the degree, encouraging you to engage with a range of activities traditionally associated with Liberal Arts training: interdisciplinary work, systems thinking, creativity, innovation, and problem-solving. In this year, you’ll also have the opportunity to focus on your specific major and minor subject areas and topics, studying them in greater depth, building upon your cross-disciplinary knowledge developed in year one.

Teaching and Learning

In your second year, you’ll continue with a core Liberal Arts module in the Autumn Semester, whilst experiencing teaching in different elective modules in disciplines tailored to your specific major and minor pathways. You’ll consolidate your skills of independent and self-motivated learning, thinking and research during this second year of study while also being able to focus on topics which interest you, and find new passions.

In the second year of your degree, there is an option to take a Semester Abroad option in the Spring Semester. If you opt for this, the teaching you experience will be specific to your chosen institution, though the classes you attend will equate to credited modules so that they will align with our own here at UEA.

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Assessment for Year 1

The core module assessment will be a year-long coursework portfolio based on the theoretical ideas that you have explored during your degree so far.

Compulsory Modules

WAYS TO KNOWLEDGE: DISCIPLINES AND PRACTICES

Code HUM-4002Y

Credits 20

This module will aim to challenge, inform and stimulate 'ways of thinking' and 'ways of doing' Liberal Arts, by introducing students to the methodology, theory and practice of interdisciplinary study via extended case studies, which will involve the examination of focal themes from the vantage point of a variety of arts and humanities, social sciences, and sciences disciplines. It will give students a firm foundation for understanding the connections and complexities between disciplines and interdisciplinary practices.

Optional A Modules

(60-100 credits)

INTRODUCTION TO ART HISTORY

Code AMAA4001A

Credits 20

This module introduces you to the study of art history. You will discover what makes art history distinct as an academic discipline. By learning about the themes art historians have explored over time, and some of the methods they use to study art, you will start to understand the subject better – and to appreciate how it fits into your degree. As a seminar, this module also gives you the chance to experience the small-group discussions that are central to our teaching.

MAKERS AND MAKING

Code AMAA4002A

Credits 20

Making works of art – from objects to performances, bodies to buildings – involves a range of materials, activities and ideas. On this module, you’ll learn about the physical and technical properties of different materials as well as their social, economic and symbolic significance. You’ll hear from a range of experts in a series of lectures by our staff in Art History and World Art Studies. You will gain a wider perspective on how people at different times, in different cultures, have designed, crafted and created works of art - challenging narrow ideas about what (and who) an artist is. You will also develop the skills you need to write effective essays at university.

ENVIRONMENT, ART AND CULTURE

Code AMAA4004B

Credits 20

Most works of art – whether objects, buildings, or performances – are designed to serve a set of purposes. How their forms and functions relate may be straightforward and practical, or complex and elusive. Through a range of case studies, presented in lectures by our staff in Art History and World Art Studies, you will examine the connections between the uses, meanings, and appearances of art, culture, space, and landscape. You will also consider how these connections may change over time, especially in the context of cross-cultural contact. The opportunity to analyze texts on your own and in discussion groups will help you understand different points of view and construct an argument supported by evidence.

LEARNING ON SITE: THE SAINSBURY CENTRE FOR VISUAL ARTS

Code AMAA4007A

Credits 20

In this module, you will discover the art and architecture that makes up our department’s home in the Sainsbury Centre for Visual Arts (SCVA). Designed by Lord Norman Foster and opened in 1978, this building and the Robert and Lisa Sainsbury Collection have shaped the study of Art History and World Art Studies at UEA. Through readings, group discussions, and the close study of objects in the SCVA, you will be encouraged to challenge assumptions and preconceptions about different kinds of art – from around the world, and from prehistory to the 20th century. This module will also develop your abilities in library research and academic referencing.

GALLERIES & MUSEUMS: HISTORIES/POLITICS/ETHICS

Code AMAA4010B

Credits 20

This module will introduce you to some of the key concepts underpinning art galleries and museums. You’ll learn about the history of museums and their impact on society. You’ll consider how museums and galleries today use not only their displays but also a range of activities to attract, educate, and inspire visitors. You will also have a chance to study galleries and museums from around the world.

INTRODUCTION TO ARCHAEOLOGY

Code AMAA4023B

Credits 20

How do archaeologists investigate and interpret the ancient past? This module introduces you to what makes archaeology unique. You will learn about the methods archaeologists use to gather and record data. By looking at case studies drawn from different excavations, you’ll begin to understand the complexities involved in interpreting the past from archaeological remains. You’ll also encounter changes in archaeological approaches over time, and consider some of the contemporary issues facing archaeology around the globe.

INTRODUCTION TO ANTHROPOLOGY

Code AMAA4024B

Credits 20

What is anthropology? What do anthropologists study? How is anthropology different from other disciplines? This module presents an overview of key anthropological approaches and their connections with history and archaeology. Throughout this module, you'll learn about classical and contemporary anthropological themes by looking at approaches to nature, human ecology, material culture, art, ritual, religion, and globalization. You'll learn how important culture is in shaping the world. This enables you to comprehend the complexities of today's world.

PORTRAITURE AND IDENTITY

Code AMAA4025B

Credits 20

How do you represent a person? On this module, you will explore the genre of portraiture as it has been practiced by visual artists from the ancient world to the present day. You will develop the skill of visual analysis as you consider issues such as 'likeness'; the face; the self-portrait; portraiture as the embodiment of political, social and aesthetic power; the ways in which portraiture has variously reinforced and challenged concepts of class, race and gender; the photographic portrait, and the role of portraiture in contemporary art and culture. You will also continue to develop your writing skills, as we analyze works of art alongside histories and concepts of the individual self – perhaps the supreme artefact of all.

CREATIVE WRITING AND IDENTITY: TUTORIAL UNIT

Code AMAF4005B

Credits 20

This module is dedicated to incoming members of the American Literature with Creative Writing programme. They will meet with a tutor to explore the relationship between writing and identity. This may raise issues of race, class, or gender: of sexuality: of place (local, regional, national, global): of ethnicity or religion: and of memory or history, among others. Students should expect writing workshops, and that they may variously encounter the writing of either fiction or non-fiction, or of both. Genre will be determined by the tutor. This module is only available to students on U1T7W8401 and is not available to Visiting Students

AMERICAN HISTORY II: THE AMERICAN CENTURY

Code AMAF4010B

Credits 20

In 1941, Henry Luce, publisher of Time Magazine, declared the 20th Century to be “the American Century.” This module challenges you to consider whether Luce was right. In exploring the possible answers to this question, you’ll consider the history of the United States from approximately 1900 through to the early 21st Century. Through a range of primary and secondary historical sources, you’ll be introduced to key themes, ideas, events, and people in the history of the US since the early 20th Century. In doing so, you’ll develop a deeper understanding of how American political and economic power developed and explore the challenges and opportunities Americans faced as the US became a superpower. Beginning with the massive social upheaval of industrialisation and mass immigration in the early 20th Century, you’ll also explore, among other things, the impact of the 'Jazz Age' of the 1920s, the Great Depression and New Deal of the 1930s, the impact of World War Two and the coming of the Cold War, the 'Rights Revolution' of the 1960s, the Civil Rights Movement, and the re-emergence of political conservatism and its consequences in the late 20th Century. You’ll discuss the legacy of racism in American society, changing gender roles and the consequences for society and politics, and the domestic political and cultural impact of the half-century long Cold War. You’ll deepen your knowledge of modern American history and politics and explore the ways in which the legacy of the nation’s earlier history runs through more recent events. You will learn through a combination of lectures, seminars, and self-directed study. You will draw on and strengthen your skills in researching, reading, analysing, and discussing a wide range of primary and secondary source material. You will also develop your oral communication skills and your critical writing skills through class-based discussions and written assignments.

AMERICAN LITERATURE II: MAKING IT 'NEW'

Code AMAL4031B

Credits 20

On this module you will learn the central currents of American Literature, from after the American Civil War, through the turn of the century and into modernism and the early 20th century, finishing at the close of World War II. You will follow the – often fiercely contested – development of a national literature, tracing the way this multitude of voices differs from place to place, from decade to decade, and from writer to writer. Writers studied on this module in past years have included: Henry James, Mark Twain, Nella Larsen, Langston Hughes, Kate Chopin, Charlotte Perkins Gilman, Ernest Hemingway, John Steinbeck, T.S. Eliot and William Faulkner. You will be introduced to these vibrant voices through reading and discussing short stories, novels, poetry, non-fiction and critical work. You will attend lectures, and take part in follow-up discussion-based seminars. Each week you will consider the context of the texts you read, as well as working to analyse and explain how they work on the reader and in society at large. You will encounter debates about the meaning of freedom in life and in art, what it might mean to be modern (or to refuse that modernity), about the responsibilities of citizenship to other people and to the environment, and about what it might mean to write and be read in the modern United States of America. By the end of this module you will be familiar with a wide range of late 19th century and early 20th century American texts and writers. You will learn the major movements in American literature from the fin de siècle through to the Second World War, and will be able to talk about the issues surrounding the development of a national and literary culture. Through doing this, you will improve your ability to read and analyse literary texts, to describe how language works in history and on the reader, and to identify and present new and exciting patterns in what you read.

AMERICAN LITERATURE I: IMAGINING AMERICA

Code AMAL4033A

Credits 20

How did American literature become American? How did literature help to shape the idea of America? This module will provide you with some answers to those questions with a thorough introduction to early American Literature. From the earliest moments of European colonization of the New World through to the bloody Civil War that Americans fought over slavery in the middle of the 19th century, you will explore the ways that a diverse group of writers helped shaped a literary culture that was distinctively American. You will encounter a rich variety of American writers and texts – travellers, novelists, poets, biographers, philosophers – and think about the role that literature played in the creation of a new nation. From puritans to politicians, from revolutionaries to romantics, from slavery to emancipation, you will explore the work of the men and women who shaped our ideas of what American Literature was, is, and might be. Each week, through lectures and seminar discussion, you will also consider the other forces that shaped these texts, and develop your ability to analyse a range of literary styles. As America was colonised, achieved independence, expanded westwards and fought a Civil War, how did American writers respond to the extraordinary tensions running through a newly born nation?

FILM HISTORY

Code AMAM4001A

Credits 20

This module provides an introduction to the history of film from 1895 through to the end of the 20th century. The module will outline important developments in European and American film history, which will underpin your future study. The course will help you understand some of the complex processes of historical change (e.g. technological, industrial and socio-political) that transformed cinema during the period. We will situate particular films in the aesthetic and narrative traditions in which the films were originally made and seen, and explore film histories through a critical lens. The module is also designed to familiarize students with a range of objects and methods within the practice of film history and to use these to encourage students to start asking questions about how film history is constructed, and how as scholars we might usefully explore, or ask questions of, the accepted narratives of film history.

TELEVISION HISTORY

Code AMAM4001B

Credits 20

This module aims to offer an introduction to television history. It explores how television has developed (at the level of institution, text, genre, technology or audience), while it also explores the very idea of ‘television history’ itself – how television can be studied historically, and the debates and issues involved in the construction of television history. The primary focus of the module is on British television, and it is broadly split into three sections. Although each week always has a particular programme case study or screening, the first section of the module explores the history of television as institution (the emergence of public service broadcasting, the rise of commercial television, the development of Channel 4 and the changed status of public service in the multi-channel age). The second section focuses on the history of particular genres or programmes (and how to research them), while the third section explores how questions of audience and reception are also part of television history (with case studies including the ‘media event’ of Princess Diana’s death, and the impact of the internet on cultures of television viewing).

ANALYSING FILM

Code AMAM4009A

Credits 20

The analysis of film form underpins film studies as a discipline, informing aesthetic, theoretical and historical modes of inquiry. You will be introduced to the analysis of film form and film style. It encompasses approaches to the fundamental formal elements of mise-en-scène, cinematography, editing and sound. You will also build on these elements of film form to address systems of and approaches to film style including narrative and narration, genre, realism, continuity and classicism, modernism and experimentation. You will also learn how questions of film style are integral to the analysis of representation, for example in relation to modernity, gender and race.

ANALYSING TELEVISION

Code AMAM4010A

Credits 20

You will explore the many ways television has been examined, explored, understood, and used. You will focus particularly on the specifics of the medium; that is, how television is different from (and, in some ways, similar to) other media such as film, radio, and the internet. Each week will focus on a particular idea which is seen as central to the examination of television. The medium will be explored as an industry, as a range of texts, and as a social activity.

MEDIA INDUSTRIES

Code AMAM4028A

Credits 20

As knowledgeable as you may be about certain media products – like your favourite TV programmes, films, songs, video games or websites – how much do you know about the functioning of the industrial contexts from which these typically emerge? It is easy to forget that standing between us and our favourite media products is a complex structure of interpenetrating cultural sectors and organisations. This module will introduce you to some of the core characteristics of the media industries, providing you with a better understanding of how and why they operate in the ways they do. Throughout the module you will come to appreciate the distinctiveness of the media industries and their products, the implications this has for producers and the broader effects implied for the overall structure of these industries. In addition, you’ll learn about the economic and political organisation of the media industries, the policies and regulations to which they are subject, as well as the divisions of labour determined by their modes of organisation. You’ll begin with a consideration of the particular characteristics of media goods and the challenges involved in commodifying and deriving revenues from them. Following this, you will explore issues of ownership, integration and concentration, before we consider such matters as policy and regulation, creative work, digitalisation, convergence and media systems. Having considered examples of specific media organisations, franchises, texts and sectors, you’ll put your new knowledge into practice by developing your own case study project, aimed at explaining the functioning of one aspect of the media landscape. Across the module you will also gain experience in communicating your ideas in seminars as well as through workshop tasks and written work.

MEDIA HISTORY

Code AMAM4029A

Credits 20

You’ll explore media history from the perspective of departmental interests in critical media studies, cultural consumption and historiography. It will highlight the material, social and institutional contexts in which media forms have been produced, mediated and consumed and the ongoing power struggles therein. By working through different interpretations of how the media has intersected with long-term changes in society, the module will allow you to contrast ‘top down’ histories of industrial organisation, technological evolution and regulatory intervention with ‘bottom up’ histories of media as social activity.

DIGITAL MEDIA: CONCEPTS, TECHNOLOGIES & CULTURES

Code AMAM4031B

Credits 20

This module introduces students to the study of digital media, focusing on both the technologies and platforms that drive the 'digital age' and the cultures they have produced. We will examine how scholars have theorised digital media since the early 1990s, mapping how the production, circulation, and, consumption of new media has changed over the past twenty years. Weekly case studies will allow students to apply theories to contemporary cultural events and phenomena, which may include #blacklivesmatter, selfie culture, the Arab Spring, and SciHub.

THEORISING MEDIA AND CULTURE

Code AMAM4033B

Credits 20

This module introduces you to a range of influential thinkers whose work has shaped Media Studies. It will provide you with the foundational knowledge you need to progress with confidence onto more specialist modules in your second and third year. You will compare and contrast how different scholars have tried to explain the role of the media in creating communities, in reproducing social inequalities, but also in driving social change. You will discuss whether we need to study media audiences, media content or media industries in order to understand media power. The module will help you develop your own voice as a researcher and writer. You will learn how to effectively compare and contrast complex theoretical arguments and how to place your own argument within the context of academic debate. You will have opportunity to apply your knowledge of media theories to a small piece of media research and to express your research ideas not only through writing, but also through a creative media project.

MEDIA REPRESENTATION

Code AMAM4034A

Credits 20

How do the media represent social groups and why does this matter? These two questions are central to Media Studies. On this module, we will give you an introduction to research across a range of topics, such as the representation of women, migrants and older people. You will learn how the media have represented these groups in the past and discuss whether and why representations have changed today. You will be introduced to theories that are central to Media Studies and which you will be able to explore in depth in more specialist modules in your second and third year, for example feminist theories, post-colonialism, critical race studies, queer theory, and disability studies. The assessment on this module is a small piece of independent research. You will write a literature review, a discussion of your research methodology and you will present and analyse the findings of a small piece of media analysis. This module will teach you the necessary skills of academic writing.

WORLD CINEMAS

Code AMAM4035B

Credits 20

The concept of World Cinema pervades our everyday experiences of film. It is a category of films that can be seen increasingly from cinema listings to the high street. Inherent within the label are debates of resistance, industry, art, technology and aesthetics that have held sway since the dawn of cinema worldwide. In this module you will break down some of these discourses and address the significant cultural, economic and political influences that world cinema has had, and indeed still has, within cinema. There are innumerable cinemas that may be contained within the notion of “world cinema,” but few are more long-lived, or as well-developed, as those we will investigate during this module. Taking the conceptual frameworks of “Middle Eastern,” “European” and “Asian” cinemas as starting points, you will break down the meanings that these regional, national and international definitions of cinema share. You will focus, for example, on the cinemas of Europe, Turkey, Middle East, Japan and America. This tightly focused definition of “world cinemas” is intended to introduce some of the most significant of contemporary world cinemas, while also focusing on those which have had the most influential global histories.

INTRODUCTION TO TELEVISION STUDIO PRODUCTION

Code AMAP4001A

Credits 20

This module introduces students to television studio production, using the resources of the campus television studio. You will learn basic skills of both live and recorded studio production (including directing, vision and sound mixing, camera-work, lighting, floor management and editing), using practice-based training. You will produce a short television programme, researching the appropriate genre characteristics, style and narrative to create the final work. The live broadcast will be accompanied by written reports that critically analyse and evaluate the production process and the finished product.

READING THE SCREEN

Code AMAP4002A

Credits 20

In the world of the ubiquitous screen, it is easy to allow visual media content to wash over us. If we hope to produce effective content ourselves we need to be able to read the screen as a text effectively, to access to its language, gain knowledge of its history and an understanding of how screen content is designed to affect us. In this module you will be introduced to the key methods of analysis which help us understand and distinguish film from television, documentary from drama and realism from reality. It will look at approaches which underpin the production of all screen content from cinema to mobile phone through mise en scène, cinematography, narrative and editing. It will identify and analyse the conventions of a range of visual screen-based media giving insight into their production, industrial and social constructions.

CREATIVE CRITICAL METHODS: CREATIVE PROJECT AND RESEARCH

Code AMAP4036B

Credits 20

The module provides you with the basic concepts and methods necessary to devise and execute a critical-creative project. Students employ both research and creative production methods to examine the interrelationship between theory and creative practice. Coursework will explore methods of using research to inform production, which, in turn, will deepen our understanding of theory. To close the critical-creative ‘loop’, we will develop the habit of critical reflection. Over time, this will hasten your development in both critical and creative areas. Students will look at various methodologies in the area, including research-led-practice and practice-as-research, before producing their own creative work. In the process, you will be shown how to position your creative work in a clear intellectual context; devise the research questions that are practical and realistic; and develop research methods necessary to address these questions. Students work in teams to produce research material that will inform one of a range of creative projects (e.g. short video or audio projects) in liaison with the module leader, followed by critical reflections.

MAKING FILM AND VIDEO

Code AMAP4038B

Credits 20

Film is frequently described as a ‘director’s medium’, while simultaneously defined as a ‘collaborative effort’. How is that possible? How do the director, cinematographer, designer and editor work together to create the suspense, romance, or comedy that we expect from our favourite films? What does the film director actually do? What are the choices that see one director lauded as an ‘auteur’ while another is derided as a ‘hack’? Why does a cinematographer choose the specific lighting, framing and camera style for a scene? How does the director work with a script and coax performances out of the actors? What prompts the editor to use one camera angle, rather than another? This module attempts to answer these questions, as it introduces you to the practical application of film and television grammar and explores the fundamental questions of cinematic and televisual storytelling. A series of filmmaking exercises give you the chance to experiment with elements of camera and blocking, the use of sound, and multiple editing options. Other exercises look at script as a dramatic text and introduce basic techniques of working with actors. The final project asks you to work with professional script material to produce a video scene study. The module encourages students to understand the choices and decision-making processes involved in filmmaking, and the pros and cons involved in any creative decision.

CREATING MEDIA

Code AMAP4040A

Credits 20

As part of this module, you'll learn how to create media texts across a variety of formats, including podcasts, social media, documentary mashups, film scripts, and adaptations. You'll understand the important components of each format and practice them in your creative projects. This is an important step in your training, as it's where you'll begin to develop your own creative voice. Your coursework will be in both group work and solo projects, featuring a mix of production and writing. You will submit your summative assessments as two portfolios of short exercises.

INTRODUCTION TO THE FILM AND TV INDUSTRY: CREATIVITY, COMMERCE AND CHANGE

Code AMAP4042B

Credits 20

The module introduces the contemporary industries of film and television, and related media content creation businesses. It will look at the different job roles of people and organisations in those industry value chains. It will explore how personal creativity and market demands influence those industries in different ways; and introduce how new media and technology have recently affected both business models and working practice. One 2 hour seminar a week.

AMERICA NOW, AMERICA THEN

Code AMAS4036A

Credits 20

From COVID19 to Confederate flags, from Black Lives Matter to Donald Trump’s MAGA - how do we navigate the turbulence of contemporary American life? It is impossible to understand America now without understanding America then - the deep social, cultural and political histories which underpin contemporary events and which are still very palpable in the present. In this module, therefore, we will seek to understand some of the most pressing issues in today’s America by unpacking the rich and revealing interdisciplinary contexts that help to explain them. We will do this by using a variety of scholarly approaches and disciplinary lenses, and range widely across the American past. On completion of this module, students will also have the skills required to research, write and edit at university level.

AMERICAN STUDIES II: BEYOND BOUNDARIES

Code AMAS4037B

Credits 20

How has American culture been shaped by categories of race, gender, class and sexuality? How can we unpick and understand the complex experiences that shape American identity? This module will enable you to develop and expand the research methods, writing skills, and oral skills you’ll have acquired in ‘Reading Cultures I: American Icons’. You’ll continue your exploration of the contemporary United States, you’ll be introduced to the work of critical theorists, and you’ll be encouraged to think about America’s changing position in the world. Classes will further facilitate skills in reading, writing, analysis and independent thinking, through which you will gain the confidence and the tools necessary to be a self-supporting learner, giving you a strong academic foundation for the rest of your degree programme.

INTRODUCTION TO MEDIEVAL HISTORY

Code HIS-4001A

Credits 20

This module is designed to provide an introduction to medieval history. We survey the history of medieval Europe, including England, from c.1000 to c.1500, and also examine some archaeology, literature, art, and architecture from the period. We also aim to introduce you to a range of primary sources, including some of the physical remains to be found in East Anglia.

INTRODUCTION TO EARLY MODERN HISTORY

Code HIS-4002A

Credits 20

An introduction to key themes in early modern history, such as: gender, rebellion, religious conflict, the reformation, warfare, state formation, and other key aspects of the period 1500-1750.

INTRODUCTION TO MODERN HISTORY

Code HIS-4003A

Credits 20

You will gain a wide-ranging introduction to the political, social and economic transformation of Britain and Europe from the late eighteenth century to the First World War. Among the themes, you will consider industrialisation and its impact, revolution and reform, nationalism and imperialism, gender and society, great power relations, the impact of war and the collapse of the old Europe in 1917-18.

VISUAL(ISING) HISTORY

Code HIS-4007B

Credits 20

The importance of visual and material sources as historical evidence, as witnesses to history, has long been recognised by historians. Relics, buildings, maps, paintings, photographs, and films are all visual and material sources from which historians can elicit meaning. Paintings, photographs, and films in particular propose to give us unique access to the ideological, physical and emotional content of a specific historic moment. But visual evidence also challenges us to consider where we as historians draw the line between the mediated and unmediated ‘truth’ of the past. History is always an interpretation of the past that changes. Our aim is to introduce students to the analysis and interpretation of a wide range of visual and material evidence. Furthermore, students will examine the manifold ways in which audiovisual historical representations shape and reshape our collective memory and understanding of the past from the medieval to the contemporary.

THE CATASTROPHIC FOURTEENTH CENTURY

Code HIS-4010B

Credits 20

The fourteenth century represents a major watershed in the course of global history, and the major contours of change are explored through this outline study of events in England between c.1300 and c.1400. Foremost among those changes stands the Black Death of 1348-9, which is now recognised as the worst single catastrophe in documented history. The second plague outbreak of 1361-2 represents the second greatest health crisis of the second millennium. The pathogen that caused both epidemics has the dubious honour of being the worst killer in history. It is still present in five continents of the world, and, if antibiotics do become ineffectual during the course of our own century, then the Black Death will represent the greatest pathogenic threat to humanity. Historians have long debated whether the Black Death was a major turning point in history or a mere accelerator of trends already in motion. Part of the difficulty in assessing its impact is that it was just one of a number of major catastrophes to strike during the fourteenth century. The others were the Great Famine of 1315-17, the worst famine of the last millennium; the great cattle epizootic of 1318-19, the worst livestock disease of the millennium; and the Peasants’ Revolt of 1381, the worst civil uprising in English history. Modern science has cast new light upon the causes of these extreme epidemics and famines, and in doing so has revealed the dramatic instability of the climate as world temperatures cooled and the Little Ice Age began. Catastrophes of this magnitude and frequency reveal to the historian a great deal about human society, its beliefs and responses, and the resilience of its institutions. This was also a period of political turmoil. In 1326 Edward II was the first king to be removed violently from the throne since Harold in 1066, and a similar fate befell Richard II in 1388. Both were murdered subsequently. Despite these catastrophic events, English kings waged war as if nothing had happened and the English government greatly extended its powers to regulate the life of ordinary people in new and contentious ways. The foundation stones of modern state finance and labour legislation were laid in the fourteenth century. Central institutions of English life—such as the pub and the magistrate—also emerged. Catastrophes create opportunities, too, and the English response to those opportunities was markedly different to many other parts of Europe. At the start of the century, its society, economy and political institutions all lagged behind developments in the leading regions of Europe. At the end of the century, however, England was one of the regions diverging from the rest of the continent and taking the first tentative steps towards modernity. Some historians argue that women’s work and marriage patterns were transformed after the Black Death, and the modern nuclear family emerged. This module provides you with an entertaining, fresh and fascinating introduction to medieval history, whilst revealing how some of the most significant institutional features of modern Britain began to take shape during this period. The assessment regime includes a group presentation to encourage collaboration with other first year historians.

DOING HISTORY

Code HIS-4013B

Credits 20

This module provides students with an overview of historical methodologies that will be important throughout their study of history. Through a series of targeted general questions bolstered with case studies based around primary documents, the module looks at ways historians across all sectors have dealt with these ideas throughout the history of the historical profession, providing a multifaceted approach to the ‘doing’ of history. Crucially, the module allows students to reflect on the importance of doing history in a world increasingly suspicious of experts, new ideas, and critical thought.

THE AGE OF EXTREMES: WORLD HISTORY SINCE 1914

Code HIS-4014B

Credits 20

This module conveys the rich complexity of global history, encouraging you to look afresh at the period. In hindsight, the epithet ‘age of extremes’ best describes the contradictory characteristics of a century during which total war and genocide were accompanied by growing humanitarianism, state health care and the advance of human rights. Naturally, developments during the first decades of the twenty-first century have forced historians to reconsider and revise once-accepted narratives about modernization. Just as the trend toward increasing integration, harmonization and homogenization does not seem to have completely destroyed religious hatred, we can question the idea that modernization always resulted in secularization and tolerance. Similarly, the demonstrable power of international finance and supranational assemblies counters narratives of popular empowerment through the triumph of representative democracy. The lectures examine themes in chronological contexts including the impact of war, revolutions, nationalism and nation building, ideologies, ethnicity, communications, decolonisation, science, technology, healthcare, gender equality, LGBTQ+ rights, consumerism, global poverty, disease, population movements, land uses, urban planning, climate change, natural catastrophes, sport, diet, trade and quality of life.

CREATIVE WRITING: AUTUMN SEMESTER

Code LDCC4001A

Credits 20

In the first creative writing module of your UEA career you will be introduced to the fundamental principles of the three major forms we teach: Prose Fiction, Scriptwriting, and Poetry. While some of you may already consider yourselves to be specialists in a particular form, we believe that any writing practice is deepened and given texture by a wide understanding of craft and imaginative possibility. Consequently, across three interconnected units, you will be guided through the theory and practice of a range of techniques and concepts that will enable you to get your ideas out of your head, onto the page and into the minds of your readers. The module is taught in seminar groups, each one led by a practicing writer. You will be asked to read exemplary texts from some of the finest contemporary writers and thinkers, selected both to inspire and to deepen your understanding of craft. In your groups, you will undertake writing exercises, generating ideas and material that will develop as the semester goes on. You will be introduced to the practice of journaling, developing the habit of paying close attention to the world. In this way, you will begin to develop a sense of your writerly identity, your voice and your way of being in the world. In other words, your UEA writing journey will be underway, your sails beginning to fill. This module is exclusive to students enrolled on the following degree programmes: English Literature with Creative Writing; Creative Writing and English Literature; American Literature with Creative Writing; Drama and Creative Writing.

SCRIPTWRITING AND PERFORMANCE

Code LDCD4004B

Credits 20

This is an introduction to yourself as a writer, and to the process of giving and receiving criticism to and from your fellow writers. Through a series of writing exercises, readings and discussions, key dramatic skills are inculcated and practised, leading to the production of a short, but complete script.

INTRODUCTION TO WORLD DRAMATIC LITERATURES

Code LDCD4007A

Credits 20

What’s the history of dramatic literatures, and how have ground-breaking plays shaped it? Introduction to World Dramatic Literatures enables you to examine a wide range of influential plays — from comic to tragic, realist to absurd — offering a broad arc of dramatic history. As well as the work of major European dramatists, you will be able to draw on the dramatic literature of Asia, Africa and/or the Americas. You will learn how to analyse playtexts in their historical and aesthetic contexts, observe and discuss performed extracts, and perform in them if desired.

POSTWAR BRITISH DRAMA

Code LDCD4008B

Credits 20

This volatile and rich period after World War II in Britain radically transformed the British Theatre and saw the rise of a number of innovative theatre companies throughout the second half of the twentieth century. You will examine British Theatre in the context of ideas that originated in Europe and Britain at the end of the nineteenth century and the beginning of the 20th. You’ll explore the work of seminal theatre companies, playwrights and directors in the United Kingdom and interrogate the performance styles through the lens of British and European social history through the decades. Through a detailed examination of dramatic texts, video clips, memoirs, journal articles and newspaper clippings, as well as practical workshops and participatory performances of work from the period under scrutiny, you’ll explore all aspects of theatrical performance from design to direction.

APPLIED DRAMA AND TECHNICAL SKILLS

Code LDCD4016A

Credits 20

A mixture of workshops, seminars, physical skills, technical classes, aiming to begin the process of training in all areas related to the delivery of an intelligent performance. You will learn to work together in drama through exercises and through improvisation and on text. You will also be introduced to the second level of Responsible Person training (‘RP2’) through weekly classes in technical disciplines (you will normally choose 2 from: Sound, Lighting, Costume, Design, Stage Management, Workshop Skills, Meisner Work).

THEATRE: THEORY AND PERFORMANCE

Code LDCD4017B

Credits 20

You'll investigate theories of theatre through the reading and discussion of key theoretical texts, and through practical workshops exploring voice, movement and performance processes, while continuing elements of the technical skills training begun in Semester 1.

THEATRE NOW

Code LDCD4019A

Credits 20

You'll explore innovative contemporary theatre and performance companies. By watching shows, taking part in seminar discussions, and taking part in practical workshops, you'll discover how contemporary theatre-makers are reimagining the artform. You'll get to know the wide variety of theatre in Norwich and work with a visiting artist.

ACTING: WORKING WITH PLAYS

Code LDCD4020B

Credits 20

This module proposes to offer a foundational exploration of acting techniques, that anticipates and prefigures a fuller experience in 2nd year modules such as LDCD5016A, LDCD5055A and LDCD5060B and LDCD5054B. A mixture of technical exercises and approaches to text will present students with formative vocabularies and experiences of acting that will enhance their engagement and confidence in 2nd year modules and beyond. The intersection between the actor’s psycho-physical readiness and their understanding of a text is fundamental to the tradition of Western theatre training and practice. The implications of this intersection for an actor or director are profound, whether the genre of performance is in the naturalistic spectrum or not. This is also the context in which we can consider other modes of performance than those most familiar to us.. This module will: Challenge preconceived and received notions of what is necessary to effective acting, and invite students to recalibrate their approach to representing human experience on stage or on film. Equip students with tools for reading dramatic texts, so as to mine the writing for the information that will nourish that incarnation. Equip students to express themselves in a variety of modes, readying the physical instrument in parallel to the analytical instrument. Develop the first layers of technique and confidence to stand on a stage, to be heard and be seen, and thereby to reveal what is truly human about the theatrical moment. Enable them to feel at home on the large stage of the Main Studio, working with one another, seeing one another demonstrate different modes of behaviour on that stage, guided in different genres of performance with different playwrights’ texts. Textual reference points include but are not limited to: Shakespeare, Chekhov, Hellman, Miller, Beckett, Williams, Pinter, Churchill, Mamet, Baker, Kane Critical and theoretical reference points will include but not be limited to: Stanislavski, Artaud, Brecht, Littlewood, Bogart, Berry, Berkoff, Gonsalves, Lehmann. Is the fictive cosmos conducive to the presence of the actor or antagonistic to it? What is an aside, or a soliloquy? Can Wilde and Orton be played using Stanislavskian principles? What do Alienation, or meta-text, or meta-performance imply about the role of the audience and their relationship to the performer? The module will assess students, both formatively and summatively, via text reading, acting exercises and rehearsed scenework. Written reports on performances and reflective writing will complement a portfolio of practical work.

READING LITERATURE IN HISTORY

Code LDCL4008A

Credits 20

This is the main introductory module to the study of literature. It aims to help new students to read historically, by offering a range of models of the relationship between literature and history, explored through the study of selected historical and literary moments. The module is taught by a weekly lecture, with an accompanying seminar.

READING NOW

Code LDCL4009A

Credits 20

Reading is at the heart of our experience of literature. It is central to the ways in which we think and write about literary texts, and to some of the claims made on their behalf. This module is concerned with what it is we do when we read literature, at university and elsewhere, and why. We will concentrate in particular on four elements: on the practice of what is commonly known as close reading, one of the building blocks of literary study; on some of the ways in which reading has been represented in literary texts themselves; on the kinds of significance, both moral and political, claimed on behalf of reading; and on reading as we do and think about it today, in a world ever more virtual and networked.

SLOW READING

Code LDCL4011B

Credits 20

This module seeks to build on and develop the work of the Autumn semester, in particular that of modules concerned with close reading. You will engage with a long text in a deep and sustained way across the semester, opening up a multi-layered and multi-faceted reading. The first half of the course will focus on the literary text itself, its forms and its stylistic innovations, alongside some short supplementary readings. As the module goes on, you will encounter the diverse ways in which others have read the text from different critical perspectives. You will reflect on, especially, the ways critics have brought the literary text into dialogue with theoretical texts to mutually illuminating effect, looking closely at some of the theoretical texts they are drawing on too. In the end, you too will bring the literary text into dialogue with some of the theoretical writing you encounter in the second half of the course. The real focus of this course is, of course, less the text you are reading than the very practice of reading itself.

READING AND WRITING CRITICISM

Code LDCL4015A

Credits 20

In this module you discover the possibilities of literary criticism, and begin develop your own identity as a literary critic. You’ll learn how to analyse and construct critical arguments, and how to craft critical writing of your own. The module helps you learn how to evaluate the claims made by literary critics, and to develop your own strategies of critical analysis and argument. It also reflects on the aims of criticism more generally, and introduces you to key critical concepts that you will be working with throughout your degree.

WRITING TEXTS

Code LDCL4020B

Credits 20

In this module theories of literature and experiments in writing will intersect. In weekly lectures and seminar discussions, and through the reading of a carefully curated dossier of essays, you’ll explore important questions about writing and literature. What is the difference between writing and speaking? What is a literary text and how does it differ from non-literary texts? What is the relationship between the act of reading and the act of writing? How is a literary text influenced by other texts? You’ll also become confident in carrying out your own textual experiments and trying out a range of creative rewriting exercises on existing texts. In this you might explore modes of adaptation and translation, try out different ways of writing to constraint, play literary-generative games such as cut-up technique, as well as undertake a variety of textual interventions and experiments. You’ll be encouraged to hack existing literary texts and rewrite them to your own purpose. You’ll take texts apart and put them back together differently. Through specially-designed writing exercises you will gain new insights into a variety of approaches to writing and literature. Your encounters with literary-theoretical texts will likewise cast new light on the writing process and the ways in which the text produced relates to textual theories. By the end of the module you’ll have gained a keen understanding of how texts work. This will make you a better reader and writer. You’ll also become confident in stepping back and thinking about your own writing critically.

WRITING ACROSS BORDERS

Code LDCL4021B

Credits 20

How has English crossed geographical, linguistic and social borders? What are the legacies of these movements for the literature we read and the ways we speak? In Writing Across Borders, you’ll study the emergence of modern English from a multilingual medieval society and its colonial expansion to Ireland, Africa, Asia and the Caribbean. You’ll investigate the histories of translation, religious mission, education, violence, exploitation and political control that have given rise to the global reach of English as a means of cultural exchange. The module will focus on examples of writers who have responded critically and creatively to these histories, asking how they have used distinctive forms of English to articulate their experience and understanding of their world. It will provide you with a conceptual vocabulary to describe different forms of language such as register, dialect and creole, which you’ll apply to analysis of a range of literary texts that may include songs, religious works, translations, travel writing, plays, novels and poems. You’ll engage with a variety of perspectives on established debates about speech communities, the status of ‘standard’ English and the relation between language and broader narratives of identity. You’ll be encouraged to think about the hybridity of English and the ways that the language you use, read and hear expresses histories and social differences.

BEGINNERS' FRENCH I - A1 CEFR

Code PPLB4013A

Credits 20

Bonjour, comment ça va? Do you want to understand what this means and how to say it? This module will help you to master basics of French language and communication. This module is perfect for you if you have never studied French before (or have very little experience of it). Throughout the semester, you’ll develop reading, listening, speaking and writing skills at the A1 level of the Common European Framework of Reference for Languages (CEFR). This means that you will learn to communicate about yourself and your immediate environment in a set of concrete, everyday situations. You’ll be taught in a very interactive and friendly environment, and will often work in pairs or small groups. Your two-hour seminar will focus on listening, reading and writing skills, while the oral hour will help you to develop your confidence in speaking. We’ll tackle some grammatical notions in class, but always as a means for you to improve your communication skills. You’ll also have opportunities to explore aspects of the cultures where French is spoken thanks to the various documents we will use to develop your linguistic skills (songs, podcasts, leaflets…). You’ll be assessed by two course tests: the first will cover listening, reading, and writing skills and the second will cover your speaking skills. On successful completion of this module, you’ll be able to understand and use familiar everyday expressions aimed at both the satisfaction of concrete needs, or those used to describe areas of most immediate relevance. You’ll be able to introduce yourself and others, ask and answer questions about personal details, and interact in a simple way provided the other person talks slowly and clearly.

BEGINNERS' FRENCH II - A2 CEFR

Code PPLB4014B

Credits 20

Parlons français ! This module will help you to further your basics of French language and communication in order to enable you to cope with concrete situations. This module is perfect for you if you have taken Beginners’ French I – A1 CEFR, or if you have some experience of French language, whether a GCSE or equivalent many years ago, an A1 language course or other relevant formal knowledge. Throughout the semester, you’ll develop reading, listening, speaking and writing skills at the A2 level of the Common European Framework of Reference for Languages (CEFR). This means that you’ll be able to cope in a number of situations, including some you may encounter when travelling. You’ll be able to talk and write about yourself and your immediate surrounding environment in some detail, and you’ll work on handling short social exchanges. You’ll be taught in an interactive and friendly environment, and will often work in pairs or small groups. Your two-hour seminar will focus on listening, reading and writing skills, while the oral hour will help you to develop your confidence in speaking. We’ll tackle some grammatical notions in class, but always as a means for you to improve your communication skills. You’ll also have opportunities to explore aspects of the cultures where French is spoken, thanks to the various documents we will use to develop your linguistic skills (songs, podcasts, short articles and videos…). You’ll be assessed by two course tests: the first will cover listening, reading, and writing skills and the second will cover your speaking skills. On successful completion of the module, you’ll be able to understand and use expressions related to areas of immediate relevance, or that you may encounter when travelling. You’ll be able to communicate in simple and routine tasks requiring a direct exchange of information. You’ll be able to describe in simple terms aspects of your background, immediate environment and needs.

BEGINNERS' FRENCH I - A1 CEFR (SPRING START)

Code PPLB4015B

Credits 20

Bonjour, comment ça va? Do you want to understand what this means and how to say it? This module will help you to master basics of French language and communication. This module is perfect for you if you have never studied French before (or have very little experience of it). Throughout the semester, you’ll develop reading, listening, speaking and writing skills at the A1 level of the Common European Framework of Reference for Languages (CEFR). This means that you will learn to communicate about yourself and your immediate environment in a set of concrete, everyday situations. You’ll be taught in a very interactive and friendly environment, and will often work in pairs or small groups. Your two-hour seminar will focus on listening, reading and writing skills, while the oral hour will help you to develop your confidence in speaking. We’ll tackle some grammatical notions in class, but always as a means for you to improve your communication skills. You’ll also have opportunities to explore aspects of the cultures where French is spoken, thanks to the various documents we will use to develop your linguistic skills (songs, podcasts, leaflets…). You’ll be assessed by two course tests: the first will cover listening, reading, and writing skills and the second will cover your speaking skills. On successful completion of this module, you’ll be able to understand and use familiar everyday expressions aimed at both the satisfaction of concrete needs, or those used to describe areas of most immediate relevance. You’ll be able to introduce yourself and others, ask and answer questions about personal details, and interact in a simple way provided the other person talks slowly and clearly.

BEGINNERS' GERMAN I - A1.1 CEFR

Code PPLB4018A

Credits 20

Have you ever wished you could order your mulled wine at the Christmas market in German? How would it feel be to be able to introduce yourself in German or survive a basic conversation in the language? Or do you simply want to understand what makes the Germans, the Austrians, or the Swiss tick? These questions highlight the central learning achieved within this module. Our beginners’ course in German is perfect if you have very little or no prior knowledge of the language. You will gain the confidence to use German in basic conversations as you develop a first understanding of German sounds and essential grammar. You will build up a bank of key vocabulary to survive in real-life situations. You will also gain a greater awareness of German traditions and ways of thinking to help you make sense of a country that is deeply rooted in the heart of Europe. In a relaxed environment you will participate in classroom-based activities, working in pairs and groups to try out and be creative with new sounds, words and phrases. The fun of language learning will never be far away and promises to give you the confidence to make the first steps in German. As well as speaking and listening to each other you will discover the joy of understanding an authentic German text and to write an amazing first paragraph in German. A first course in German will enable you to add a vital skill to your CV. At this crucial political and cultural moment in time the study of the German language and culture will without doubt make you a more attractive graduate and informed global citizen, whatever your specialism or area of interest. Please note that you should not have a level of German that exceeds the level of this course.

BEGINNERS' GERMAN II - A1.2 CEFR

Code PPLB4019B

Credits 20

Do you want to refresh and further develop your basic German skills? Would you like to converse with a native speaker beyond the first introductions? Or do you simply want to understand a little more about what makes the Germans, the Swiss or Austrians tick? This follow-on course is perfect if you have completed the Beginners 1 module or have very basic knowledge of the language. You will gain more confidence in using German in conversation as you become ever more familiar with essential German grammar. You will learn how to express opinions, wishes and requests, and how to master the skill of congratulating and complimenting other people. During this module you will also gain further awareness of German traditions and ways of thinking to help you make sense of a country that is deeply rooted in the heart of Europe. In a relaxed environment you will participate in interactive activities, working in pairs and groups to try out and be creative with new words and phrases. The fun of language learning will never be far away and promises to give you the confidence to maintain a conversation and express yourself to a target audience in writing. As well as speaking and listening to each other you will apply a range of strategies to help you make sense of authentic German texts. A solid beginners’ course in German will enable you to add a vital skill to your CV. At this crucial political and cultural moment in time the study of the German language and culture will without doubt make you a more attractive graduate and informed global citizen, whatever your specialism or area of interest. Please note that your current language proficiency level should not exceed the level of this course.

BEGINNERS' SPANISH I - A1 CEFR

Code PPLB4022A

Credits 20

Do you want to learn a new language? Do you want to access the Spanish-speaking world? Are you about to travel through Spain or any Spanish-speaking country in Latin America? Then, it´s the right time to enrol to Beginners´ Spanish I. This module will improve your academic education and will provide you with the confidence to advance towards intermediate and advanced levels. It sounds good, doesn't it? You will develop your reading, writing, listening and speaking skills and you will have the opportunity to receive personal feedback on all your efforts. You will take part in classroom-based activities, working in pairs and/or small groups supporting each other in the process of learning Spanish and engaging with a range of tasks. You will also be able to focus on real life situations as well as the ability to communicate effectively in those situations. There will also be opportunities to explore aspects of the cultures where Spanish is currently the main language. Do you want to learn a new language? Do you want to access the Spanish-speaking world? Are you about to travel through Spain or any Spanish-speaking country in Latin America? Then, it´s the right time to enrol to Beginners´ Spanish I. This module will improve your academic education and will provide you with the confidence to advance towards intermediate and advanced levels. It sounds good, doesn't it? You will develop your reading, writing, listening and speaking skills and you will have the opportunity to receive personal feedback on all your efforts. You will take part in classroom-based activities, working in pairs and/or small groups supporting each other in the process of learning Spanish and engaging with a range of tasks. You will also be able to focus on real life situations as well as the ability to communicate effectively in those situations. There will also be opportunities to explore aspects of the cultures where Spanish is currently the main language. By the end of this module, you will have the linguistic competence necessary to understand and use common everyday language and simple sentences, to communicate both in writing and verbally. If you have a recent Spanish GCSE grade C or below, or an international equivalent, then this module is appropriate for you.

BEGINNERS' SPANISH II - A2 CEFR

Code PPLB4023B

Credits 20

Have you ever taken any basic Spanish course? Do you want to carry on studying this widely spoken language after taking Beginners´ Spanish I? Beginners´ Spanish II will add to your academic education and will provide you with the confidence to advance towards upper intermediate and advanced levels. You will develop your reading, writing, listening and speaking skills. Personal feedback will support you along the way. You will take part in classroom-based activities, working in pairs and/or small groups supporting each other in the process of learning Spanish and engaging with a range of tasks. You'll also be able to focus on real life situations as well as the ability to communicate effectively in those situations. There will also be opportunities to explore aspects of the cultures where Spanish is used. By the end of this module, you will be able to understand commonly used, everyday phrases and expressions related to areas of experience (basic information about yourselves, and your family, shopping, places of interest, work, etc.). You can take Beginners’ II if you have passed Beginners’ I. Alternatively, your language skills will need to be assessed with a placement test.

BEGINNERS' SPANISH I - A1 CEFR (SPRING START)

Code PPLB4024B

Credits 20

BEGINNERS' ARABIC I

Code PPLB4029A

Credits 20

This is a most lively, accessible and carefully-paced Arabic course, aimed at beginners with little or no previous knowledge of the language who want to understand, speak and read Arabic confidently. The course is based on the bestselling book series Mastering Arabic 1 : - teaches Modern Standard Arabic (MSA), the universal language of the Arab world - covers a functional variety of situations you will encounter in the Arab world - offers a gradual introduction to the language, script and structures through development of essential speaking, listening, reading and writing skills - some aspects of the Arab world and culture(s) are covered.

BEGINNERS' ARABIC II

Code PPLB4030B

Credits 20

This is the second part of a beginners' course in Arabic following on from Beginners' Arabic I module. The course is based on the best selling book series Mastering Arabic 1 , Units 9 to 15: - teaches Modern Standard Arabic (MSA), the universal language of the Arab world - covers a functional variety of situations you will encounter in the Arab world - offers a gradual introduction to the language and structures through audio, video, stories and lively exercises to help you practise what you have learnt. To take the Beginners’ II module, your language skills need to be assessed by passing a placement test or by passing Beginners’ I.

INTRODUCTION TO BRITISH SIGN LANGUAGE I

Code PPLB4031A

Credits 20

How would you converse with someone who is deaf? At work? In school? In an emergency? How can you avoid typical faux pas due to ignorance of a different culture? Can a 'signed'/'visual' language 'convey as adequately' as a 'spoken' language? These questions highlight the central learning achieved in this module. This is a course in British Sign Language assuming no prior, or minimal knowledge of the language. Throughout the course you will discover aspects central to the Deaf World and its Culture, and how to communicate through a unique 'visual' language, a language that uses your hands and body to communicate! Teaching and learning strategies involve signed conversation (from early on), role-play, and lots of games and exercises that make a truly 'fun and enjoyable' module to take. You will learn a little about the history of the Deaf and Sign Language itself, and its long battle to be recognised. You will discover how using your body and hands can be an exciting and meaningful way of communicating. You will acquire a wide range of easily usable vocabulary, a deeper look into various features that make the language unique, and very different to spoken languages. On successful completion of this module you will have developed knowledge and skills that will enable you to communicate with a Deaf person. You will be able to take your British Sign Language studies onto the next level, broadening your knowledge and developing further, the skill within this amazing 'Visual' language. Please note that students who are found to have a level of knowledge that exceeds the level for which they have enrolled may be asked to withdraw from the module.

INTRODUCTION TO BRITISH SIGN LANGUAGE II

Code PPLB4032B

Credits 20

Having gained an insight in communicating using a 'visual' language, how would you relate a story, a narrative or a conversation using more than two people? How would you describe where something is in a room, the room itself or give directions involving a map? This module builds on your studies in British Sign Language giving you confidence and further skills in communicating with the deaf. Teaching and learning strategies continue to involve a more fluent signed conversation, role-play, and lots more games and exercises embedding your learning that makes this an exciting module to take! In this module you will continue to look at deaf culture, address and look at various equipment that assists the Deaf in their everyday life. For example, how do they know someone is at the door? Can they communicate over the telephone? What would happen if you were in a building on fire? On successful completion of this module you will have developed knowledge and skills that will enable you to communicate confidently with a Deaf person. Your will broaden your knowledge and understanding of a truly unique and amazing form of communication and a culture so very different than what you may have encountered before. To take Introduction to British Sign Language II, your language skills need to be assessed by passing a placement test or by passing Introduction to British Sign Language I. To take Introduction to British Sign Language II, you must have passed Introduction to British Sign Language I.

INTRODUCTION TO BRITISH SIGN LANGUAGE I (SPRING START)

Code PPLB4033B

Credits 20

How would you converse with someone who is deaf? At work? In school? In an emergency? How can you avoid typical faux pas due to ignorance of a different culture? Can a 'signed'/'visual' language 'convey as adequately' as a 'spoken' language? These questions highlight the central learning achieved in this module. This is a course in British Sign Language assuming no prior, or minimal knowledge of the language. Throughout the course you will discover aspects central to the Deaf World and its Culture, and how to communicate through a unique 'visual' language, a language that uses your hands and body to communicate! Teaching and learning strategies involve signed conversation (from early on), role-play, and lots of games and exercises that make a truly 'fun and enjoyable' module to take. You will learn a little about the history of the Deaf and Sign Language itself, and its long battle to be recognised. You will discover how using your body and hands can be an exciting and meaningful way of communicating. You will acquire a wide range of easily usable vocabulary, a deeper look into various features that make the language unique, and very different to spoken languages. On successful completion of this module you will have developed knowledge and skills that will enable you to communicate with a Deaf person. You will be able to take your British Sign Language studies onto the next level, broadening your knowledge and developing further, the skill within this amazing 'Visual' language. Please note, students who are found to have a level of knowledge that exceeds the level for which they have enrolled may be asked to withdraw from the module.

BEGINNERS' JAPANESE I

Code PPLB4040A

Credits 20

Do you want to explore Japanese culture or travel to Japan? Would you like to enhance your career opportunities? This is a beginners' course in Japanese assuming little or no prior experience or knowledge of the language. In this module, you'll learn reading, writing, listening, and speaking skills. You'll gain the linguistic understanding of a number of real life situations, as well as the ability to communicate effectively in those situations. There will also be opportunities to explore aspects of the cultures where Japanese is spoken. Particular emphasis will be placed on your acquisition of a sound knowledge of grammar. Please note that if you are found to have a level of knowledge in a language that exceeds the level for which you have enrolled, you may be asked to withdraw from the module at the tutor's discretion. This is a subsidiary language module, and very occasionally, may need to be cancelled if there are low levels of enrolment.

BEGINNERS' JAPANESE II

Code PPLB4041B

Credits 20

Have you taken Beginners' Japanese I or equivalent? Would you like to learn the language to the level that you could comfortably communicate with Japanese speakers? In Beginners’ Japanese II, you will continue to study the different tenses and grammatical structures while improving your spoken Japanese and honing your listening skills. By the end of this module, you will be able to understand and use everyday phrases and expressions. To take the Beginners’ II module, your language skills need to be assessed by passing a placement test or by passing Beginners’ I. Please note that students who are found to have a level of knowledge that exceeds the level for which they have enrolled may be asked to withdraw from the module at the tutor’s discretion. This is a subsidiary language module, and very occasionally, may need to be cancelled if there are low levels of enrolment.

BEGINNERS' JAPANESE I (SPRING START)

Code PPLB4042B

Credits 20

BEGINNERS' RUSSIAN I - A1 CEFR

Code PPLB4043A

Credits 20

Winston Churchill once said that ‘Russia is a riddle wrapped in a mystery inside an enigma’. Russia gave the world Tolstoy, Dostoevsky, Shostakovich, Chagall and borsch! Would you like to know more about the largest country in the world and unwrap some of the mysteries of its history, culture and politics through its language? This is a beginners’ course in Russian assuming little or no prior experience or knowledge of the language. In the first week you’ll acquaint yourself with the Russian alphabet (it’s not that different) and learn to read Russian. At the end of the course you’ll know all the basics of Russian grammar, will be able to read simple texts and to use your speaking skills in real-life situations (in case you find yourself lost in Red Square)! You’ll participate in classroom-based activities, often working in pairs and groups exchanging ideas and supporting each other in your exploration of the language. You’ll be able to improve and develop your grammar and vocabulary skills through watching Russian films, reading newspaper articles and short stories, discussing their content and expressing your opinion. Having a Russian language course on your CV will give you an advantage over other graduates, and it will also provide work opportunities in Eastern Europe, Russia and the countries of the former Soviet Union. This course will also help you to become a more informed global citizen whatever your specialisation or area of interest. Please note that you should not have a level of knowledge in Russian that exceeds beginners’ level when enrolling on this course, or you may be asked to withdraw from the module (at the Teacher’s discretion). Please contact us if you’re unsure.

BEGINNERS' RUSSIAN II - A2 CEFR

Code PPLB4044B

Credits 20

Winston Churchill once said that ‘Russia is a riddle wrapped in a mystery inside an enigma’. Russia gave the world Tolstoy, Dostoevsky, Shostakovich, Chagall and borsch! Would you like to know more about the largest country in the world and unwrap some of the mysteries of its history, culture and politics through its language? Before enrolling on this course you’ll need to be acquainted with the Russian alphabet, able to read and write in Russian, and to know a few initial items of grammar and vocabulary (skills that will be learnt in the Beginners' Russian I module). At the end of the course you’ll know all the basics of Russian grammar, you’ll be able to read more complex texts and you’ll have improved your speaking skills in real-life situations (in case you find yourself lost in Red Square)! You’ll participate in classroom-based activities, often working in pairs and groups exchanging ideas and supporting each other in your exploration of the language. You’ll be able to improve and develop your grammar and vocabulary skills through watching Russian films, reading newspaper articles and short stories, discussing their content and expressing your opinion. Having a Russian language course on your CV will give you an advantage over other graduates, and it will also provide work opportunities in Eastern Europe, Russia and the countries of the former Soviet Union. This course will also help you to become a more informed global citizen whatever your specialisation or area of interest. Please note that you should not have a level of knowledge in Russian that exceeds the beginners’ level specified above when enrolling on this course, or you may be asked to withdraw from the module (at the Teacher’s discretion). Please contact us if you’re unsure.

BEGINNERS' ARABIC I (SPRING START)

Code PPLB4045B

Credits 20

This is a most lively, accessible and carefully-paced Arabic course, aimed at beginners with little or no previous knowledge of the language, who want to understand, speak and read Arabic confidently. The course is based on the best selling book series Mastering Arabic 1 series: - teaches Modern Standard Arabic (MSA), the universal language of the Arab world - covers a functional variety of situations you will encounter in the Arab world - offers a gradual introduction to the language, script and structures through the development of essential speaking, listening, reading and writing skills - some aspects of the Arab world and culture(s) are covered.

INTRODUCTION TO LANGUAGE AND COMMUNICATION STUDIES

Code PPLC4001A

Credits 20

In this module you'll be introduced to key themes in the study of language and communication. You will get insights into fields of study such as translation, intercultural communication, second language learning, and other specialisms that are taught in the School. You will also start to develop important academic skills, such as academic writing and referencing, which you will use throughout your degree. In the seminars, you will discuss the themes that have arisen from the lecture in greater depth, developing your critical thinking and reflective skills. You will also work with other students on a group project and get involved in all aspects of project realisation, including planning, organisation, presentation, leadership, teamwork, and decision-making.

INTRODUCTION TO WORLD LANGUAGES AND CULTURES

Code PPLC4002B

Credits 20

This module will provide an introduction to how we begin to analyse different languages and cultures. You will explore different theories and approaches, such as sociolinguistics, anthropology, and cultural theory, to develop your critical and analytical skills, and develop your knowledge ready for the second year of your degree. This module will be accessed via coursework.

LANGUAGE, CULTURE AND INTERPERSONAL COMMUNICATION

Code PPLC4012B

Credits 20

What is the effect of our languages and cultures on the ways that we communicate with other people? In this module, you will think critically about key concepts relating to interpersonal communication, including culture, verbal and non-verbal communication, intercultural interpersonal relationships, intercultural transitions, and identity. Through lectures and seminars, you will develop greater self-awareness and sensitivity to your own intercultural competencies, enhancing your ability to communicate effectively with others who have different sets of assumptions from you, or who have different cultural affiliations to you. This will make you a more effective interpersonal communicator in international or multicultural settings, which will be useful to you if you are taking a year abroad later in your degree, or if you engage in future work overseas, in global organisations, multinational companies, charities, etc. The module is delivered in the English language and you don’t need to speak a foreign language to take it.

FRENCH YEAR 1 HONOURS (AUTUMN SEMESTER)

Code PPLF4001A

Credits 20

Bienvenue dans votre premier module de français à UEA! (Welcome to your first French module at UEA!). This module is for Level 4 students studying French Honours language degrees, and comprises three pathways (Ab-Initio, A2 and B1). These levels refer to the Common European Framework of Reference for Languages (CEFR), and your pathway will depend on how much experience of learning French you have at the start of your degree. Whatever your pathway is, you’ll be taught in a very interactive and friendly environment, and will often work in pairs or small groups. In this module, you’ll develop a solid foundation to expand in following semesters and years. You will improve you receptive (listening and reading) as well as productive skills (speaking and writing) in French, and your exact learning objectives will differ according to the pathway you are on. We’ll tackle some grammatical notions in class, but always as a means for you to improve your communication skills. Teaching sessions will vary according to pathways, but all students will have 2-hour seminars focusing on listening, reading, and writing skills, and oral hours where you’ll develop your confidence in speaking. You’ll explore aspects of the cultures where French is spoken across the different components of the module, and thanks to the various documents we will use to develop your linguistic skills (songs, videos, adverts…). The transferable skills you’ll develop through this module are numerous. As you’ll work autonomously a lot, self-insight will be an important part of the process: you will need to identify early which type of language learner you are, in order to choose the right learning strategies. Identifying where your strengths and weaknesses lie and acting upon it will be equally important. Finally, an ability to co-operate and collaborate with others will be constantly required in this module, as you will very often work with others on various activities.

FRENCH YEAR 1 HONOURS (SPRING SEMESTER)

Code PPLF4003B

Credits 20

C’est la deuxième étape de votre première année de français à UEA! (It’s the second step of your first year of French at UEA!). This module is for Level 4 students studying French Honours language degrees, and comprises two pathways (A2+ and B1+). These levels refer to the Common European Framework of Reference for Languages (CEFR), and your pathway will depend on how much experience of learning French you had at the beginning of your degree. Whatever your pathway is, you’ll be taught in a very interactive and friendly environment, and will often work in pairs or small groups. In this module, you’ll further develop your French language and communication skills, and a solid foundation to expand in following years. You’ll improve you receptive (listening and reading) as well as productive skills (speaking and writing) in French, and your exact learning objectives will differ according to the pathway you’re on. We’ll tackle some grammatical notions in class, but always as a means for you to improve your communication skills. Teaching sessions will also vary according to pathways, but all students will have 2-hour seminars focusing on listening, reading, and writing skills, and oral hours where you’ll develop your confidence in speaking. You’ll explore aspects of the cultures where French is spoken across the different components of the module, and thanks to the various documents we will use to develop your linguistic skills (songs, videos, adverts…). The transferable skills you’ll develop through this module are numerous. As you’ll work autonomously a lot, self-insight will be an important part of the process to know which strategies work best for your. Identifying where your strengths and weaknesses lie, and acting upon it will be equally important. Finally, an ability to co-operate and collaborate with others will be constantly required in this module, as you will very often work with other students on various activities.

SPANISH YEAR 1 HONOURS (AUTUMN SEMESTER)

Code PPLH4001A

Credits 20

This module is for students studying Spanish Honours language degrees. This module is for Level 4 students and comprises of three strands (A1, A2, B1).

SPANISH YEAR 1 HONOURS (SPRING SEMESTER)

Code PPLH4002B

Credits 20

This module is for students studying Spanish Honours language degrees. This module is for Level 4 students and comprises of two strands (A2, B1).

GLOBAL POLITICS 2

Code PPLI4055B

Credits 20

Global Politics 2 explores the most important controversies and debates in contemporary international politics. Because international politics is constantly changing, we review this module every year, altering the precise mix of topics to reflect the world that you see around you. All of our topics involve questions of power, ethics, transnational cooperation and security. Recently we have explored terrorism, nuclear weapons, our moral obligations to foreigners, as well as migration, the fate of the environment, and emerging powers in the international system.

GLOBAL POLITICS 1

Code PPLI4056A

Credits 20

Why do we live in a world of nation-states? Why has international politics been riven by repeated war and conflict? Why does the balance of power form and dissolve throughout history? What makes some states more powerful than others? How is political order generated in the absence of a world government? This course will introduce you to core concepts used for understanding the dynamics of global politics, including world order, sovereignty, international anarchy, the balance of power and security. It will provide you with the conceptual language needed to begin your study of global politics.

JAPANESE YEAR 1 HONOURS

Code PPLJ4001Y

Credits 40

This module is for students studying Japanese Honours language degrees. This module is for first year Level 4 students and comprises of three strands (A1, A2, B1).

INTRODUCTION TO JAPAN

Code PPLJ4029B

Credits 20

Would you like to explore Japanese culture and society? Are you curious and would you like to travel to Japan? Your module is designed to offer a critical overview of changes occurring in contemporary Japanese culture and society. Taught in English, you will be introduced to major aspects of the history, society, cultures, and global position of Japan. You’ll take a fresh look at stereotypes associated with Japan. You will be provided with a good all-round basic knowledge of Japan that will be of value both to students intending to major in Japanese and those interested in Japan. No knowledge of Japanese language is required. Topics such as overview of Japanese history from ancient to modern times, geography, contemporary politics and economics, society, education, and traditional and contemporary culture will be considered. Exercises and discussions in class will enhance your understanding and motivation to studying Japan in its global and cultural context.

INTRODUCTION TO POLITICAL COMMUNICATION

Code PPLM4001B

Credits 20

Trump’s Tweets, Macron on TikTok, government sponsored troll farms and personalised campaign messages sent by algorithms…political communication has changed drastically in the last five years. Pundits and some scholars warn of serious dangers to democracy. What are the tricks of the trade in modern political communication and how different are they from those of the past? How does one now succeed to get across a message and gain support? Should we be worried about the implications for political discourse and decision-making? This module will enable you to critically assess the role of communication in national and international politics and help you understand the dynamics among political actors, media and citizens in opinion formation and decision-making. This is a professional practice module in which you will gain skills relevant to the conduct of political communications and to many other work environments, as well as experience working in a team on a task that requires critical thinking and collaborative strategizing. This module is ideal for anyone interested in working in politics, diplomacy, journalism, marketing, or for advocacy or activist civil society groups. Ideas about the power of communications and the ways that various political actors use that power are at the heart of this module. You’ll examine how these actors use the media in political communications. Lectures and readings will cover media effects, how political communication has changed with changes in media technology, branding and celebrity in politics, and soft power with political communication at the international level, as well as the tools used by various political actors, such as political parties or civic movements. Lectures are interactive, using an audience response system and open discussion. Seminar activities include practical tasks as well as ones to enhance understanding of the readings. The first assessed work is a group project in which you will play the role of junior analysts in a communications consultancy and you will work together to assess the political communications of a real political actor, your “client”, producing a report and presentation that includes recommendations for improvement. The second is an essay that gives you the chance to develop your ability to analyse and synthesise. By the end of this module you will be able to identify and describe the actors and their interests in a given political communications contexts, as well as formulate and articulate clear arguments about the relationships between political actors and the media in relation to power and agency. You will have gained experience in a simulated work scenario that will give you skills transferable across a number of professions as you will have delivered analysis and recommendations in a professional-style presentation and report. You will also be able evaluate political communications’ role in an international context, something increasingly necessary in the ever more globalized world both for political and corporate actors.

CLASSIC READINGS IN PHILOSOPHY

Code PPLP4061A

Credits 20

This introductory module is designed to invite you into philosophical enquiry by engaging in a conversation with some of the most famous philosophers of the past. We start with a classic work by Plato, from the birth of philosophy in Classical Greece, and we finish with a classic work from medieval or modern philosophy that has been of major significance. In between, we typically focus on one other text, usually a famous work by Aristotle. The texts you study are in English. You will learn to do philosophy in dialogue with thinkers whose ideas and arguments are not just brilliant ‘for their time’, but brilliant for our time and for all time. You will come away thinking differently about many things that you had never properly asked about before. The module is suitable for those with no prior knowledge of philosophy. You should come with an open mind, or willing to open your mind.

THE MEANING OF LIFE

Code PPLP4062A

Credits 20

What is the meaning of life? This burning question is at the heart of philosophy. We will explore the ways in which philosophy can help us tackle it. We will investigate a diverse range of philosophical perspectives from different areas of philosophy each of which interprets the question in a slightly different way. We will look at the work of philosophers such as Ibn Sina (Avicenna), Patricia Churchland, Leibniz, Christine Korsgaard, Daniel Dennett, Martha Nussbaum, Confucius, Elizabeth Barnes, Immanuel Kant, Christine Swanton, Epicurus. We'll grapple with ideas that inform our understanding of ourselves and our place in the world. What, if anything, is ultimately of value in life? Is freedom to affect your future important, and do you have that freedom? Could you have a meaningful life in an artificial reality? Is there a reason you exist? Should you radically change the way you are living? What should be done about existential threats such as Climate Change? The module provides a firm foundation for your further studies, as these issues are at the heart of philosophy and also at the foundation of related disciplines, such as politics and economics.

MODERN READINGS IN PHILOSOPHY

Code PPLP4063B

Credits 20

The module will offer an introduction to the developments in Western thought that shaped the emergence of modernity in the 17th century. The background will be the scientific revolution, begun with the new astronomy of Kepler and Galileo, culminating in the lawful model of the universe offered by Newton. In response to these developments, philosophy itself underwent a revolution in all its fields, from metaphysics, in the shape of materialism, to political philosophy, especially in the development of the concept of free speech and freedom of thought. Each week we will look at a different thinker, including Descartes, Hobbes, Cavendish, Spinoza, and Leibniz. We shall also look at some the developments in poetry throughout the century, including Milton, Donne, and Vaughan.

REASONING AND LOGIC

Code PPLP4064B

Credits 20

What do we mean when we say an argument is well-reasoned? What makes an argument either watertight, or unreliable? We can start to answer these questions by distinguishing between, on the one hand, the individual claims that occur in an argument and, on the other hand, the relationships between those claims (which is the argument’s logical structure). During this module, you'll study philosophical reasoning, looking in close detail at logical structure and its role in establishing rigorously supported arguments. As a result, you’ll arm yourself with indispensable tools for rigorous philosophical thought, for identifying problems in the arguments you encounter, and for defending your views effectively within and beyond academic philosophy. You’ll study what we call “validity in particular, gaining techniques for identifying valid arguments. As you discover how to break down the components of an argument, you’ll sharpen your skills in argument-analysis and deepen your understanding of some key logical concepts, central to philosophy. In addition, you’ll master specific methods for examining validity in abstraction from natural language contexts. You’ll strengthen these skills via a combination of seminars, lectures, workshops, and independent study. We'll focus heavily on practice exercises. The study of logic and reasoning will make you a better philosopher, whatever your specialism or area of interest. It will enable you to judge your own arguments and those of others more easily and effectively, and help you to organise your thoughts and communicate your ideas more effectively.

RADICAL PHILOSOPHY

Code PPLP4065B

Credits 20

In this module you will engage with thinkers who thought of philosophy as an important instrument to clarify the roots of political, social and economic conflict and to help resolve them. You will initially encounter the young Marx’s attempt to free himself from traditional ideas and make philosophy matter in practice. You will then learn about a fundamental application of Marx’s ideas to education, developed by the Brazilian philosopher Paulo Freire and later critically transformed by feminist and social activist bell hooks. Finally, you will discover how American philosopher John Dewey developed a philosophical stance similar to the young Marx’s, applied it to education and inspired the thoughts and social initiatives of Jane Addams, the 1931 Nobel Peace Prize and a leading figure in the Women Rights movement. This module will not only allow you to get to grips with important ideas and their applications, but will also enable you to develop your own, practically oriented philosophical project, making use of the philosophical frameworks you will encounter, discuss, and criticise.

APPLYING PHILOSOPHY

Code PPLP4066A

Credits 20

This module examines a number of philosophical issues that arise in contemporary applied scenarios. These may include important ethical and social dilemmas that confront medical professionals, policy makers, and the general public. We will be discussing theoretical differences between general philosophical accounts of morality and justice, and analyzing their practical implications in debates about issues such as genetic engineering, human experimentation and human enhancement, resource allocation, race-based medicine, disability and well-being. This module will enable students to identify and analyse different philosophical approaches to selected issues in areas of applied philosophy, such as bioethics and science and technology studies. Students will gain insight into how to read and critically interpret philosophical arguments, and develop skills that will enable them to think clearly about philosophical and ethical questions in their future careers, leadership roles, and as members of society.

SOCIAL AND POLITICAL THEORY

Code PPLX4051A

Credits 20

This module introduces you to a few important and interesting writers and thinkers whose ideas have been so influential that they have become part of, and have even transformed, our society, culture and politics. As you read their work, learning how to make sense of it and arguing about it with others, you will come to think more deeply about the workings and politics of contemporary society and culture: the forces that shape it and the contradictions that define it. You will pay special attention to the three fundamental values that have shaped modern society and politics since the French Revolution: liberty, equality and fraternity. This will underpin your studies on other modules (in Political Science, International Relations, Media, History and Literature) and provide you with a strong basis upon which to develop your knowledge in Levels 2 and 3.

INTRODUCTION TO CONTEMPORARY POLITICS

Code PPLX4052A

Credits 20

Politics is changing. And changing, faster than ever before. The rise of populist movements, environmental challenges, economic crises and the rise of digital politics are reshaping the relationships between states and citizens. Liberal democracy, once thought to be the triumphant political system, is under threat. This module will provide you with an overview of the different ways the subject has been approached so far to assess whether these are fit for purpose in new times. You’ll then be provided with knowledge of a series of case study countries including from Africa, Europe, Asia and the Americas, around the world from our in-house experts. Finally, we’ll explore the nature of these challenges thematically to give you a cutting-edge knowledge of contemporary politics.

Optional B Modules

(0-40 credits)

INTRODUCTION TO SOCIOLOGICAL THOUGHT: THE INDIVIDUAL IN SOCIETY

Code PPLX4053A

Credits 20

This module is about the role of the individual within society and the ways in which society shapes our lives. It considers a range of contemporary and classical sociological theories in making sense of social identities and formations as well as forms of interaction.

Optional C Modules

(0-40 credits)

BIODIVERSITY

Code BIO-4001A

Credits 20

This module explores life on Earth. You will be introduced to the major groups of microorganisms, plants and animals. You will explore the evolutionary relationships that link the major groups and discover the immense biodiversity of living organisms. Central to this evolutionary path is how microorganisms, plants and animal invaded the land and coped with limited water. You will study this subject through lectures, workshops, laboratory-based practical classes and field trips. You will gain practical experience handling a wide range of organisms and learn how to report experimental work that you carry out. A key part of this module is the production of a learning portfolio which will help you to develop independent study skills in relation to the topic of the module.

EVOLUTION, BEHAVIOUR AND ECOLOGY

Code BIO-4002B

Credits 20

Why do trees grow tall? Why do male birds have long bright feathers? Why do people cooperate? Why does sex exist? Why do we grow old and die? These and other questions in biology can be understood if we learn how to think in terms of natural selection and adaptation. This module introduces the main concepts in evolutionary theory, from the original ideas introduced by Darwin to the modern developments, and uses these concepts to understand a wide range of topics in behaviour and ecology. We start from evolution and discuss how Darwin arrived at the idea of natural selection, its critiques and how to address them; we then study the basics of Mendelian genetics and population genetics and learn how to check if a population is evolving’ we discuss adaptation and optimization in biology; then we move to specific issues like the evolution of reproductive systems and life cycles, the evolution of stable sex-ratios and coevolution between species; we discuss the concept of selfish genes and how it helps us think in terms of adaptation; we study the methods used to understand long-term evolution and speciation; and we conclude the first part with ideas from evolutionary medicine to understand why we get sick, and human evolution and social behaviour. In the second part of the module we focus to ecology: we discuss the general concepts of abiotic limits, resources and models of intraspecific competition and logistic growth; we learn the basic concepts of demography and population growth, interspecific competition, predation, predator-prey dynamics, and we discuss at length mutualism and cooperation in nature; finally we talk about the nature of the English countryside and issues in conservation biology and ecosystem services. In the third part we focus on behaviour: after a general introduction on the key concepts in the study of animal behaviour we discuss cooperation among non-kin and the concept of kin selection and kin conflict; we review animal communication and models of sexual selection and sexual conflict.

CELL BIOLOGY AND PHYSIOLOGY

Code BIO-4015B

Credits 20

This module will provide an understanding of the key aspects of cell biology and how these relate to the physiology of living systems. It will highlight how these principles are key to understanding some of the physiological processes, as well as the central role of homeostasis in human physiology. It will also explore the function of some of the major organ systems of the human body.

BIOLOGICAL CHEMISTRY

Code BIO-4017Y

Credits 20

This module will provide 1st year students with essential information about the physical and chemical principles that underpin our understanding of biochemical systems and cellular metabolism. This module is going to be delivered to 1st year students on the Biological Sciences, Biomedicine and Molecular Biology and Genetics degree programs.

MOLECULAR BIOLOGY AND GENETICS

Code BIO-4018A

Credits 20

This module explores how information is stored in DNA, how it is expressed, copied and repaired, and how DNA is transmitted between generations. It has significant focus on the application of molecular biological and genetics knowledge, including animal, plant and microbial biotechnology and synthetic biology.

CHEMISTRY SKILLS A

Code CHE-4002A

Credits 20

This is the first of two modules which cover core chemistry skills in the first year. In the laboratory, you will cover experimental aspects of analytical and inorganic chemistry, linked to the modules CHE-4501A and CHE-4301A. In lectures, you will develop mathematical skills relevant to the understanding of chemical concepts and you will use spreadsheets for analysing and presenting data.

CHEMISTRY SKILLS B

Code CHE-4003B

Credits 20

This is the second of two modules which cover core chemistry skills in the first year. In the laboratory, you will cover experimental aspects of physical and organic chemistry, linked to the modules CHE-4202B and CHE-4101B. In lectures, you will cover statistics as applied to experimental chemistry: error propagation in physical chemistry and physical principles through applied mathematics.

CHEMISTRY OF THE CARBON-BASED COMPOUNDS

Code CHE-4101B

Credits 20

Building on the ideas of atomic structure and periodicity, you will be introduced to the concepts of bonding and hybridisation, conjugation and aromaticity, the mechanistic description of organic reactions, the organic functional groups, the shapes of molecules and stereochemical issues including the concepts of enantiomers, diastereoisomers and racemates. The module also introduces the chemistry of polar multiple bonds, SN1/SN2 and E1/E2 reactions, the addition reactions of alkenes, the electrophilic substitution reactions of aromatic compounds, organic synthesis and spectroscopy including the use of IR, UV and NMR spectroscopy and mass spectrometry to identify the products of organic reactions.

PHYSICAL CHEMISTRY I

Code CHE-4202B

Credits 20

This module introduces students to the major areas of classical physical chemistry: chemical kinetics, chemical thermodynamics, and electrolyte solutions as well as spectroscopy. Chemical kinetics will consider the kinetic theory of gases and the rate of processes, in particular either in the gas phase or in solution. The appropriate theoretical basis for understanding rate measurements will be developed during the course, which will include considerations of the order of reaction, the Arrhenius equation and determination of rate constants. Thermodynamics deals with energy relationships in large assemblies, that is those systems which contain sufficient numbers of molecules for 'bulk' properties to be exhibited and which, are in a state of equilibrium. Properties discussed will include the heat content or enthalpy (H), heat capacity (Cp, Cv), internal energy (U), heat and work. The First Law of Thermodynamics will be introduced, and its significance explained. It is very important that scientists have an understanding of the behaviour of ions in solution, which includes conductivity and ionic mobility. The interaction of radiation with matter is termed spectroscopy. Three main topics will be discussed: (i) ultraviolet/visible (UV / Vis) spectroscopy, in which electrons are moved from one orbital to another orbital; (ii) infrared (vibrational) spectroscopy, a technique which provides important information on the variety of bond types that a molecule can possess; (iii) nuclear magnetic resonance spectroscopy (NMR), which allows 'molecular skeletons' to be identified.

BONDING, STRUCTURE & PERIODICITY

Code CHE-4301A

Credits 20

After an introduction to chemical bonding, atomic and molecular structure and chemical principles, this module will provide you with an introduction to the structures, properties and reactivities of molecules and ionic solids. Emphasis will be placed on the relationships between chemical bonding and the structures and properties of molecules. The lectures of this module are supported and illustrated by the bonding, structure and periodicity experiments of the first-year practical modules, Chemistry Skills A or Research Skills in Biochemistry.

PROGRAMMING 1

Code CMP-4008Y

Credits 20

In taking this module you will gain a solid grounding in the essential features of object-oriented programming, using a modern programming language such as Java. The module is designed such that you are not expected to have previously studied programming, although it is recognised that many students taking the module will have done so in some measure.

DATABASE SYSTEMS

Code CMP-4010B

Credits 20

This module is based on the relational model and will introduce you to important aspects of databases, database manipulation and database management systems. You will explore the tools and methods for database design and manipulation as well as the programming of database applications. You will use a modern relational database management system to gain practical experience. You will also develop programming experience using SQL, and using a high level programming language to write applications that access the database.

GLOBAL ENVIRONMENTAL CHALLENGES

Code ENV-4001A

Credits 20

What are the most pressing environmental challenges facing the world today? How do we understand these problems through cutting-edge environmental science research? What are the possibilities for building sustainable solutions to address them in policy and society? In this module, you will tackle these questions by taking an interdisciplinary approach to consider challenges relating to climate change, biodiversity, water resources, natural hazards, and technological risks. In doing so you will gain an insight into environmental science research ‘in action’ and develop essential academic study skills needed to explore these issues.

ATMOSPHERE & OCEANS

Code ENV-4007B

Credits 20

The habitability of planet Earth depends on physical and chemical systems that control everything from the weather and climate to the growth of all living organisms. This module introduces you to some of these key cycles and the ways in which physical and chemical scientists investigate and interpret them. It leads naturally to second and third year study of these systems in more detail, but even if you choose to study other aspects of environmental sciences, a basic knowledge of these systems is central to understanding our planet and how it responds to human pressures. The module is made up of two distinct components. One focuses on the physical study of the environment (Physical Processes: e.g. weather, climate, ocean circulation, etc.) The other focuses on the chemical study (Chemical Processes: weathering, atmospheric pollution, ocean productivity, etc.). Interrelationships between these components are explored throughout. Teaching of this module is through a mix of lectures, laboratory practical classes, workshops and a half-day field trip. This module provides a Basic Chemistry introduction for those students who have little or no background in chemistry prior to joining UEA.

MATHEMATICS FOR SCIENTISTS A

Code ENV-4015Y

Credits 20

You will cover differentiation, integration, vectors, partial differentiation, ordinary differential equations, further integrals, power series expansions, complex numbers and statistical methods as part of this module. In addition to the theoretical background there is an emphasis on applied examples. Previous knowledge of calculus is assumed. This module is the first in a series of three maths modules for those across the Faculty of Science that provide a solid undergraduate mathematical training. The follow-on modules are Mathematics for Scientists B and C. Recommended if you have grade A*-C at A-level Mathematics, or equivalent.

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Important Information

Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring and review of modules. Where this activity leads to significant change to a programme and modules, the University will endeavour to consult with affected students. The University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff. Availability of optional modules may be restricted owing to timetabling, lack of demand, or limited places. Where this is the case, you will be asked to make alternative module choices and you will be supported during this process.

Assessment for Year 2

Compulsory Modules

BODIES OF KNOWLEDGE: INTERDISCIPLINARITY IN PRACTICE

Code HUM-5008A

Credits 20

In this module, students will work closely with other students as they tackle key social, political, business or economic challenges. This challenge will be posed by an external consultant (for example, someone from business, a social policy group, or the media). Working in a ‘think tank’ team, and under the guidance of lecturers, students will research the problem posed, debate its likely causes and challenges, agree on a set of potential solutions to the problem, and design strategies for their implementation. Students will then present their findings and proposals to the module consultant, lecturers, and peers.

Optional A Modules

(60-100 credits)

MATERIAL WORLDS

Code AMAA5009A

Credits 20

We live our lives surrounded by material objects. In many ways, our lives are dictated by the consumption of goods. How then, should we understand our relation to materiality? In this module, you'll learn about contemporary archaeological and anthropological perspectives in the study of material culture. Questions that come up include: why the Summer Solstice is celebrated at Stonehenge; how houses differ across cultures; why we give each other gifts and wrap them; and how clothing gives us identity? Studying human-object relations from a range of perspectives, this module equips you to understand the role of materiality in your life and to think in nuanced ways on our consumer society.

MEDIEVAL BODIES

Code AMAA5086A

Credits 20

Born, bathed, dressed, worshipped, sexed, cut, bruised, ripped, split, buried: the human body offer historians a gateway onto understanding the cultures of the past. On this course you will examine several groups of objects from the visual culture of medieval Europe and the Middle East through this contemporary theoretical lens, building up a body of medieval artistic practice piece by bodily piece, and examining how the techniques and society of the medieval craftsman at once idolised and distorted the medieval body's forms. In previous years this course has also featured a study trip to museums and galleries in London to meet with curators and handle objects.

THE LIVES OF OBJECTS

Code AMAA5089A

Credits 20

Your main objective in this module will be to develop your critical skills as they pertain to thinking, reading, writing and looking. To enable this, the module will fall into two main sections. In the first section, you’ll focus on one particular methodology – object biographies – used in archaeology, anthropology, museum studies and art history. You’ll examine this methodology in detail, breaking it down into its component sections. You’ll then consider its strengths and its weaknesses, as we subject it to a thorough critical evaluation. In the second half of the module, you will study a range of theories and methodologies used in the study of material culture. In this part of the module, you will focus more broadly on what critical thinking is, both in general and within each of the four disciplines taught in the Department of Art History and World Art Studies. You’ll be taught through a combination of two weekly lectures and one discussion seminar. The lectures will offer you an introduction to the relevant topic, and will end with an opportunity to discuss/debate the issues raised. During the discussion seminars, you’ll consider key issues raised in preceding lectures and the weekly class readings which accompany them.

ART IN THE CONTEMPORARY WORLD

Code AMAA5090B

Credits 20

Art is a resource which can be used both positively and critically to affect the contemporary world around us. It may be exploited, most obviously for its economic value, but also for broader social or political gain. You will explore these different uses of art by addressing the factors that condition our contemporary reception of art works and visual culture. You will begin by examining some of the key methodologies for interpreting art’s contemporary functions, including its capacity to create contemporary identities and world-views. You will then turn to focus on the museum and gallery as spaces for these contemporary issues to emerge, before considering the same ideas at work in more quotidian ways. And, finally, you will conclude with a reflection on your own position as art historians, anthropologists, and archeologists working with art in the contemporary world.

ART AND ARCHITECTURE IN VENICE

Code AMAA5093B

Credits 20

Positioned at the hub of trade routes which spanned out across the known world, the city of Venice was a major commercial and political power during the medieval, renaissance, and early modern periods. It also grew to be one of Europe's most important centres of artistic production, with Venetian painters, sculptors, glassmakers, and architects channelling their city's diverse multiculturalism into a vast range of influential artworks. You will examine the development of art and architecture in the city from its earliest foundations through to the present day, tracing the aesthetic and urban history of what its inhabitants came to call 'La Serenissima,' the most serene city on earth. In previous years this module has featured a study trip to Venice.

ARCHAEOLOGIES OF THE MEDITERRANEAN WORLD

Code AMAA5098B

Credits 20

Using a range of case studies from the Mediterranean World, this module introduces students to some of the most significant themes and debates in the archaeology of the Mediterranean and archaeology more generally. Case studies will be drawn from a range of time periods and will address ‘the big themes’ in archaeology, such as cultural transmission, cultural development, societal collapse, trade and exchange, conflict, migration, empire and expansion, the emergence of urban societies, climate and society and ritual and religion. Often more than one theme will be included in a case study and the aim will be to understand how they relate to each other. For example, how does conflict or climate change contribute to migration or societal collapse?

ACTION / ABSTRACTION:ART AFTER 1945

Code AMAA5103B

Credits 20

You will explore the rich history of art made after 1945, with a particular emphasis upon the problem of the relationship between the idea of art's autonomy and claims for its capacity to engage directly with social and political conditions. You will be introduced to key tendencies in art and a wide variety of artistic media made since 1945, with a (non-exclusive) focus upon Europe and North America.

ARTISTS/MUSEUMS

Code AMAA5106A

Credits 20

You will examine how contemporary artists have explored the way in which contemporary galleries and museums function. Since the 1960s artists have adopted the museum as both subject and medium in their artworks. These seminars will examine how such projects impact on our idea of what galleries and museums are, how they operate, and what role they have in public life today. Throughout, key ideas regarding aesthetics, politics, memory, and audience participation will be approached by way of specific artworks and exhibitions. These sessions will be supplemented by workshops exploring art criticism, as well as a study trip to London.

BLACK FREEDOM STRUGGLES: SLAVERY, 1619-1865

Code AMAH5043A

Credits 20

Race is central to the history of the United States. The conversations about race in 21st century America have their origins in a system of slavery that developed from the early colonial period. This module excavates these roots and thereby enables you to look to current conversations and understand where these began. You will follow a chronological sequence on the module, allowing us to trace the course of racial slavery in North America from its inception in 1619 through to its abolition in 1865. You will consider the roots of racism in the colonial era that strengthened during the antebellum years and beyond and consider their relationship with racial slavery. You will engage with the developing historical scholarship of slavery in the United States, gaining a deeper understanding of contemporary (then and now) debates concerning race and racial identity. Employing a range of resources including written and visual primary sources, oral histories, cinematic depictions, and nineteenth century novels, will allow you to see the networks of power articulated though race and ideas of otherness . You'll learn through a mixture of seminars and self-directed study, often working with artifacts or source materials in seminars to enable you to think collectively about their meanings. Assessment will be entirely through coursework. The study of slavery in the United States will make you a better historian, whatever your area of interest. Concepts of race and ideas of otherness are so central to the study of history in the 21st century that the techniques and strategies of analysis employed on this module will enable you to think about the arguments of others more effectively and also position yourself within those debates.

AMERICA IN THE WORLD: THE HISTORY OF U.S. FOREIGN RELATIONS

Code AMAH5051B

Credits 20

Has the United States helped or harmed the rest of the world during its rise to world power? Why has it been, and continues to be, involved in every corner of the globe? You will be offered a critical introduction to understanding the history of U.S. foreign relations. You will explore the key themes and traditions that have informed America’s approach to international affairs, from foundational ideas in the 18th and 19th centuries to increasing influence in the 20th and 21st centuries. In addition to analysing traditional political and diplomatic issues, you will consider the link between foreign and domestic policies, and the role of various state and non-state actors that have shaped America’s actions abroad. You will work with original primary sources, the latest secondary literature, and a range of cultural and political texts including speeches, newspapers, and editorial cartoons. This broader consideration of foreign relations history engages important contemporary trends in the historiography of U.S. foreign policy – regarding race, gender, and the “international” and “cultural” turns – and connects them to emerging trends in the fields of American history and international relations. As a result, you will gain a detailed understanding of the history of U.S. foreign relations and the legacies that continue to shape debates about America’s role in the world today.

POLITICS IN THE USA

Code AMAH5058A

Credits 20

This module will introduce you to current trends and developments in American politics and government. But to understand contemporary events, we also need to understand the history that brought us here. In this module you will explore contemporary US politics and developments in modern American political history, underpinned by discussions about the structure and functioning of the US government from the nation’s founding to today. No prior knowledge of American politics is necessary but a general interest in the subject is advisable.

AMERICAN VOICES

Code AMAL5078A

Credits 20

Addressing America as a nation and the experience of being American, Walt Whitman writes in ‘Song of Myself’: ‘Do I contradict myself? Very well, I contradict myself, I am large and contain multitudes.’ This module explores Whitman’s comments in a selection of 20th-century American writers, and considers the literary and historical contexts of their creative literary practices. You are also encouraged to reflect on your own creative writing. What can you learn from these American writers and how might their innovations enhance your own writing practices? You will encounter a broad range of American writing from Walt Whitman to Conceptual writing. You will focus on how and why American writers have addressed notions of national and individual identity through their creative practices. You will also learn about the formal innovations of American writers in order to understand the concept of ‘voice’ in terms of, for example, expression, representation, protest, and subjectivity. You will learn through seminars and creative writing workshops where you will develop your skills as a writer, reader and editor of your own and other’s work. You will develop as a writer and enhance your understanding of American literature, as critical reader and as creative writer. You will adopt, adapt and appropriate the stylistic and contextual concerns of pioneering American writers covered and articulate the significance of these concerns for your own creative work.

TRANSATLANTIC LITERATURES

Code AMAL5081A

Credits 20

This module will explore the diversity and histories of literatures emerging from transatlantic crossings and exchange. Taught through a lecture circus format, it will draw on the research expertise of colleagues in both AMA and LDC, in order to demonstrate the breadth of the Transatlantic as both a geography and an imaginary. Materials will include literary responses to the Middle Passage of the Atlantic slave trade, writing from the Caribbean, the work of writers whose careers took them from America to Paris—or from London to New York—and transatlantic literary networks. Each lecture will be given by a different academic, based on their own areas of research, and include Q&A's on how they conceive of the Transatlantic as a critical concept and constellation, and as a crucial site for understanding decolonisation.

AMERICAN LITERATURE ON SCREEN

Code AMAL5082B

Credits 20

A large number of films and television programmes are adapted from literary sources, and often produce powerful responses from viewers and critics. This module explores the phenomenon of American literature on screen, comparing the adapted screen versions with their literary originals to consider how and why the decision to adapt is taken, and what effect is achieved. This module provides the tools to critically assess and interpret how American literature adapted for the screen approaches key issues in American culture such as race, gender, class, identity, and power. We will also explore the intersectional nature of systemic structures such as settler colonialism, patriarchy, capitalism, organised religion, etc. Additionally, this module will consider the ways that screen adaptation appropriates literary texts, and assess the political and economic dimensions of such appropriations. Literary genres covered will include autobiography and the novel, including the graphic novel, with examples ranging from the 19th to the 21st centuries; screen media will include both film and television adaptations. Students will be encouraged to explore the connections and the differences between the uses of specific media, and to think through how and why adaptation works in a range of critical and often tense American cultural contexts. Students will also consider narrative and narration, characterisation, voice, point of view, style, and audience. The module is team taught by a wide variety of American Studies specialists, and our approach is firmly interdisciplinary and intersectional; students will be encouraged to take similarly diverse critical approaches. Weekly seminars will explore a range of texts and films from the 19th to 21st centuries, and students will be expected to devise their own essay topics from the interests they develop across the module.

FILM THEORY

Code AMAM5030A

Credits 20

This module explores aspects of film theory as it has developed over the last hundred years or so. It encompasses topics including responses to cinema by filmmaker theorists such as Sergei Eisenstein and influential formulations of and debates about realism and film aesthetics associated with writers and critics such as André Bazin, Siegfried Kracauer, Rudolf Arnheim and Bela Bálázs. You’ll study the impact of structuralism, theories of genre, narrative and models of film language; feminist film theory and its emphasis on psychoanalysis; theories of race and representation; cognitive theory; emerging eco-critical approaches; post-structuralist and post-modern film theory. You’ll be taught by lecture, screening and seminar. You’ll work with primary texts - both films and theoretical writings - and have the opportunity to explore in their written work the ways in which film theories can be applied to film texts.

FILM GENRES

Code AMAM5033A

Credits 20

Film Genres introduces students to the range of theories and methods used to account for the prevalence of genres within filmmaking. We investigate historical changes in how film genres have been approached in order to consider how genres have been made use of by industry, critics and film audiences. Genre theories are explored through a range of case studies drawn from one or more of a range of popular American film genres including the Western, science-fiction, melodrama, romantic comedy, the road movie, the buddy movie, film noir, the gangster film, the war film and action/adventure film. In exploring concepts and case studies relating to film genres the module aims to demonstrate the richness of film genre and its continuing relevance as a mode of analysis.

THE HOLLYWOOD STUDIO SYSTEM

Code AMAM5042B

Credits 20

Is there really 'no business like show business'? This module will develop your understanding of how silent-era, classical and post-classical Hollywood has developed as an industry, balancing the twin demands of creativity and commerce. Our aim is to encourage you to analyse how Hollywood works as an industry, the kind of films it produces, and the ways in which they are consumed by domestic and global audiences. You will engage with a variety of Hollywood films and be introduced to a range of theories and approaches for analysing how they are produced and consumed.

POPULAR MUSIC

Code AMAM5046A

Credits 20

For many people, popular music provides the soundtrack to their lives. It is intimately bound up with their sense of themselves, their attitudes and values, their friendships and social lives, their dreams and fantasies. But what can we learn about the power and place of popular music by studying it from an academic perspective? Throughout this module you will discover the range of approaches brought to popular music’s sounds, images, meanings, audiences and production through the perspectives of media studies, cultural studies and sociology. In examining songs and videos, fans, industry and performance, you’ll be encouraged to communicate your ideas in seminars and written work, engaging with key concepts and theories which will give you the tools to carry out your own research on popular music. We’ll begin with a consideration of the ‘popular’ of pop, before critically engaging with historical perspectives on popular music, tracing this through to the development of a fully-fledged ‘popular music studies’. Along the way, you’ll uncover approaches to analysing popular music’s texts, their production and the ways in which audiences and fans relate to them in the formation and expression of identities. You’ll also be encouraged to reflect on popular music’s relationship with other media (such as television, music writing and the internet), its role in everyday life, questions of representation, politics and power, and the contemporary relevance of terms such as ‘scene’, ‘subculture’ and ‘genre’. Having considered the study of popular music in this way, you will put your knowledge into practice by developing and conducting your own research project into an aspect of popular music audiences and/or culture of your choice.

THEORISING TELEVISION

Code AMAM5047A

Credits 20

This module explores some of the key ways in which television has been theorised, conceptualised and debated. You are offered insight into how the discipline of Television Studies has developed, as well as how television itself has developed - in terms of social roles, political functions and aesthetic form. The medium will be explored as a textual entity, a social activity (i.e. the focus on audiences and viewing), and a political agent (ideology and power). Part of our intention is to focus on how the specificities of television have been understood.

DIGITAL MEDIASCAPES

Code AMAM5063A

Credits 20

You'll be provided with an understanding of media access, production, participation and use/consumption. Module content is organised around notions of space and place, thereby enabling engagement with issues including: globalisation/the global; national media and media systems; regional and local media; community and ‘grassroots’ media, domestic and ‘personal’ media. Over the course of the module, you'll develop an understanding of the range and reach of media and the multiplicity of factors determining how, when and where populations are enabled to access and participate in media activities. Parallel to the above will be an exploration, through selected case study examples, of media and cultural policy issues, spaces/places of media production as well as a critical engagement with questions of power in relation to these. The module also adopts a contemporary focus by incorporating debates about the role and potential of digital media and communications technologies in enabling new forms of media production, distribution and participation.

ADAPTATION: CROSS-MEDIA TRANSFORMATIONS

Code AMAM5065A

Credits 20

This module explores the process of adaptation looking at key concepts and theories in adaptation studies and a wide range of case studies. The adaptation of prose fiction and graphic narratives into film will be central, looking at examples from early cinema through to contemporary film. In addition, the module will also give some attention to other manifestations of cross-media transformation, including audio/radio dramatization, digital gaming and immersive performance, from theatrical interpretations to themed and site-specific screenings. The module will be structured with encounters with key theoreticians – and emerging scholarly voices – in the field of Adaptation Studies (Linda Hutcheon, Julie Sanders, Thomas Leitch etc.) in tandem with major examples which might, for examples, span the cross-media interpretation of texts from children’s fiction, classic literature, popular genre and comic books. For assessment, there will be seminar presentations as formative and an individual research project as summative.

TEENAGE KICKS: MEDIA, YOUTH AND SUBCULTURE

Code AMAM5066B

Credits 20

This module will explore key debates relating to young people and their historical and contemporary uses of mainstream and underground media. It will examine a range of theoretical approaches to youth (sub)culture and media, employing case studies of popular and alternative music, club culture, fashion and style, magazines, film, television, digital media, celebrity culture, and social activism. It will address questions of ideology, identity and representation, most significantly issues of class, gender, sexuality, race and ethnicity, and encourage students to discuss how cultural interests and practices are used to construct individual and group identities. The module will initially focus on the British and American post-war contexts but will expand its focus to consider young people’s media use and subculture in a range of other national and transnational contexts. In the module we will analyse a range of media texts representing and addressing youth; we will analyse key readings from the period and contexts the films were produced within or which they represent; and discuss to what extent the theories and approaches are applicable to the media we are studying. Through their own empirical research, students will also analyse the extent to which cultural power is negotiated and resisted through individual and collective media consumption, participatory culture and subculture formation.

WORKING WITH ACTORS: DIRECTING THE DRAMATIC SCENE

Code AMAP5001A

Credits 20

Why do certain directors always get good performances from their actors? What makes one performance seem real or truthful, while another seems fake? How do directors work with actors? What do we say to them? How does an actor think? This module will explore the basics of dramatic performance, looking the dramaturgy, language and techniques that form the fundamentals of any dramatic scene. We will investigate the interplay of structure and character development. We will look at scene structure and learn to use the development of dramatic action to inform the character movement, camera position and lens choices. The module is aimed at students who would like to develop their skills in directing drama for film and television.

SCRIPT DEVELOPMENT AND STORY EDITING

Code AMAP5003B

Credits 20

This course will explore how professionals ‘read’. Much of the film and television industry spends their day reading, editing and developing scripts and this module will look at that process. The module will be a practical exploration of industry practice, dramaturgy, and the arcane art of writing ‘coverage’ and story notes. We will look at the screenplay development ‘business’ in writings by Peter Bloore and Ian Thompson. We will look at dramaturgy with readings from Aristotle to John Yorke and Steve Waters. And we will look at examples of studio coverage, explore the Black List, and look at the stand-out contemporary scripts. And we will write coverage. Lots of coverage. Students will learn to rapidly read, evaluate, and write up scripts. This is an education in itself, providing a useful skill for anyone interested in writing, directing, or producing and development. And it makes an outstanding entry-level skill for anyone hoping to move into film and television. Students can emerge from the module with coverage samples to add to their CV

THE BUSINESS OF FILM AND TV DRAMA IN THE DIGITAL AGE

Code AMAP5026A

Credits 20

The module provides an intensive introduction to the business of film and television; including the development, financing, production, distribution and exploitation of films and television drama programmes. It is based around a detailed understanding of the film and television value chain, showing how different businesses and creative people work together to create and exploit programmes. It will also cover the process by which scripts or TV programme ideas are written and developed. Emphasis will be placed on UK, European and American Independent film models; and the difference between the independent model and the US studio model. It will examine the effect of Netflix and the rise of digital streaming. It includes a wide range of recent case studies and real-life examples, with companies from Pixar to Working Title. Issues raised will include the impact of new technologies; changing business models; the conflict between commerce and art; entrepreneurship and managing creative people; and the complex and difficult relationships between writers, directors, producers, executives, financiers, and distributors. It is a practical forward-looking course about current and future business practise, which will be a valuable foundation for anyone interested in working in the media, film or television sectors. It will also be valuable to anyone studying film and television programmes and culture, so that they can fully understand the financial and business context in which programmes are created. By the end of the module you will know how films and TV programmes get dreamt up, how they get developed, and how they get financed and distributed. You will learn how the industry actually works.

DOCUMENTARY

Code AMAP5045A

Credits 20

This module will introduce you to key issues in documentary history, theory and practice. You will engage with definitional and generic debates; historical forms and founders; different modes of documentary; ethical issues; and social and political uses. We will draw upon a range of national and media contexts and give you the opportunity to engage with a range of theories, archival materials, documentary styles and ethical debates within your written and practical work. At the end of module you will produce a documentary shaped by the traditions and theories you have studied, employing a range of archive film and television footage sourced from the East Anglian Film Archive.

WRITING THE AMERICAN SCRIPT

Code AMAP5051A

Credits 20

For much of the twentieth century, the screenplay was synonymous with Hollywood, the Studio System, and “The Movies”: films as brash and bold as booming American power, written by screenwriting giants, such as Preston Sturges, Herman J. Mankiewicz, Billy Wilder, Anita Loos and Paddy Chayfsky. But much of what we love about more recent American film-making has been the work of writers outside the mainstream: John Cassavetes, Joan Micklin Silver, Charlie Kaufman, Spike Lee, Nora Ephron, Quentin Tarantino, and the like. Throughout, American screenwriting has produced work as dynamic and expansive as the nation itself. In this module you will move through the high points of American scriptwriting, using scripts, texts, and creative pastiche to develop an understanding of the form. Your work may be assessed through a mix of creative and critical work, writing exercises and a complete short script. In broadly the first half of the semester you will use pastiche and other techniques to develop basic screenwriting skills. The remainder of the term will be devoted to developing and workshopping an original script. You will be introduced to the basic dramaturgy of cinematic storytelling, screenwriting form and format, and skills in pitching and story development. This module will therefore help you develop your creative capacity, your communication skills, and will help broaden your commercial awareness.

FILM AND VIDEO PRODUCTION

Code AMAP5123A

Credits 20

Film is frequently described as a ‘director’s medium’, while simultaneously defined as a ‘collaborative effort’. How is that possible? How do the director, cinematographer, designer and editor work together to create the suspense, romance, or comedy that we expect from our favourite films? What does the film director actually do? What are the choices that see one director lauded as an ‘auteur’ and another derided as a ‘hack’? Why does a cinematographer choose the specific lighting, framing and camera style for a scene? How does the director work with a script and coax performances out of the actors? What prompts the editor to use one angle, rather than another? This module attempts to answer these questions, as it introduces you to the practical application of film and television grammar and explores the fundamental questions of cinematic and televisual storytelling. A series of filmmaking exercises give you the chance to experiment with elements of camera and blocking, the use of sound, and multiple editing options. Other exercises look at script as a dramatic text and introduce basic techniques of working with actors. The final project asks you to work with professional script material to produce a video scene study. The module encourages students to understand the choices and decision-making processes involved in filmmaking, and the pros and cons involved in any creative decision.

FILM AND VIDEO PRODUCTION

Code AMAP5125B

Credits 20

Film is frequently described as a ‘director’s medium’, while simultaneously defined as a ‘collaborative effort’. How is that possible? How do the director, cinematographer, designer and editor work together to create the suspense, romance, or comedy that we expect from our favourite films? What does the film director actually do? What are the choices that see one director lauded as an ‘auteur’ and another derided as a ‘hack’? Why does a cinematographer choose the specific lighting, framing and camera style for a scene? How does the director work with a script and coax performances out of the actors? What prompts the editor to use one angle, rather than another? This module attempts to answer these questions, as it introduces you to the practical application of film and television grammar and explores the fundamental questions of cinematic and televisual storytelling. A series of filmmaking exercises give you the chance to experiment with elements of camera and blocking, the use of sound, and multiple editing options. Other exercises look at script as a dramatic text and introduce basic techniques of working with actors. The final project asks you to work with professional script material to produce a video scene study. The module encourages students to understand the choices and decision-making processes involved in filmmaking, and the pros and cons involved in any creative decision.

LIVE TELEVISION STUDIO PRODUCTION

Code AMAP5127B

Credits 20

This module introduces you to television studio production, using the resources of the campus television studio. You will learn basic skills of both live and recorded studio production (including directing, vision and sound mixing, camera-work, lighting, floor management and editing), using practice-based training. You will produce a short television programme, researching the appropriate genre characteristics, style and narrative to create the final work. The live broadcast will be accompanied by written reports analysing and evaluating the production process and the finished product. PLEASE NOTE - This module needs a minimum of 12 students enrolled to run; if that enrolment is not met, the module may be withdrawn.

CINEMATOGRAPHY

Code AMAP5129B

Credits 20

Cinematography is the craft of motion picture photography, comprising numerous visual elements – light and lighting, frame composition and shot size, camera placement and perspective, focus and depth of field, ‘look’, exposure, and camera movement. This module will explore how the Cinematographer brings together all these elements to capture a scene that interprets the Director’s vision.

FILM DIRECTING WORKSHOP: GENRE

Code AMAP5130B

Credits 20

This module is for directors who want to learn more about different types of movies and how to make them. It will help you understand how to use different techniques and styles to make movies in different genres. The module will also help directors understand the history and theory of different movie genres. We will do a lot of hands-on work, making movies and writing about them. You will watch and talk about different types of movies, and then film several films with a group. You will also write critical reflections to deepen your own creative voice.

EDITING PRINCIPLES AND PRACTICE

Code AMAP5133B

Credits 20

Module Description: This module will explore the art and principles of video editing. You will learn about the history, theory, technology, and practices of editing through discussions, workshops, and exercises. You will analyse editing to create your own approaches and theories. You will have the opportunity to research, experiment, and expand your understanding of montage and your own voice as an editor. Students will produce a portfolio of edited videos and critical comments for assessment.

SOUND ON SCREEN

Code AMAP5134A

Credits 20

In this module, you will learn about recording and designing sound for video and other screen media. You will get practical experience working with sound in both the production and post-production stages. You will also discuss the role of sound in film and television and how it can affect the meaning of a piece. You will also look at how different approaches to sound design can change the way an audience perceives a video and other types of screen texts. For assessments, students will produce practical sound projects as well as critical reflections on their work. One 2-hour seminar and one 2-hour workshop per week.

THEY CAME FROM OUTER-THE-CLOSET: GENDER, SEXUALITY AND PANIC IN AMERICAN FILM

Code AMAS5020A

Credits 20

With its main focus on the 20th century, this module will explore key moments of change or crisis in the century and consider the ways the panic caused by such changes is distinctly gendered and/or sexualised. It will concurrently examine gender and sexual resistance to dominant ideas of American identity and the subsequent creation and/or promotion of liberationist discourses and alternative communities. Film will provide the focus for this cultural study, and the module will range widely over a number of different genres including the western, sci-fi, detective and LGBT themed works.

AMERICAN MUSIC

Code AMAS5023A

Credits 20

The first book published in the New World was a hymn book. Music, sacred and profane, has been at the centre of American lives ever since. Distinctive American musical styles still dominate the globe, as they have done for decades. But how did American music develop into the genres that we recognise today? How did uniquely American sounds catch the ear of listeners all over the world? You will gain a thorough understanding of the development of American music. You will focus on a number of distinctive musical traditions - from minstrelsy to blues, jazz, and country; from rock and roll to hip hop - and consider the way that they have shaped popular music today. Throughout the course, you will encounter a rich variety of music and an extraordinary range of characters, from the most famous entertainers in modern culture, to the obscure, the forgotten and the neglected. Whilst exploring the development of American music, you will also examine the ways in which its growth tells a larger story about the history of America and its people. In particular, it will give you a different perspective on the issue of race in American life. Through seminar discussion, written coursework, and group presentations, you will develop your analytical and critical abilities - whether that means your ability to think about the significance of a song and its meaning for a particular historical moment, or the way that the shifting meaning of a genre of music can tell us many things about its wider social and cultural context.

THE POLITICS OF STORYTELLING

Code AMAS5054A

Credits 20

We all tell stories. Some stories are based in fact. Others are fictional and deliberately play with and distort realities. But how do we decide on which stories get told and which stories don’t? What does this tell us about the political structures that shape our society? Or indeed the relationship between history and power? Can the stories we tell play a role in our political present? Relevant to all students studying the arts and humanities, this module explores the politics of storytelling. It interrogates the relationship between fact and fiction, while encouraging students to think through the societal forces that shape their subject and their own work. Drawing on the expertise from a range of disciplines - from film studies, history, literature, politics and creative writing - it shows how stories can remake our reality and have the potential to profoundly shape our present moment.

RACE AND VISUAL CULTURE

Code AMAS5055B

Credits 20

This course examines the visual construction of race, including how indigenous groups have been racialized through visual means and how the category of “black” has been established as the hyper-visual opposite of the comparatively low-profile (some might say invisible) “white.” We will consider and critically contextualize examples of visual representation of racialized bodies from throughout modern history, in an examination of the racist visual rhetoric that props up white supremacy in the West. Visual culture is part of social and political life, and in studying images we will think about the context of their production, the public for whom they were intended, and the ideologies that inform ways of seeing it. Our in-class examples will be drawn from all aspects of visual culture, including film, television, painting, comics, magazines, advertising, postcards, sculpture, anthropological illustrations, museum exhibits, digital media, and more, and our secondary readings will come from both historical considerations and contemporary critical race theory.

POLITICS, DEVELOPMENT AND SOCIETY

Code DEV-5019B

Credits 20

This module critically analyses the role of key development actors, and the contexts that they work within. It emphasises how actual interventions play out in society - where they become concrete and have real effects. What changes because of these interventions, and what stays the same, and why? What are the actors’ intentions, who shaped them, and why are outcomes often unintended and contradictory? The module considers a range of actors from social movements to international organisations. It exposes students to the complexities of policy implementation and social change, and provides a strong grounding in understanding the politics of development policy. Although open to all students it is useful if you have taken Introduction to the Politics of Development (DEV-4009B). If you have not you may have to do some additional work in the opening weeks of the semester in order to familiarise yourselves with key concepts. Lecturers will assist you in doing so.

THE ORIGINS OF THE ENGLISH LANDSCAPE 4000BC TO 1066AD

Code HIS-5002A

Credits 20

On this module you’ll study the development of the English landscape from early prehistoric times to the late Anglo Saxon period. You’ll learn to identify and interpret key landscape features from the Neolithic, Bronze and Iron Ages before moving on to study Roman and Anglo Saxon landscapes. Lectures, seminars and field trips will provide you with an introduction to the approaches and sources used by landscape historians and landscape archaeologists. You’ll develop your understanding of landscape history through the study of key sites such as Stonehenge, Hadrian’s Wall and Sutton Hoo. The chronological approach of the module will provide you with an understanding of long term landscape change, telling the story of the English landscape from prehistory to the eve of the Norman Conquest.

THE ENGLISH LANDSCAPE 1066 TO 1600

Code HIS-5003B

Credits 20

You’ll examine the development of the English countryside during the Middle Ages. You’ll discuss the nature of rural settlement, high status buildings and landscapes and 'semi-natural' environments.

ANGLO-SAXON ENGLAND, C. 400-1066

Code HIS-5005A

Credits 20

The Anglo-Saxon period spanned 600 years from the end of Roman Britain to the Norman Conquest. It was a period of turmoil, seeing waves of immigration, the clash of peoples and religions, and kingdoms jockeying for control. Out of this crucible England emerged. This is the story of how it came to be. Using contemporary sources, you will learn to handle evidence and reconstruct the worldview of people who lived over a thousand years ago. Anglo-Saxon history teaches you to go a long way with a little evidence; to use your imagination to fill in the gaps. Whether it's new to you or something you've studied before, you'll achieve a deeper and richer understanding of how the nation was formed. Via lectures, seminars and private study, you'll discover the Romans, Saxons and Vikings; the strange treasure they left behind; the cryptic and conflicting chronicles (learning to read between the lines), and debates we still haven't resolved today. Developing your powers of argumentation, you'll run into questions with no certain answer. Building with fragmentary evidence will boost your creativity, and you'll encounter ancient artefacts. (Trips have included West Stow Anglo-Saxon village and Norwich Castle Museum.) At the end of the module you'll command an overview of how England came into being. You'll also have built your ability to see other people's points of view, even if they lived a thousand years ago. This is a crucial ability whether in personal or professional relationships. Also learning to argue with evidence as fragmentary as the evidence we'll explore will hone your problem-solving skills to an unusual degree.

FROM HASTINGS TO THE HUNDRED YEARS WAR: NORMAN AND PLANTAGENET ENGLAND 1066-1307

Code HIS-5007B

Credits 20

This module examines a critical period in English History. We begin with the Conquest of England by the Normans and look at the ways in which as a consequence England was drawn into European affairs. The mid point is the loss of those continental lands in 1204 and the Magna Carta crisis of 1215. We then explore the domination of Britain by the English kingdom and end with the start of England’s next great European adventure, The Hundred Years War.

FROM AGINCOURT TO BOSWORTH: ENGLAND IN THE WARS OF THE ROSES

Code HIS-5009B

Credits 20

You will explore one of the most turbulent and dynamic periods in English history: c.1400-1485. In addition to exploring the narrative of events as it unfolded chronologically you will also learn about topics such as: theories of medieval kingship, the relationship between church and state, the relationship between England and Continental Europe, medieval warfare, chivalry and knighthood, the relationship between national and local concerns, and the opportunities for people of all genders to participate in political struggle. You will have the opportunity to read a wide range of primary sources as well as considering key historiographical debates. Upon completion of your module, you should have a more nuanced understanding of the exercise of power in the 15th century and how the deeds and decisions of those in charge impacted the lives of people further down the social spectrum. You should also have honed your skills in primary source analysis and historiographical scrutiny.

THE RISE AND FALL OF BRITISH POWER

Code HIS-5011A

Credits 20

You will examine Britain's expansion and decline as a great power, from the end of the Napoleonic Wars to the mid-twentieth century. During this module, you will consider the foundations of British power, the emergence of rivals, Britain's relationship with the European powers and the USA, and the impact of global war. You will also investigate the reasons for Britain's changing fortunes, as it moved from guarding the balance of power to managing decline.

VICTORIAN BRITAIN

Code HIS-5012B

Credits 20

This module will examine the leading themes in British history during Victoria's reign (1837-1901). It will include political, social, economic, religious, urban, gender and intellectual topics.

NAPOLEON TO STALIN (AND BEYOND): THE STRUGGLE FOR MASTERY IN EUROPE

Code HIS-5017B

Credits 20

This module deals with the rivalries of the Great Powers from the end of the Napoleonic Wars to the onset of the Cold War and its end with collapse of the Soviet Union in 1991. We shall be examining topics such as the Vienna system; the Crimean War; Italian and German unification, the origins of the First and Second World Wars and the Cold War period.

MODERN GERMANY, 1914-1990

Code HIS-5018A

Credits 20

We will introduce you to German history in the twentieth century, which was characterised by various radical regime changes and territorial alterations. Topics include German world policy and nationalism in the late imperial period; imperialism and expansionism during the First World War; the challenges of modernity in the Weimar Republic; the rise of Hitler and the formation of the Nazi empire in Europe; the post-war division of Germany and the legacy of the Third Reich; the nature of the German Democratic Republic (GDR) dictatorship and the problem of West German terrorism; as well as the fall of the Berlin Wall and reunification. Special attention will be given to questions of nationalism and national identity, issues of history and memory, and Germany’s role in Europe and the world. On completion of this module you will have developed a solid understanding of one of the most dramatic periods of German history when the country oscillated between the two extremes of war and repression, on the one hand, and the return to peace and democracy, on the other.

HISTORY OF MODERN ITALY

Code HIS-5021A

Credits 20

Since the unification of the states of the Italian peninsula, the history of modern Italy has been the subject of intense historical debate. Modern Italy has often been cast as a ‘weak’ state and ‘fragile’ nation, riven by particularism and by competing secular and religious ideologies, ‘economically backward’, less successful than its national neighbours, and ‘the least of the Great Powers’. More recent historiography has sought to challenge or modify these perceptions in a number of ways, and this course examines modern Italian history from unification to present day, in the light of these ongoing historiographical debates. a) Italian nationalism, the process of Italian unification and the attempts to create national unity after 1870; b) the relationship between socio-economic change and political development in Liberal Italy; c) the impact of the First World War on Italian society and politics; e) the nature of the Fascist regime and its impact on Italian society; f) the radicalisation of the regime, its racial policies and the quest for Empire; g) Italy’s role in World War II, the reasons for the collapse of the Fascist regime, and the emergence of civil war. h) Italian history since 1945

HERITAGE AND PUBLIC HISTORY

Code HIS-5026A

Credits 20

What shapes our view of history and heritage? How do we balance academic approaches with the need to engage an audience? How do we assess the significance of historic buildings and sites? On this module you’ll explore these questions by studying the ways in which history is presented in the public sphere, in museums and galleries, at heritage sites and historic buildings, in the media and online. Through lectures, seminars and field trips you’ll gain an understanding of different current approaches to history and heritage, exploring themes such as the role of museums, the commemoration of historic events and the development of digital heritage.

EARLY MEDIEVAL EUROPE: WARRIORS, SAINTS AND RULERS

Code HIS-5042A

Credits 20

You'll explore the experiences and fortunes of the peoples of the western peninsula of Eurasia between the rule of the Emperor Constantine I in the 330s and the call to crusade in the 1090s. At the beginning of the period, the lands centred on the Mediterranean and much of its hinterland were situated within the Roman empire. Yet, within three hundred years, this empire had disintegrated and been replaced by a number of successor states, ruled by competing dynasties. These states included Visigothic Hispania, Vandal Africa, and Merovingian Francia. Another—in fact, the longest lived of all the successor states—was the eastern empire centred on Constantinople, long known to historians as ‘the Byzantine empire’. By the close of the 7th century, many of these states had themselves been conquered by Arabic and African warriors committed to the new religion of Islam and been incorporated in the Caliphate centred on the city of Damascus—an empire which easily rivalled the might, spread, and power of Rome before its own collapse and fission in circa 1000. What Islamic rulers could do, so too could Christian ones. In 800 the son of a Frankish usurper, Charlemagne, was crowned emperor of the West. The actions and ambitions of this emperor were as formative and as formidable in the history of 9th and 10th century Europe as those of Napoleon in the 18th and 19th. The heirs and successors of Charlemagne—whether Frankish, Ottonian, or Scandinavian—were long compelled to negotiate his legacy and memory. By the 11th century, even the Roman pontiffs, now advancing a new programme of reform and renewal, were looking to situate themselves in relation to his Salian successors. The summons to liberate Jerusalem and rescue the Greek empire in the east, carefully tailored to the aspirations of the new élites of Francia and Catalonia, was perhaps the most explosive strategy advanced by these Roman pontiffs. This course is thus broad in chronological scope, covering more than eight hundred years, and extensive in geographical range, taking us from the Atlantic to the Euphrates, from the Atlas mountains to the North Sea. In the course of this journey we'll meet many warriors, saints, and rulers, both female and male.

THE FIRST BRITISH EMPIRE

Code HIS-5045A

Credits 20

Between the sixteenth and the early nineteenth centuries, the English crossed the oceans and claimed territory on every continent other than Antarctica. This module surveys the creation and growth of British Empire, examining its origins and its impact on an array of peoples. In the context of studying how the empire spread and functioned, we will consider the varied experiences of Africans, Native Americans, Aboriginal Australians, Protestant refugees from the continent of Europe, the peoples of India, the Irish, and British settlers across the globe. The complex, intimate, and often violent interactions of these groups led to ideological battles pitting loyalism against republicanism, for example, and imperial “civilization” against an array of indigenous cultural revivals. At first glance these struggles may seem to place the British against the subject peoples of their empire, but on closer examination it becomes apparent that they fractured nearly every population within the imperial domains. The creative energy of the British Empire stemmed in large part from collaborations between British groups and individuals and segments of their purported imperial subjects in building, reforming, or in some cases seeking to destroy the structures of imperialism

THE MODERN MIDDLE EAST

Code HIS-5048B

Credits 20

We will look at the modern history of the Middle East, primarily concerning the political history of the region as well as relations between Middle Eastern countries and Western powers. Our aim is to encourage you to think critically about historical processes of state formation, the legacy of colonialism/imperialism, the role of culture and identity, and the significance of natural resources and economic factors.

PROPAGANDA

Code HIS-5050B

Credits 20

This module introduces you to the history and theory of propaganda, and its role in society. You’ll consider what constitutes and defines propaganda. Focusing on the 20th century, we examine propaganda in a range of political settings, both totalitarian and democratic, in the local context of the relationships of power and communications. The module is structured chronologically, starting with the development of propaganda during World War I and finishing with a consideration of propaganda in the 21st century.

TWENTIETH-CENTURY BRITAIN, 1914 TO THE PRESENT

Code HIS-5057B

Credits 20

The Great War transformed domestic expectations and ushered in an age of Mass Democracy and economic hardship. After 1945 the welfare state and full employment saw rising affluence, accompanied by the emergence of youth cultures, a sexual revolution and new forms of radicalism and identity politics. The economic crisis of the 1970s sped-up deindustrialisation whilst the neoliberalism of Thatcher and her successors deepened inequalities and stoked nationalist sentiment. We explore the social, political and economic history of these tumultuous years.

FRANCE FROM THE ENLIGHTENMENT TO THE BELLE ÉPOQUE

Code HIS-5059B

Credits 20

You will be introduced to an eventful period of history during which France exercised a preponderant role over European affairs and culture. The module will provide you with the essential background knowledge of political events, revolutions and wars but it will also encourage you to explore deeper social and cultural trends. In the first weeks we will reconsider ‘Old regime’ France, drawing attention to its dynamism and cultural richness before turning to the crises that discredited Bourbon absolutism. In subsequent weeks we will focus on the Revolutionary-Napoleonic epoch: our endeavour here will be to explain why the Revolution was revolutionary in theory, violent in practice and dictatorial in consequence. We will then reflect on the Restoration. Using extracts from Hugo’s Les Misérables as our starting point, we will look at how rapid industrialization generated social tensions that successive ministries tried to diffuse through repression and reform. Next, we will look at the France of the Second Republic and Second Empire; our focus here will be Napoleon III’s modernization initiatives and dramatic remodelling of Paris. Finally, we will approach the history of the Third Republic between 1870 and 1914 from three angles: its success in making the populace feel French; science, art and culture; and its nationalistic foreign policy, which contributed toward undermining the general European peace. The seminars for this module will provide us with an opportunity to analyse and discuss in depth an eclectic range of primary sources, including textual documents (in English translation) ranging from constitutions to period fictional writings, maps, advertisements, artwork, extant material and architectural evidence, and music.

WOMEN, POWER AND POLITICS II, THE DUCHESS OF DEVONSHIRE TO NANCY ASTOR

Code HIS-5063B

Credits 20

We will explore female involvement in politics, from the Duchess of Devonshire’s infamous activities in the 1784 Westminster election until 1919, when Nancy Astor became the first woman to take her seat in the House of Commons. We will examine topics including the early feminists, aristocratic female politicians, radical politics and the suffragettes, and will investigate the changes and continuities with female engagement with the political process from the eighteenth century through to the twentieth century.

BETWEEN EAST AND WEST: INTERNATIONAL HISTORY SINCE 1890

Code HIS-5065A

Credits 20

The beginning of the twentieth century witnessed a period of immense instability and change with the emergence of the United States as an international actor in the West and the Japanese break from the Chinese sphere of influence in the East. This was underpinned by technological developments, the expansion of global empires, extreme economic dislocation and two global wars. You will examine the conduct and content of the foreign policies of the major powers from the 1890s, with the Sino-Japanese War and the Spanish-American War, to the Japanese occupation of Asia. This will include assessing the interplay of the political, military, economic, strategic and cultural forces that shaped the beginning of the twentieth century and which continue to resonate in the contemporary world.

FROM STALIN TO PUTIN: THE LONG SHADOW OF THE WAR

Code HIS-5065B

Credits 20

World War II and the immense sacrifices the Soviet people made in defeating Nazism left multiple long-lasting legacies that shaped the multi-ethnic Soviet and post-Soviet Russian state, society and economy. This module aims to give you a better understanding of the state of contemporary Russian politics, society and economy through detailed historical enquiry of Russia’s path since 1945. It is divided into two main parts: in part one you will examine key periods of post-war Russian history in chronological order, and in the second part you will look more closely at key contemporary in their historical perspective. These will include the question what it meant to be Soviet and its legacy; geopolitical imperatives, which only recently led Putin to invade Crimea; identity politics and historical commemoration; the transition of the economy from a planned economy to a market economy; and the complex mutations and adaptations of power structures in Russia that gave birth to Putin’s ‘managed democracy’.

JAPAN IN MODERN TIMES

Code HIS-5066A

Credits 20

In just a few decades Japan emerged from its feudal and isolationist condition and became a thriving capitalist nation-state with imperialist ambitions on the world’s stage. From the mid-nineteenth century onwards, the country re-invented itself, combining the strength of its traditions with Western models of government, economic management, social structure and culture. Samurai gave way to elite bureaucrats; a skilled industrial workforce gradually displaced the peasantry; education expanded with remarkable speed; new infrastructure transformed the physical landscape. New patterns of daily life, social tensions and cultural aspirations accompanied these changes. The aggressive expansionist policy and authoritarianism of the 1930s precipitated the country into a war with devastating consequences, only for Japan to resurrect itself as a global industrial power and stable democracy in the post-war era. This module examines this process of transformation from circa 1850, when Western powers pressured Japan into opening to international trade, to the oil shock of the 1970s that brought an end to Japan’s high growth phase. You will pay attention to the intellectual and cultural trends that informed Japan’s development, and investigate concepts such as revolution, national identity, civilizational discourse, late imperialism, and historical memory. You will also explore social and economic change as reflected in lived experience, for example in farms and villages at the turn of the century; on the home front during the Russo-Japanese War; in bustling cities during the Taisho era; in colonial outposts before and during the Pacific War; and in occupied Japan afterwards.

TUDOR ENGLAND

Code HIS-5067A

Credits 20

The Tudors are England’s most famous royal dynasty. This module seeks to move beyond the traditional stories of Henry’s turbulent marriages and Elizabeth’s stunning victory over the Spanish Armada. You'll gain a better understanding of the change and turmoil the Tudor century caused, not just to the monarchs themselves but to the lives of their subjects, the everyday people of England. Beyond establishing a strong chronological knowledge of the 16th century and its religious upheavals, the module will consider issues of gender; the changing construction of the social order; the importance and developing role of local elites; problems caused by poverty and dearth; and the position of England within Britain itself and within Europe.

BRITISH INDIA: EMPIRE, NATION AND THE PEOPLE IN SOUTH ASIA

Code HIS-5074A

Credits 20

This module explores the enduring historical ties between South Asia and Britain, and how these ties have fundamentally shaped the history of both these regions. Between the mid eighteenth and mid twentieth centuries, much of South Asia was part of the British Empire and was referred to as British India. Today, South Asia (which includes India, Pakistan and Bangladesh) plays a significant role in international politics and globalisation. Marked by intense ethnic, ecological and linguistic diversity, South Asia is home to the world’s largest constitutional democracy, as well as the world’s second largest population. This course is an introduction to the major themes in the history of British India. It does not assume prior knowledge and familiarises students with key events in the development of British rule in the region and its impact in shaping the emergence of modern South Asia. We will examine major social, economic, cultural and political developments in the subcontinent during the British period, including British early military conquests, the enactment of social and agrarian reforms, the Mutiny of 1857, the rise of anti-imperial nationalism and the Indian National Congress, Hindu/Muslim communal tensions, Gandhian politics, the establishment of a constitutional democracy in India, the partition of the subcontinent, the end of British rule and the formation of modern India and Pakistan. The module draws on a wide variety of primary sources including historical tracts, reports, memoirs, fictions (all in English) as well as maps, podcasts and a rich visual archive; it does not require students to have knowledge of Indian languages. Students will also be exposed to the flourishing secondary literature on British India, and to the central debates within this scholarship. They will learn to evaluate the processes through which British rule was established and legitimised in South Asia, and to analyse how different groups of Indians responded to and were impacted by British rule. The module will equip students to assess the emergence and consequences of British imperial rule in South Asia. It will also inspire students to connect historical events in South Asia with developments in Britain and the wider imperial world.

GEORGIAN BRITAIN AND IRELAND

Code HIS-5075A

Credits 20

In this survey of Britain and Ireland from 1714 to 1830, we will examine relations between the nations inhabiting these islands, imperial war and state formation, new approaches to scientific knowledge and nature, the rise of the novel and new aesthetics in art, architecture and material culture, gender roles and sexuality, consumption, work, crime, justice, the Industrial Revolution, urban life, and the impact of revolution abroad on Irish politics and reform throughout the United Kingdom. Our detailed examination may include studies of prostitution in reality and in works of fiction like Fanny Hill and Moll Flanders; the careers and work of writers including Daniel Defoe, Jonathan Swift, Henry Fielding, Laurence Sterne, Tobias Smollett, William Blake and Jane Austen; the first performance of Handel's Messiah in Dublin; the parks of Capability Brown; Samuel Johnson’s Dictionary; John Wesley and Methodism; divorce law in England and Scotland; the life and career of Thomas Hawkins, the Cornish mine-owner who was an inspiration for Poldark; early cotton mills and factories; child labour; the Peterloo Massacre; Britain’s first Prime Minster Robert Walpole; the War of Jenkins Ear; the Jacobite Risings of 1715 and 1745; the Black Act; British and Irish participation in the Wars of the American Revolution, the French Revolution and Napoleon; Mary Wollstonecraft and William Godwin; union with Ireland and Catholic Emancipation.

THE LATE MEDIEVAL WORLD

Code HIS-5076A

Credits 20

The spread of a deadly plague. The fall of once-powerful empires. A new wave of popular rebellions. Between 1200 and 1500, most parts of the world were experiencing change at a dizzying rate. Cities were at the heart of these changes. They were destroyed and rebuilt; they lost old elites and uneasily welcomed new migrants. This module uses urban history to assess the impact of this global ‘age of crisis’ in different regions of the world and to see how local populations responded to the change around them. You will learn about the city-states of medieval Europe (such as Florence in Italy) alongside African and Asian imperial capitals (such as Cairo in Egypt or Kyoto in Japan). The module is a survey of this fascinating period of history, introducing you to key personalities and trends that defined the era, while at the same time equipping you with the skills to analyse literature, art, architecture, and cityscapes as historical evidence.

THE ROMAN EMPIRE: CITIZENS, SLAVES, AND IMPERIAL FAMILIES

Code HIS-5076B

Credits 20

A survey of the history of the Roman Empire from the reign of Augustus to the succession of Constantine. The module will focus on a range of different human communities, in particular on the imperial family (empresses, children, and imperial freedwomen as well as emperors and heirs), on the marginalised and oppressed (slaves, provincials, religious minorities), and on key themes (the operation of civic politics, the exploitation of natural resources, the transformation of cultural values). The module seeks to communicate the diversity and complexity of the Roman empire.

ARTS AND HUMANITIES PLACEMENT MODULE

Code HUM-5004B

Credits 20

This module will provide you with the opportunity work within a creative/cultural/charity/ heritage/media or other appropriate organisation in order to apply the skills you are developing through your degree to the working world and to develop your knowledge of employment sectors within which you may wish to work in the future. The module emphasises industry experience, sector awareness and personal development through a structured reflective learning experience. Having sourced and secured your own placement (with support from Careers Central), you work within your host organisation undertaking tasks that will help you to gain a better understanding of professional practices within your chosen sector. Taught sessions enable you to acquire knowledge of both the industries in which you are placed as well as focusing on personal and professional development germane to the sector. Your assessment tasks will provide you with an opportunity to critically reflect on the creative and cultural sector in which you have worked as well as providing opportunities to undertake presentations, gather evidence, and articulate your newly acquired skills and experiences.

LGBT AND BEYOND: SEXUAL CULTURES, QUEER IDENTITIES, AND THE POLITICS OF DESIRE

Code HUM-5007A

Credits 20

How do notions of gender and sexuality shape culture, and how are in turn our understanding and experiences of gender and sexuality shaped by cultural production? How important are other times, places and identifications – associated with class, race, ethnicity – to these understandings and experiences? And to what extent can a film, an image, a testimony, or a place capture such complexity? Addressing these questions from an interdisciplinary approach, the aim of the module is to explore the ways in which gender and sexuality are constituted through a broad array of experiences, practices, and cultural products. The module focuses on issues raised in classical and contemporary research in history, politics, media, cultural studies and visual cultures such as: representation and cultural production; subjectivity; identity; identification; bodies and embodiment; performance and performativity; among others. Overall, by exploring theory in conjunction with queer cultural production that explores questions of power, identity, and desire across different racial, national, and cultural landscapes, the module aims to problematise how gender and sexuality are not stable identities or classifications but are instead processes involving normalisations, hierarchies and relations of domination that can be challenged, troubled and/or queered.

VIDEOGAMES: THEORY, PRACTICE, AND RECEPTION

Code HUM-5008B

Credits 20

This module offers students the opportunity to develop a comprehensive understanding of the cultural, political, and economic contexts of the videogames industry, and the techniques and principles used in game design. The module will give an overview of the key academic debates from video game history from production to reception, considering the current state of the industry, issues of representation in games, and study of games culture within a broader context. The module will provide students with the opportunity to play and critique a variety of games hardware and software. In addition, the module provides an understanding of hardware platforms and software tools used in the creation of videogames, making use of UEA's Media Suite to offer a practice-based component to aid in the understanding of the principles behind games development. Students will be able to learn entry level games design practices. No previous experience of coding or games development is required to undertake the module, just an interest in the subject.

MAKING IT PUBLIC: PUBLISHING, AUDIENCE, & CREATIVE ENTERPRISE

Code HUM-5013B

Credits 20

What does it mean to publish, which, from the Middle French ‘publier’ means ‘to make public, to make known, to make famous’? How do you do it? This module will provide you with an introduction. With support from live project examples from UEA Publishing Project (UPP) and practical resources provided by the Media Suite, this module will help you acquire the basic skills for designing and publishing your own short publication; a book, a magazine, a fanzine, audiobook, or podcast. It will also act as preparation for internships available with UPP the following academic year, for those interested in pursuing them. In seminars you will learn what it takes to be a successful editor, and, by considering issues of readership, marketing, promotion, finance, scheduling, and copyright law, you will know how to successfully plan and manage your project. You will be introduced different kinds of publishing —commercial, independent, DIY, and digital — and gain understanding of editorial roles and processes, the ins-and-outs of pre-production, and the best way to market and publicise your creative product. Students will also have the opportunity to attend the annual London Book Fair.

PUBLIC INTERNATIONAL LAW

Code LAW-5014B

Credits 20

Public international law is the legal regime that governs States, and as such balances law with international affairs and politics. This module examines how international law is formed, who it applies to, the role of the United Nations and how public international law protects individuals. It also interrogates the cohesiveness of this body, or bodies, of law. Particular focus is placed on human rights, self-determination, use of force, international criminal law, environmental and trade law. The module addresses both the practical and theoretical aspects of public international law and consequently considers how the public international law framework applies to contemporary situations.

CREATIVE WRITING: PROSE FICTION (AUT)

Code LDCC5001A

Credits 20

This module will enable students to develop their abilities and potential as writers of prose fiction, building on the experience they already have in a formal creative writing environment. The overall aim of this module will be to develop students’ expressive and technical skills in writing prose fiction, to improve their abilities as editors and critics of their own and other people's work, and to develop their critical engagement with what it means to be a prose fiction writer in their current cultural context. The first half of the module will be exploratory and practical, using reading, discussion, and structured exercises in order to consider a variety of relevant concepts, including: character, plot and structure, time and place, point of view, and editing and revising. In the second half of the semester, the seminar sessions will be split into one hour on new topics such as language and style, form and theme, genre, and publishing, and one hour dedicated to workshops: constructive group discussions of students’ works-in-progress.

CREATIVE WRITING: POETRY (AUT)

Code LDCC5003A

Credits 20

This module enables students to test the range of their abilities as writers of poetry. The first half of the course will be exploratory and practical, using structured exercises and handouts to consider such issues as voice, persona, sound, imagery, metaphor, structure and form. In the second half the emphasis will shift to constructive group discussion of students' own work. Aims: The aim of this module is to develop students' expressive and technical skills in writing poetry and to improve students' abilities as editors and critics of their own and other people's work. This module is exclusive to English Literature With Creative Writing students and for other students who have achieved a mark of 68%+ (or equivalent for Visiting students) in a previous Creative Writing module. All other students should enrol on Creative Writing: Introduction (Aut) or Creative Writing: Introduction (Spring).

CREATIVE WRITING: INTRODUCTION (SPR)

Code LDCC5004B

Credits 20

Have you ever wondered what it means to write creatively? Or how you might articulate what Zadie Smith calls ‘your way of being in the world’? Together we’ll address these questions. You’ll explore the work of some of the finest writers in the world, while also receiving clear guidance on how you might bring shape to the promptings of your imagination. This module will get you writing prose fiction and/or poetry. While there is no single, authorised way to write, there are things worth knowing about. You’ll discover some of these things in class; others you’ll pick up through being alert to what you have read and the way in which it functions. The most important thing, however, is to discover your own way of doing things. What drives you to capture a certain moment, or tell a certain story in a certain way? That’s what we'll be aiming for. Along the way you’ll develop an understanding of the craft of writing – the technical nuts & bolts – while acquiring the disciplines necessary to being a writer - observation, drafting, and submitting to deadlines. You'll be guided through a series of themes and concepts that go to the heart of creative writing, from voice and structure, to imagery and form. You'll generate material throughout the course, both through guided exercises and private study. Very often you'll be asked to write about ‘what you know’, drawing on notebooks, memory, family stories, your sensory impressions. In prose you will go on to look at such things as character, dialogue, point-of-view, ‘showing’ versus ‘telling’, plotting, etc. In poetry, there will be an exploration of the possibilities of pattern and form, sound, voice, imagery, and rhythm. By the end of the course you’ll have developed a body of work to call your own and a sense of what it means and what it takes to write seriously.

THE WRITING OF JOURNALISM (AUT)

Code LDCC5013A

Credits 20

What kinds of writing skills produce great journalism? This question is essential to creating powerful journalism and it’s a central concern of this module. The Writing of Journalism enables you to develop a critical awareness of the skills and structures involved in creating effective journalism. You’ll consider a range of journalistic forms and find out how best to nurture and develop your own writing. You'll have the opportunity to explore the ways in which journalistic writing works – its contexts, its demands, and its inventiveness. This will enable us to approach journalism as a discourse with its own conventions, practices, and ideologies. This module is concerned with journalism as a practice, and a genre. As such, it involves discussion, peer-workshops, and practical experience of reading and writing news and feature articles. In addition to writing your own journalism, you will examine journalistic writing and critical work concerning the craft, in order to probe and challenge your own ideas and assumptions about the practice and production of this writing form. Rather than see the practice of journalism and the critical study of journalism as distinct activities, this module aims to engage you as critical readers and writers whose work is informed by both contexts. In so doing, you’ll gain a greater understanding of the demands and conventions of journalistic writing, develop and sharpen your own work, and gain the discursive flexibility which will allow you to navigate the writing of journalism today.

SCRIPTWRITING: STAGE/RADIO

Code LDCC5015B

Credits 20

Scriptwriting: Stage/Radio deepens your ability to create and understand dramatic texts, through exercises in writing drama and the analysis of a range of plays and/or radio scripts. In this module you’ll explore different forms and styles and your work will receive feedback from both the tutor and your peers. Your first assignment will be a portfolio of shorter pieces, and then you’ll write a play or radio drama of up to 30 minutes length. The course is hands-on, inspiring and practical, and you’ll be writing every week.

SCRIPTWRITING: TV/FILM

Code LDCC5016A

Credits 20

Scriptwriting: TV/FIlm deepens your ability to create and understand dramatic texts, through exercises in writing drama and the analysis of a range of screenplays for film and TV. In this module you’ll explore different forms and styles and your work will receive feedback from both the tutor and your peers. Your first assignment will be a portfolio of shorter pieces, and then you’ll write a screenplay of up to 30 minutes length. The course is hands-on, inspiring and practical, and you’ll be writing every week.

SCRIPTWRITING: SCREEN AND STAGE

Code LDCC5017A

Credits 20

Scriptwriting develops your ability to create and understand dramatic texts, through exercises in writing drama and the analysis of a range of plays and/or film scripts. In this module you’ll explore different forms and styles and your work will receive feedback from both the tutor and your peers. Your first assignment will be a portfolio of shorter pieces, and then you’ll write a play, radio drama or screenplay of up to 30 minutes length. The course is hands-on, inspiring and practical, and you’ll be writing every week.

SCRIPTWRITING: SCREEN AND STAGE

Code LDCC5017B

Credits 20

PERFORMANCE SKILLS: THE ACTOR AND THE TEXT

Code LDCD5016A

Credits 20

What is the actor’s relationship with the text? If the spoken word is a window into a character’s inner world what does the actor need to do to bring that inner landscape to life? This creatively challenging Module will give the developing actor a tangible set of tools with which to approach the text. Whether it be verse or prose the module aims to bring the spoken word to life not just through the voice but through the whole body. We will get inside the words in order to experience their visceral nature, in order to release their energy so as to understand why certain words have been chosen over others, why certain rhythms and sounds create particular kinds of character. The Module will encourage connection and spontaneity in the performer whist marrying this vitality with rigorous text analysis. We are aiming to create pro-active performers who are in charge of their own craft and can bring a character to life through a vocal, textual and psychophysical approach. The Module will be an exciting journey towards finding autonomy and artistic intuition in the art of interpreting Dramatic texts. The main methods of study will be through: (1) individual performance of poems and speeches, (2) scene classes and duologues (3) character study of roles in a variety of plays.

DRAMA OUTREACH PROJECT

Code LDCD5018B

Credits 20

You will take part in group practical applied theatre work which entails public performance and delivery of interactive events to target audiences in the community or on campus..

EXPERIMENTS IN PERFORMANCE

Code LDCD5020A

Credits 20

In this module you will examine the development of experimental theatre and performance from its foundations in the late 19th century avant-garde to the present. You will address key experimental movements in their artistic contexts (including development, adaptation and theory) and assess how they produced radical new theatre and also shaped the production of the existing repertoire. As well as developing analytical skills in the field of theatre and performance, you will be introduced to experimental approaches to acting through physical investigation and reflection on modes of training. Applications from Visiting Students on Theatre degree programmes may be considered.

POLITICAL THEATRE

Code LDCD5025B

Credits 20

How can theatre change the world? You'll attempt to find out by examining the use of theatre and performance by theatre artists and activists to challenge power and create the possibility of change. You’ll look at political theatre in the USA, South America, South Africa, and Europe in the 20th century and beyond; week by week you will encounter plays, writers, performers, and theorists and build up your own toolkit of political theatre. You’ll also create short plays and performance works, and take part in forum theatre, dance, stagings, and events which will enhance your political and theatrical understanding. You will be assessed through writing a short play, a sustained comparative essay, and an original performance work. Themes studied might include feminism, LGBTQ theatre, anti-racism, and Marxism. You will debate, create, and study and emerge having found your own voice as a political theatre-maker.

PRACTICAL FILM MAKING AND PERFORMANCE

Code LDCD5054B

Credits 20

You will, primarily, undertake practical film-making activities in which you will begin to explore the craft of screen-writing, directing, shooting, and editing through the process of making your own short films. In each assigned task you will take on a variety of different roles in order to attain a basic understanding of different aspects of the medium. This will help you get a sense of what area of production you feel most drawn to and may want to pursue after completing the Module. As well as gaining hands on experience of the film process you will also be given the opportunity to experiment with performance in order to discover acting styles appropriate for the camera.

FEMINIST THEATRES

Code LDCD5058A

Credits 20

Module Description What was the feminist theatre movement and what does it mean for you now as a writer, theatre maker and/or scholar? Feminist Theatre allows you to explore key feminist theatre makers from the Suffrage movement to the present, focusing on radical companies and writers of the 1970s and 1980s. Combining seminars and practical workshops, you will investigate what feminist historiography is and how you can engage creatively with archives. The module invites you to draw on a lineage of feminist ideas and methods to consider and challenge the continued under representation of women in theatre (and beyond). Assessment will be part analytical and part creative or creative-critical work, with an option to create a performance. All welcome! No need to identify as a woman or feminist to take part.

DIRECTING

Code LDCD5061A

Credits 20

A theoretical and practical introduction to directing theatre, musicals, opera and performance. Through the module the students will discuss the role of the director in different performance modes. This will include an examination of this role historically and how it has developed in different performance traditions. The course will look at different directing practices with an eventual focus on directing spoken word theatre. The course will critique the different theories of directing as well as critique the role of the Director as conceptualised by acting theory. However, it will seek to develop individual talents rather than hand on a given methodology, and to speak to the skills and interests of each individual in the group. The role of the contemporary director is often elided with that of the Creative Producer. We will look at what a Producer might do that is distinct from Directing. The intellectual and theoretical basis for a Director’s work is often based in intuitive responses to a given work. The module will look at the work of different directors, examine their working methods and look at the thought underpinning this practice. Each week will combine theoretical study with practical application. Directing is essentially a very practical activity based in complex cognitive processes. The module will reflect this synthesis

TECHNICAL THEATRE

Code LDCD5062B

Credits 20

An exploration of the core disciplines of Technical Theatre introduced in 1st year RP2, this module bridges the gap between that basic induction and the demands of the 3rd year Production and Projects, in which the majority of Drama students will take part. The module will focus on core matters of Technical Theatre: Stage Management, Lighting Design/Operation, Sound Design/Operation, Set Design/Construction. It will include reference and introductions to Audio-Visual tech, radio mic work, the development of technical equipment, industry standards, safety standards, and professional working practice. It will also include engagement with theoretical, historical and conceptual work around technologies, design and scenography. Through practice and analysis, students will engage with the artistic aspects of technical theatre, and the role of design in expressing a theatrical vision. The work will happen mostly in and around the Main Studio, where the students will deepen their familiarity with the in-house technical set-up. Some parts of the course will explore small-scale technical set-ups in a range of spaces on and possibly off campus. The module will potentially include short work experience placements, shadowing and/or assisting in other venues, with reporting on professional practice in those places to be part of a portfolio assessment. The divergence of working environments and practice will broaden the students’ experience and readiness to work confidently outside the familiar studios on campus.  The teaching will be primarily delivered by our in-house technicians, Rob Little and Chad Mason, with the possible assistance of an AT, offering an additional skillset, and, hopefully, the reinstated Grad Technician. Visits to other venues will supplement the students’ learning. Learning Outcomes are to: · Consolidate and existing knowledge and place it in a more secure and professional frame of reference · Deepen the confidence of the student to embark upon, plan and execute technical solutions in a wide variety of working environments, including small scale and touring theatre. · Deepen students’ understanding of the role of design in creating a theatrical vision, from historical, conceptual and theoretical perspectives. · Understand technical theatre design principles in contemporary professional contexts and employ those principles in their work. · Develop a confident working flexibility to innovate and improvise technical solutions whilst operating within professional and safety protocols. The module will derive part of its assessment regime from work with one or more of the following: Outreach projects; Post War production; Special Topic in Drama Level 5; and possibly non-UEA projects happening off-campus in a partner venue, such as Sewell Barn or Norwich Theatre.

CRITICAL THEORY AND PRACTICE

Code LDCL5031A

Credits 20

This is a module you will find helpful throughout your degree, informing and perhaps changing the way you read and analyse literature, film and other cultural forms. Across the twelve weeks, you’ll not only engage with the rich, complex and provocative work of literary critics and theorists – including deconstructive, feminist, post-colonial and queer theorists – but also of some of the thinkers and writers who have influenced them: such as Marx, Freud and Saussure. You will therefore encounter some of the most important and exciting thinkers of the modern period, acquiring an understanding of developments in linguistics, economics, psychoanalysis and philosophy, and tracing the ways in which these overlap with, and inform, literary and cultural study.

EUROPEAN LITERATURE

Code LDCL5033B

Credits 20

In this module, you’ll examine examples of twentieth-century European writing (all read in translation). Rather than (merely) place writers in their national contexts, you’ll deal with topics, issues and formal experiments that complicate, sometimes transcend, national boundaries. In fact you’ll interrogate what 'European' might mean in relation to literature - where are the borders? Are continental Europeans fundamentally 'other'? And if so, how does this otherness manifest itself aesthetically, thematically, tonally and formally? You'll look at how writers from different countries frequently challenge the conventions of genre and the conventions of reading and interpreting. Among a range of important innovations (or continuities), you may explore varieties of 'European' modernism, postmodernism, the absurd, fantasy, noir, and other genres. You’ll also ask how European writers have responded to the challenges, upheavals and catastrophes of the twentieth century and how they deal with the ethnic, religious and cultural diversity of Europe.

ROMANTICISM 1780-1840

Code LDCL5034B

Credits 20

1780-1840 was the Age of Revolution and Romanticism, often regarded as a revolutionary style of writing. It was the age of the American and French Revolution and the Wars they entailed, the age of slavery and rebellion, of travel, exploration and the beginning of the later nineteenth-century British empire. You may think of Romantic writing as mainly nature poetry, primarily work by Blake, Wordsworth, Coleridge, Shelley, Keats, and Byron. But the signs of a ‘Romantic’ sensibility can also be found in a much broader constituency of writing: the novel, letter writing, the essay, political and aesthetic theory, and social commentary. In this module you’ll be introduced to some of the most exciting Romantic period writing, including poetry, fiction and non-fictional prose. You’ll also explore key period artistic and literary concepts such as the sublime, beautiful, picturesque, the Hellenic, and pastoral, and you’ll analyse the many ways in which the writers of the period exploited concepts of landscape. You will look at issues such as the Supernatural and Dreaming. Your understanding of Romantic writing will be enhanced by an analysis of aesthetics, politics, and of the work of women writers. During the course you’ll explore poetry by Blake, Wordsworth, Coleridge, Keats, Shelley, as well as Jane Austen’s novel Mansfield Park (1816) and Mary Shelley’s novel Frankenstein (1818; 1831). You may also consider writings by poets, such as John Clare, Charlotte Smith, Anna Laetitia Barbauld, Mary Robinson, as well as prose works by Edmund Burke, Thomas Paine and Mary Wollstonecraft and others. You’ll look at how writing is gendered in the period and the implications of this for both male and female writers. You’ll be taught through a mixture of one-hour weekly lectures and two-hour weekly seminars, as well as self-directed study. You’ll gain experience in communicating your ideas in tutorials, as well as through written work and presentations. You’ll be assessed through two formative pieces (a close reading and a project bibliography) and one summative piece on a project chosen by yourself in discussion with your seminar tutors.

EIGHTEENTH-CENTURY WRITING (PRE-1789)

Code LDCL5041A

Credits 20

In this module you will explore how words open out onto worlds in eighteenth-century literature. We begin by reading Samuel Johnson's Preface from his monumental Dictionary of the English Language in relation to a selection from David Dabydeen's novel Johnson's Dictionary. In the opening week, we'll see how paying close attention to language can help us think about the enrtwinement of eighteenth-century literature with exploration, empire, and enslavement. The first half of the module focuses on texts about people, real or imagined, who travel across geographical and cultural boundaries. The writers in the first half will include authors such as Jonathan Swift, who wrote the fictional travelogue Gulliver's Travels, Oliver Goldsmith, who impersonated a Chinese visitor to London in his series of essays The Citizen of the World, and Samson Occom, the first Native American writer to publish an autobiography. While the first half of the module focuses on the wider world, the second half of the module focuses on the inner world of the mind. We will read texts like the Gothic novelist Ann Radcliffe's A Siclian Romance alongside the poetry of Anne Finch, Alexander Pope, and Phillis Wheatley, the first African American writer to publish a volume of poetry. In this part of the module, we will see how writers investigate the workings of the mind using the resources of literary form and trace the connections between the mind and the wide world. We conclude with the writings of the Black British writer Ignatius Sancho, whose letters are full of observations on eighteenth-century literature, and who will help us reflect on how we might read the literature of the eighteenth century today. By taking this module, you’ll be reading a range of exciting texts that will expand your sense of what literature can do. You’ll also gain sharpened analytical and research skills that will help you see significant textual patterns in texts and trace connections between literary texts and the larger world in which they move. You'll also read texts that will help you understand the history of women's writing and you'll be introduced to the beginnings of Native American and Black writing in English. The module fulfils the pre-1789 requirement.

SEVENTEENTH-CENTURY WRITING: RENAISSANCE AND REVOLUTION (PRE-1789)

Code LDCL5042A

Credits 20

In this module, you’ll discover a huge variety of writing from one of Britain's most exciting and turbulent periods of cultural, political and intellectual transformation: the seventeenth century. We begin by exploring how English literature was formed out of its encounters with classical texts and how women established a place for their writing within English literary culture for the first time. In the centre of the module, we discover how seventeenth-century people wrote about their encounters with other cultures, whether as travellers to the Ottoman Empire (which stretched across the Middle East), or as colonists meeting Native Americans in Massachusetts. In the module's latter section, we ask how literature was transformed by the tumultuous upheavals of the English civil war and the execution of the monarch, events which have sent shockwaves through the centuries which still resonate today. The modules’ themes come together in the study of Aphra Behn’s Oroonoko, one of the first novels and a pioneering work of women’s writing, which tells the terrible story of an African prince who was enslaved in Surinam. Authors we study include famous figures such as Ben Jonson and John Milton (including a look at his masterpiece, Paradise Lost), as well as many lesser-known writers, including women such as Lucy Hutchinson and Hester Pulter, or the astonishing Turkish travel writer, Evliya Çelebi. The module works through lectures, which establish larger questions we might ask of the week's material, and seminars, in which we read passages of texts together closely.

MODERNISM

Code LDCL5045A

Credits 20

The modernist movement transformed literature and the arts worldwide in the early part of the 20th century, peaking in the period between 1918 and 1939. Although the term modernism was rarely used by authors in this period, in the period after World War II it became the usual term to describe a group of writers, responding to one another, whose work is characterised by radical experiments with language and form, which aimed to do justice to a range of many subjects such as the mysteries of consciousness and the unconscious, gender, sexuality, and desire, violence and democracy, the primitive and the mechanical. We will be reading a range of authors, including such long-canonised figures as James Joyce, T. S. Eliot, Ezra Pound, William Carlos Williams, HD, Gertrude Stein, and Virginia Woolf, but expanding the modernist canon in the light of recent scholarship to other more recently revived authors such as Djuna Barnes, Mina Loy, Dorothy Richardson, and Jean Rhys. We will trace some of the origins of modernism in earlier literary movements such as Symbolism, Imagism, Aestheticism, and Impressionism, and explore its kinship with foreign literary movements such as Dada and Surrealism. Modernism invented modern methods of criticism and we will be placing a particular emphasis on the close reading of poetry and poetic prose. A study of modernism is essential for understanding all 20th century literature and this module is highly recommended for any students wishing to take any modules in 20th-century literature.

READING AND WRITING IN ELIZABETHAN ENGLAND (PRE-1789)

Code LDCL5062B

Credits 20

In this module we will study some of the most important poetry and prose of the English Renaissance, including masterpieces by Christopher Marlowe, Sir Philip Sidney, and Edmund Spenser, as well as Shakespeare's early narrative poetry (not covered on the Shakespeare module). We will be studying these writers in a unique way. Behind this great outpouring of Elizabethan writing lay a vibrant literary culture which valued rhetoric, argument, elaborate and often playful self-presentation, and which insisted that good reading helped you to develop an individual style as a writer. In response to your reading of Renaissance literature, you will put the tenets of this culture into practice, building up over the course of the module a collection of short pieces of writing in prose (or sometimes, if you wish, poetry). When reading Sidney's ground breaking 'Defence of Poetry', for instance, you might draw on his rhetorical and argumentative techniques to write your own defence of any modern art form of your choice. Or when looking at the way Thomas Nashe plays with the form of his printed books you might have the opportunity to experiment with innovative ways of presenting your own writing to its readers. Revised versions of these short pieces of writing, built up across the module, constitute your summative assessment. This module allows you to think critically in genres other than conventional academic essays, and in doing so aims to foster connections between critical and creative writing. You will have the chance to develop more confidence and self-awareness as a writer and critic through studying some of the greatest English literature.

MEDIEVAL WRITING (PRE-1789)

Code LDCL5063A

Credits 20

To read medieval writing is to encounter otherness, to engage with a culture (really a variety of cultures) that at times seems familiar, recognizable, yet which repeatedly reminds us of its difference and distance from us. When a huge and intimidating green knight enters King Arthur’s court at Camelot and issues his challenge, he is disturbing not because he is entirely alien, but because he is alike enough to unsettle the court’s sense of identity. The fourteenth-century poem, Sir Gawain and the Green Knight, one of the most complex and challenging works of literature ever written, might serve as a metaphor for our experience of medieval writing, and of the language in which it is written: Middle English. It is strangely familiar. Yet through the experience of otherness we find our multiple identities, and in studying Medieval Writing you will (re)discover the genres and modes that have shaped our literary histories: lyric, comedy, tragedy, romance, allegory, satire, historiography, autobiography and fantasy, to name but a few. The module is configured along the themes of ‘pilgrimage, travellers and exiles’, which allows us to understand the diverse forms of interaction — real and imagined — between European and non-European cultures: military, religious, and mercantile exchanges, for example. You will discover a culture of dazzling intellectual richness and variety that will dispel any lazily pejorative modern clichés about the term ‘medieval’. And you will be given the tools to make those discoveries – in addition to learning how to read Middle English, you will learn about the materiality of medieval texts (e.g. how to understand manuscripts), and of the historical coordinates of those texts: the Black Death, the Peasants’ Revolt, religious persecution, the feudal system and its decline. Whether it’s the cosmopolitan intellectual brilliance of Chaucer, the fantastic realities of Arthurian romance, the autobiography of Margery Kempe, the travel writing of Sir John Mandeville, or the ethical dilemmas posed by the Gawain-poet, Medieval Writing has something for you.

VICTORIAN WRITING

Code LDCL5067B

Credits 20

This module aims to equip you with a knowledge of writing from across the Victorian period, in a variety of modes (fiction, poetry, science, journalism, criticism, nonsense). We will examine authors such as George Eliot, Tennyson, Dickens, Darwin, Charlotte Bronte, and the Brownings. You will thus develop an awareness of how different kinds of writing in the period draw on, influence, and contest with each other. Likewise, you will acquire a sense for the cultural, political and socio-economic contexts of 19th-century writing, and some of the material contexts in which that writing took place (serial publication, popular readership, periodical writing, public controversy).

CONTEMPORARY FICTION

Code LDCL5069B

Credits 20

What is the state of the art of the novel at present? And what are some of the distinguishing preoccupations and characteristics of the contemporary novel? This module seeks to consider these questions with a view to developing an understanding of the condition of the novel today. The module focuses on fiction published in the UK and Ireland in the last ten years, with a particular focus on more inventive writing. We’ll read a small set of contemporary novels, the content and form of each of which will exemplify some of the possibilities for fiction in the present day. We’ll consider the relation between the contemporary novel and the contemporary moment – for example, our concerns regarding the environment, identity, nationhood, and history – and think also about what it might mean to be or to call oneself contemporary: to be together with one’s own time. The list of authors chosen for the module changes regularly, as you would expect. Recently, it has included the likes of Ali Smith, Zadie Smith, Deborah Levy and Kamila Shamsie. You’ll consider a range of ways of conceiving and interpreting the contemporary novel, and discuss these ways with your peers. There is no consensus about what does or should constitute a canon of contemporary fiction, although there is a growing critical literature on the subject, some of which we’ll read. It will be our job, in lectures and in seminars, to think carefully about what novels published in the last ten years offer the best argument for the continued viability of the novel itself as a contemporary art form.

SHAKESPEARE (PRE-1789)

Code LDCL5070B

Credits 20

The aim of this lecture-seminar module is to help you become a better reader of Shakespearean drama. Shakespeare is now so universally known and read that it is easy to forget that he wrote at a specific historical moment for specific audiences, actors and theatrical spaces. What happens to our understanding of Shakespeare's plays when we read them within the context of theatrical performance? This is what our module enables you to do -- and in doing so, it aims to give you fresh, new ways to interpret Shakespearean language and theatricality. Lectures equip you with methods and contexts for reading Shakespeare's plays; seminars give you the chance to put these into practice through close, attentive readings of his plays. Each week we study a different play in detail. The summative assessment asks you to put what you've been learning into practice by writing a critical analysis of more than one play using some of the module's methods.

LITERATURE AND PHILOSOPHY

Code LDCL5072A

Credits 20

This module will offer a series of different approaches to the question of how Literature and Philosophy can speak to each other as academic disciplines, demonstrating the breadth and diversity of the two fields, as well as acquainting students with the research in literary criticism and philosophy currently being pursued at UEA. As well as examining the ways in which literature can illuminate and trouble philosophical argument, it will explore literature and 'the literary' as a topic for philosophical analysis, and the kinds of thinking such a topic would demand. Setting literature and philosophy into dialogue in this way will engender a more capacious understanding of the particular philosophical issues, and literary techniques, under discussion. The course will allow students to develop an awareness of the limits and advantages of various modes of literary and philosophical expression, and to foster more sophisticated skills in both literary and philosophical criticism. The module will be made up of a lecture circus, with two weeks given to each lecturer on a particular topic related to their current research (there will be five in all, including a lecture from the module convener, plus two from Philosophy and two from Literature, Drama and Creative Writing). The seminars will discuss issues arising from these lectures, working with texts set by the lecturer.

READING AND WRITING CONTEMPORARY POETRY

Code LDCL5073B

Credits 20

Using the reading and study of poetry from the post-war context up to the present day, you'll consider some of the concerns of poetry, including voice, form/structure and the 'poetry of witness'. You'll also look at contemporary visual art to consider correspondences between the arts. The poets studied will be drawn principally from an Anglo-American tradition and may include such writers as Frank O'Hara, Adrienne Rich, Yusef Komunyakaa, Carol Ann Duffy, Carolyn Forché, Patience Agbabi and Hannah Silva among others. Formative work includes creating a mini-anthology of contemporary poetry and there will be the chance to discuss poems you've written or read. You'll be able to write creatively and/or critically for assessment.

THE SHORT STORY (AUT)

Code LDCL5074A

Credits 20

What is a short story? What do short story writers have to say? What about short story critics and theorists? Is the short story a narrative in miniature? Or is there more to a short story than simply being 'short'? And why are critics so concerned with whether the short story is alive or dead? These are the kind of questions this module will investigate by asking you to think as a short story reader, theorist, critic and writer. Reading will be drawn from short story writers - and writing about the short story - roughly spanning the 19th century to the present, and from a range of cultural contexts. Our interest will not be to establish a history of the short story, but instead to explore the range of thematic preoccupations, changing definitions, and critical debates surrounding the form, including its political and ideological perspectives. You will have the opportunity to respond to these questions in critical and/or creative forms of assessment. Writers studied might include Edgar Allan Poe, Katherine Mansfield, Julio Cortazar, Anton Chekov, Ali Smith and Ryunosuke Aqutagawa. This list is suggestive only.

THE WRITING OF HISTORY

Code LDCL5077A

Credits 20

What makes a good history essay? What makes a good literary critical essay? How are they different? How do the disciplines of History and English Literature approach argument and evidence, narration and description? What are the generic, formal and stylistic expectations that govern academic writing in each of these disciplines? Some version of these questions will have occurred to any student attempting to meet the assessment criteria in a university degree. They are perhaps particularly pressing for students studying both literature and history, where somewhat different approaches are required by each discipline. This module brings historians, literary critics and creative writers into a multi-disciplinary conversation designed to explore the tensions as well as the continuities between history and literary studies. By asking faculty members from the two schools to investigate similar territory from contrasting perspectives, you will explore how very similar subjects and sources can be treated differently by different disciplines (and by different methodological orientations within those disciplines). Historians, literary critics and creative writers will give guest lectures that describe and analyse their research process and writing practice. There will also be some more theoretically driven weeks where the work of key philosophers and theorists of history and literature will be read and discussed. You are encouraged to reflect on your own approach to the writing of history and literary criticism and will have the opportunity to learn reflexive writing. The summative assessment asks you to analyse a source text using the resources of both disciplines, and then to write a reflexive essay positioning your own approach in relation to other historians and critics studied on the module.

EMPIRE AND AFTER: GLOBALIZING ENGLISH

Code LDCL5079A

Credits 20

In this module you will study literary practice within the context of the British Empire, and the political and cultural responses to it. It will enable you to understand the role of literature in imperialism, colonization and decolonization, how it both shaped and was shaped by these large historical forces, and how we might account for the continuing presence of these forces on the world today. The module will introduce you to the theoretical and conceptual apparatus of postcolonial literary studies and to some of the most important ideas for understanding the formation of the modern world, such as race and racism, nations and nationalism, colonial discourse and postcolonial theory, and how gender and sexuality were pivotal in the formation of colonial and post-colonial identities. Beginning with canonical works by British writers from the eighteenth century through the nineteenth and into the twentieth centuries, the module will then consider literary and political responses to the experience of empire and colonization by writers from South Asia, Africa, the Caribbean, Australasia, and the Americas. The module will discuss writers such as Daniel Defoe, Joseph Conrad, Chinua Achebe, Jean Rhys, Tsitsi Dangarembga, VS Naipaul, Amitav Ghosh, Kate Grenville, J.M Coetzee and Tessa McWatt.

INTERMEDIATE FRENCH II - B1 CEFR

Code PPLB5032B

Credits 20

En avant ! Do you want to become more proficient in French? Do you want to develop independent language-learning skills? This module will allow you to push the boundaries of your French further and develop listening, reading, speaking, and writing skills at A2+/B1 level of the Common European Framework of Reference for Languages (CEFR). In this module you’ll learn to express and justify opinions, debate, negotiate and be able to solve problems in unexpected situations in French. You’ll be taught in a very interactive and friendly environment and will often work in pairs or small groups. Your two-hour seminar will focus on listening, reading, and writing skills, while the oral hour will help you develop your confidence in speaking. We’ll tackle grammatical concepts in class, as a means for you to improve your communication skills. You’ll also have opportunities to explore aspects of Francophone culture, thanks to the variety of material we use (songs, podcasts, leaflets…) to develop your linguistic skills. During the semester, you’ll explore topics such as the press, cinema, leisure, and tourism.

INTERMEDIATE SPANISH II B1 CEFR

Code PPLB5034B

Credits 20

Do you want to be able to communicate effectively with 538 million people worldwide and develop your intercultural awareness? Are you looking for a vital skill to add to your CV and becoming more employable? Wouldn’t it be nice to do so in a friendly and amusing environment? Take your Spanish skills to a higher level! Whatever your specialism or area of interest, this follow-on module is perfect for you, if you have already successfully completed the Intermediate level or have GCSE/pre-A level experience (or equivalent) of Spanish and wish to develop this to a standard comparable to A level/ Baccalaureat / B1 in the Common European Framework of Reference (CEFR). You will become more independent in conversation with others as you continue to explore essential grammar and vocabulary at a higher level. In a relaxed environment you will participate in interactive, collaborative activities, working in groups to try out and be creative with new words and grammar structures. Through Spanish, you’ll learn to present information and engage in discussions. Using popular cultural forms such as film and media, you’ll develop your reading, writing, listening and speaking skills. Upon successful completion of this module, you will have achieved an upper-intermediate level of Spanish. Not enrolled yet?

ADVANCED ENGLISH I - B2 CEFR

Code PPLB5043A

Credits 20

Do you want more practice in speaking in English? Do you feel you lack sufficient vocabulary to express yourself well? Do you need help with your pronunciation? Do you have problems with English grammar and writing essays? As a non-native speaker, you will already have an upper intermediate/advanced level of English (IELTS 5.5-7.5 or equivalent) but may want to reach a more competent level. If so, you can take both Advanced English I & II. Both modules cover all skills (reading, writing, listening and speaking) and the focus of the modules is to practice skills that will help you to better understand and participate in more complex academic discourse. You’ll analyse and discuss articles in the media and listen to academic talks and news reports on contemporary topics. Through writing tasks you will have the opportunity to express your ideas in clear and coherent terms, and you will receive personal feedback. You will participate in classroom-based activities, often working in pairs and groups exchanging ideas and supporting each other in your exploration of the language. You will be able to focus on improving aspects of your pronunciation and grammar as well as expanding your vocabulary. You will also gain a greater understanding of cultural and political issues. You will be assessed on listening and speaking, and reading and writing. By the end of this module you will be able to express yourself more confidently orally, be better able to understand recorded material, and will have increased your vocabulary base; you will be more able to read complex texts and write more accurately with fewer grammar errors and greater range of expression. Students who are found to have a level of knowledge that exceeds the general level of the module may be asked to withdraw from the module, at the Teacher's discretion. Please note that very occasionally subsidiary language modules may be cancelled due to low enrolment.

ADVANCED ENGLISH II - B2 CEFR

Code PPLB5044B

Credits 20

ENGLISH ACADEMIC WRITING SKILLS (LEVEL 5)

Code PPLB5045B

Credits 20

Do you need help in organising your writing and expressing your thoughts clearly? Would you like to gain the tools and confidence to write more clearly and fluently, leading to better grades and greater satisfaction with your work? In this module you will learn how to structure academic essays. You will have practice in summarising and paraphrasing material from sources to ensure you can capture the essential points of a writer’s argument and avoid any form of plagiarism. This will include help with ways to manage the referencing of sources. There will be a focus on vocabulary throughout the course. You will have help in using a range of cohesive devices to link ideas within and between paragraphs. It is also likely that the class will need some remedial work on a specific area of grammar occasionally, and the tutor will allow time in class to deal with such issues, however grammar will not be the focus of the class. Naturally, you will be required to complete weekly homework assignments in addition to any reading and writing you do in the classroom, and you will receive regular feedback. This module will require you to write an essay and reflect on class readings. This module is not open to native or near-native speakers of English and would not be suitable for International students who have already had considerable experience in English essay writing. This module is suitable for students who aren’t sure about how to avoid plagiarism, struggle to make their essays cohesive or need more help with integrating source material in an interesting way. Students who are found to have a level of knowledge that exceeds the general level of the module may be asked to withdraw from the module, at the Teacher's discretion. Please note that very occasionally subsidiary language modules may be cancelled due to low enrolment.

INTERMEDIATE FRENCH I - A2+ CEFR

Code PPLB5150A

Credits 20

Allons plus loin ! Do you want to build on the foundations of your previous French experience? This module allows you to push the boundaries of your French further and develop listening, reading, speaking, and writing skills at A2+ level of the Common European Framework of Reference for Languages (CEFR). This means that you will learn to communicate about yourself and others in a set of concrete, past and present everyday situations. You’ll be taught in a very interactive and friendly environment and will often work in pairs or small groups. Your two-hour seminar will focus on listening, reading, and writing skills, while the oral hour will help you develop your confidence in speaking. We’ll tackle grammatical concepts in class, as a means for you to improve your communication skills. You’ll also have opportunities to explore aspects of Francophone culture, thanks to the variety of material we use (songs, podcasts, leaflets…) to develop your linguistic skills During the semester, you’ll discuss topics such as student life, family, relationships, work.

INTERMEDIATE SPANISH I - A2+ CEFR

Code PPLB5152A

Credits 20

Do you want to be able to communicate effectively with 538 million people worldwide and develop your intercultural awareness? Are you looking for a vital skill to add to your CV and becoming more employable? Wouldn’t it be nice to do so in a friendly and amusing environment? Take your Spanish skills to a higher level! Whatever your specialism or area of interest, this module is perfect for you, if you have already successfully completed Beginners modules or have GCSE/pre-A level experience (or equivalent) of Spanish and wish to develop this to a standard comparable to A2 in the Common European Framework of Reference (CEFR). You should not have a level of Spanish that already exceeds the level of this module and should not have already studied AS or A level Spanish/Baccalaureat/Level B1 in the CEFR. You will become more competent and confident in conversation with others as you explore essential grammar and vocabulary at a higher level. You’ll be introduced to aspects of the Spanish language, in a variety of cultural contexts. It will enable you to converse with native Spanish speakers, read and understand specific information in short texts starting at intermediate level. Through Spanish, you’ll learn to present information and engage in discussions. Using popular cultural forms such as film and media, you’ll develop your reading, writing, listening and speaking skills. Upon successful completion of this module, you will have achieved an intermediate level of Spanish. Not enrolled yet?

INTERCULTURAL COMMUNICATION IN PRACTICE

Code PPLC5168A

Credits 20

Have you ever thought about what you could do to improve the world? This module will help you find answers to this question. We will explore how you can become a more informed and engaged global citizen by developing your intercultural and citizenship competences. You will develop the knowledge, critical understanding, values and attitudes that can be mobilised and deployed in a broad range of fields involving intercultural communication. The seminars will be highly interactive and the assessment will involve practical projects. A distinctive feature of this module is the practical understanding and application of concepts to specific intercultural issues and global challenges in critically reflective teaching sessions. The teaching will offer a balance between practice and theory and classroom sessions will include group work activities and public lectures. Through this module you will enhance your opportunities to gain employment where intercultural communication to real-life contexts is required. By the end of this module you will have developed the ability to employ effective and persuasive arguments in the formulation of solutions to real global challenges. The module will be delivered in English and you don’t need to speak a foreign language to take it.

INTERCULTURAL COMMUNICATION ACROSS BORDERS

Code PPLC5172B

Credits 20

We live in a world which is dominated by global media that is no longer restricted to geographical borders. The power of global media can be used to support positive relationships between different countries, as well as global companies that now seem to act as sovereign nations. However, there is also a darker side, with global media being used to support damaging or biased narratives to a world-wide audience. In this module, we will explore intercultural ‘incidents’ between different countries, socio-cultural groups, and global organisations and will introduce you to ways that we can analyse how the different perceptions and ideologies of these ‘incidents’ in media sources. You’ll gain a firm grounding in global communication and learn how to apply Discourse Analysis to a range of media sources. You’ll then delve deeper, discussing key topics such as diplomacy, propaganda, censorship, laws, and the evolution of global companies as legal entities and political persuaders. By looking at the different ways countries, Ambassadors, political leaders and different media organisations communicate, you’ll really approach the subject of intercultural communication from a global perspective. You’ll learn through a mixture of seminars and self-directed study. You’ll be assessed though a piece of course work and a group project. You will have to deliver a formative presentation. On successful completion of the module, you’ll have established your analytical knowledge and skills needed to support more advanced modules on Discourse Analysis. You’ll develop your research, writing, group work and presentation skills. And you’ll explore global issues of concern and really get to grips with how media sources can differ when discussing the same incident.

FRENCH YEAR 2 HONOURS (AUTUMN SEMESTER)

Code PPLF5001A

Credits 20

This module is for Level 5 students studying French Honours language degrees, and comprises two pathways (B1 and B2) in the Autumn semester. These levels refer to the Common European Framework of Reference for Languages (CEFR), and your pathway will depend on how much experience of learning French you had at the beginning of your degree. In this module, you’ll further develop your French language and communication skills and develop your awareness of styles and contexts where and when French is spoken. You’ll improve you receptive (listening and reading) as well as productive skills (speaking and writing) in French, and your exact learning objectives will differ according to the pathway you’re on. Teaching sessions will also vary according to pathways.

FRENCH YEAR 2 HONOURS (SPRING SEMESTER)

Code PPLF5004B

Credits 20

Préparons votre année à l’étranger! This module is for Level 5 students studying French Honours language degrees, and comprises two pathways (B1+ and B2). These levels refer to the Common European Framework of Reference for Languages (CEFR), and your pathway will depend on how much experience of learning French you had at the beginning of your degree. In this module, you’ll further develop your French language and communication skills to be ready for your year abroad. You’ll improve you receptive (listening and reading) as well as productive skills (speaking and writing) in French, and your exact learning objectives will differ according to the pathway you’re on. We’ll tackle some grammatical notions in class, but always as a means for you to improve your communication skills. Teaching sessions will also vary according to pathways, but all students will have seminars focusing on applying your language skills and oral hours where you’ll develop your confidence in speaking, particularly in concrete situations you are likely to come across during your year abroad. You’ll develop your understanding of French and how it is used in context, learn about practical aspects of living in France or a French-speaking country, practise skills such as translation (B2 pathway) or summary writing (B1 pathway) to and from French. You will continue to explore aspects of the cultures where French is spoken across the different components of the module, and thanks to the various documents we will use to develop your linguistic skills (songs, videos, adverts…). The transferable skills you’ll develop through this module are numerous. As you’ll work autonomously a lot, self-insight will be an important part of the process to know which strategies work best for you. Identifying where your strengths and weaknesses lie, and acting upon it will be equally important.

GLOBAL FRENCH: HISTORY, LANGUAGE, SOCIETY, AND POLITICS

Code PPLF5175A

Credits 20

Today, French is still spoken on all five continents. Whether you are interested in language, culture, history, or politics of the French-speaking world, this module is perfect to expand your awareness of those aspects beyond the Hexagon. You'll study the origins of the Francophonie and discuss the relevance of the organisation. Studying the variety of contexts and societies in the French-speaking world today will allow you not only to contrast situations but also to understand important challenges and the role and impact of policies at different levels, from local administration to international relations. You will discuss issues of postcolonialism, study key events and personalities and explore many important cultural aspects. You will analyse a range of material, in English, that will include newspaper and magazine articles, television, and radio programmes and will also learn from academic journals on the topics. At the end of this module, you will have a broader understanding of the cultural, historical, economic, linguistic, and geopolitical links between France, its overseas territories and the rest of the French-speaking world. Teaching and assessment will be in English.

SPANISH YEAR 2 HONOURS (AUTUMN SEMESTER)

Code PPLH5001A

Credits 20

This module is for students studying Spanish Honours language degrees. This module is for Level 5 students and comprises of two strands (B1, B2).

SPANISH YEAR 2 HONOURS (SPRING SEMESTER)

Code PPLH5002B

Credits 20

This module is for students studying Spanish Honours language degrees. This module is for Level 5 students and comprises of three strands (B1, B2).

INTRODUCTION TO THE EUROPEAN UNION

Code PPLI5044A

Credits 20

Who rules the EU? What does it do concretely for EU citizens? How democratic is it? How serious are the challenges it is currently facing, from the reform of its economic governance to Brexit? To explore these questions, and more, you'll examine the development, structure, nature and functions of the European Union. You'll look at the history and theories of European integration from the 1940s to the present day. You'll explore the institutions and processes which run the EU, and demystify its main policies. The aim of the module is not only to ensure that you understand the ‘nuts and bolts’ of what the EU is and how it works. You'll also examine critically and articulate contending arguments on key issues such as the role of the member-states in the European system of governance; the EU's democratic credentials; the causes and consequences of Brexit; or the influence of the EU in the world. The EU is an integral part of its member states' structures of governance and it influences their domestic political, social and cultural life, as well as EU neighbouring countries. Understanding how the European Union works is important in many jobs at local, national or international levels in the public, private and third (community and voluntary) sectors. This module is recommended if you intend to progress to the 'European Studies with Brussels Internship’ module in Year 3.

INTERNATIONAL SECURITY

Code PPLI5056B

Credits 20

Why are wars fought? What is peace? What is security? International Security introduces you to these key issues in global politics. In the first part of the module, you will explore the continuing salience of violent conflict and the use of force in world politics. While some have argued that the advent of globalisation and spread of liberal democracy would make violent conflict less relevant in today’s world, war and the use of force remain an integral part of the international system. In exploring these issues, you will study a variety of perspectives on the causes of war and peace to examine the roots of violent conflict and security problems in the present day. In the second half of the module, we will turn to contemporary ‘critical’ debates around international security. These include constructivist and feminist perspectives on what security is, how it is achieved, and whether it is desirable. We will also investigate the host of seemingly new security challenges that have increasingly captured the attention of policymakers and academics. How useful is it to think of issues such as environmental degradation, gendered violences, and poverty as security issues? What do we gain and lose in broadening security studies beyond a narrow focus on warfare and military power?

INTERNATIONAL RELATIONS THEORY

Code PPLI5059A

Credits 20

What does the world look like to a Marxist, or a liberal, or a feminist, or a realist? We all hold particular ideas about how the world works: about why certain events happen, who the key actors in the international system are, and whether it is even possible to change things for future generations. Theories of International Relations (IR) attempt to capture these assumptions, explaining the world in different ways to others. You will explore how the discipline of IR emerged in the early 20th century, before investigating the very different theories which have shaped, and sometimes dominated, academic and policy makers' ideas about how the world actually works.

POWER, WEALTH AND NATIONS: GLOBAL POLITICAL ECONOMY

Code PPLI5161B

Credits 20

This course provides students with an introduction to the global political economy. The world is made up of flows: goods, services, capital, people, cultures, and ideas which continuously cross borders and move across oceans. And so it has been for hundreds of years, An array of international regimes, national authorities, nongovernmental organisations, companies, and social movements exist to promote, prohibit, or regulate these exchanges and flows. There are, just as importantly, the processes of the ‘everyday’, the social reproduction of society, that reveal how gendered the global political economy actually is. And one of the biggest challenges is thinking how to manage the fragile environmental equilibrium and economics’ obsession with growth on a finite planet. All this is taking place in a world moving East, to Asia, and in the process of decolonising from the long shadow of Western extractive imperialism in the global South.

JAPANESE YEAR 2 HONOURS

Code PPLJ5001Y

Credits 40

This module is for Level 5 students studying Japanese Honours language degrees. The module comprises two pathways, Ab Initio 2/Post GCSE 2/Post A-Level 1 and Post A-Level 2.

CONTEMPORARY JAPANESE SOCIETY

Code PPLJ5012B

Credits 20

In this module, you’ll analyse contemporary Japanese society using topical issues in Japan and deepen your understanding of the country and people. All lectures are conducted in English. Throughout the module, you’ll learn about various topical issues such as family, gender and education, uncover the roots behind these and develop your findings and ideas into a discussion. You’ll use various materials including academic articles and digital resources including online news articles and audio-visual materials. Through not only reading the news but also considering the stories in depth and the reasons behind the issues happening in Japan, you’ll develop and improve your research and analytical skills. You’ll also be able to discern and compare similarities and differences between Japanese culture and society and your own country.

UNDERSTANDING SECOND LANGUAGE TEACHING (LEVEL 5)

Code PPLL5175A

Credits 20

Have you thought about becoming a language teacher? Do you know what that means? Would you like to give it a try? This is an introduction to second language teaching and learning, where you will explore theoretical and practical approaches to language learning. You will learn what teaching a foreign language means through different methodologies and practical approaches, as well as understanding the peculiarities of both language and culture in second language acquisition, emphasizing factors like context, motivation, first language or individual characteristics. Participation will be in classroom-based activities, often working in pairs and groups exchanging ideas and supporting each other in your exploration of second language learning and teaching. You will be able to observe real language classrooms and deliver language teaching in real contexts, and also gain a greater understanding of what theoretical and practical aspects of teaching and learning are essential in foreign languages.

GENDER AND POWER

Code PPLM5002A

Credits 20

Providing a conceptual overview of feminist research approaches, this module examines contemporary gender and power relations. You will examine both the formal and informal power structures that shape the experience of gender. Bringing together the fields of media and sociology, politics and cultural studies, you will explore the relationship between feminist theory and activism.

POLITICAL VIOLENCE & CONFLICT: THEORETICAL PERSPECTIVES

Code PPLM5002B

Credits 20

Political violence, individual or collective, is easily condemned as an irrational and barbaric phenomenon, with little relevance for understanding political developments and social change. A lot is down to LeBon’s famous nineteenth century accounts of the crowd as ‘a primitive being’ so destructive ‘that the interests of the individual, even the interest of self preservation, will not dominate them’ (LeBon, 1995). The taboo of violence persists despite attempts of social and political theorists to engage with the issue and understand different forms and contexts, from riots, to religious violence and terrorism. The aim of the module is to break this generalized taboo by tracing the role (explicit or implicit) of political violence in political theory and its function in processes of socio-political transformations and change. Critical engagement with contemporary theoretical and empirical debates around the issue and the examination of mass and new media representations of political violence will enable students to develop a sophisticated understanding of the origins, logics, perceptions and outcomes of political violence and conflict.

MEDIA, GLOBALISATION AND CULTURE

Code PPLM5003B

Credits 20

What role do media and communication play in processes of globalisation? How is an ever more global media creating cultural change? In this module you will explore the cultural implications of global media and culture by investigating audience practices and media representations. It begins by introducing the main theoretical approaches to mediated globalisation, before examining how these work in practice. Indicative topics include the power of global branding, global celebrity culture, global publics and local audiences, transnational cultures, and representations of migration.

LIES, ALGORITHMS AND CONCERTOS: UNDERSTANDING MEDIA AND CULTURAL POLICY

Code PPLM5005B

Credits 20

How should we deal with the dissemination of 'fake news'? What role do algorithms play in the media we consume, and is it concerning? What kind of government intervention is there in media markets and in cultural life and how does this get decided? This module will enable you to understand the dynamics and issues of media and cultural policy and how various levels of governance are involved in regulating media cultural sectors. The module will start by introducing you to public policy and policy making processes, covering multi-level governance, multi-stakeholderism, and the policy cycle. It will then enhance your understanding though deep dives into current issues in media and cultural policy, such as audiovisual media policy, arts institutions, net neutrality, harmful content on platforms, sports and premium content rights, urban regeneration through culture, evolving models of (self/co-)regulation. The module will draw on examples from across the globe and at various level including local, regional, national and supra-national policy making, with special efforts made to integrate ones from non-Western contexts. You will have the opportunity to work on real policy issues and practice professional skills in simulations and assessment activities. This module is for anyone interested in media and culture or in public policy in general. It covers topics that touch our daily lives so would be useful to anyone concerned about the shape of our society.

THE MEDIA AND IDENTITY

Code PPLM5042B

Credits 20

How do the media shape how we see ourselves? Or indeed how others see us? In a world of social media, self-branding and the increasing importance of mediated forms of identity, on this module you will explore critical ways of thinking about the relationship between culture, media and the self. Drawing on a range of theoretical approaches in the field of media and cultural studies, this module asks you to use research methods from autoethnography to content analysis to explore both their own identities and the way in which identities more broadly are formulated through contemporary media culture. Through discussing the representation of identity in media content, as well as issues of media production, regulation and consumption, you will critically reflect upon the relationship between media culture and social power and consider how social and technological changes impact on the ways in which identity is experienced in everyday life. On successful completion of this module, you should be able, at threshold level, to critically reflect upon the ways in which media texts construct social identity and should be able to discuss the relationship between media and identity with awareness for social, institutional and technological factors that shape both media production and consumption. Assessment is by group presentation and independent research project.

DIGITAL MEDIA AND SOCIETY

Code PPLM5053A

Credits 20

For better or worse, digital technologies are hyped at having revolutionised society. This module will provide you with an introduction to the ways in which the internet and other digital technologies are (and are not) affecting society from theoretical and empirical perspectives, and how society shapes technology. Topics covered include: the evolution of the internet; the network society ; regulating new media; the radical internet and terrorism; social networking, blogs and interactivity; culture and identity in the digital age; and how the internet affects politics and the media.

PHILOSOPHY OF HISTORY AND POLITICS FOR SECOND YEARS

Code PPLP5167A

Credits 20

What is power and who wields it? How have ideas about power, freedom, government and society changed in the course of history? How have those ideas been shaped by society and in turn helped to shape society? Is there an essence to power that drives historical change, or is power dispersed through a multitude of institutions and social forms of organization? In this module, we will look at how different modes of political and historical understanding interact with political practice and historical change. We will explore classical formulations of major political theories and situate them in historical context. Then we will shift to contemporary debates as they relate to politics today. We will also look at ideas about the shape of history and how they have inspired political action. In addition to exploring theoretical differences, we will debate the practical implications of competing ideas of power, freedom and progress. This will lead us to think about concrete political problems, such as economic inequality, affirmative action, meritocracy, women and class, distribution of health care, the limits of state power in the regulation of speech, and environmental crisis.

RELIGION AND WORLD PHILOSOPHIES FOR SECOND YEARS

Code PPLP5168A

Credits 20

Religion is a phenomenon that is hard to define, and yet clearly integral to the entire history of human existence across many cultures. Over 80% of the world defines itself as religious in some form. In this module you will approach religious phenomena as a philosopher, asking (and answering) questions that are raised by the possibility (or not) of a transcendent reality, and entering into dialogue with philosophers who have asked (and answered) these questions, such as Thomas Aquinas, Simone Weil and Olusegun Olapido. The final project gives you an opportunity to write on an issue of interest to you. You are strongly encouraged to look at how religion is communicated in sacred texts, literature, mythology and film, and to ask how the philosophy of religion can address problems in the world, such as religious violence.

MIND AND LANGUAGE FOR SECOND YEARS

Code PPLP5173A

Credits 20

In this module you will be invited to engage with some of the key issues that figure in Philosophy of Mind and in Philosophy of Language, and to identify the interconnections between the two. Some major thinkers in the field, both recent and from earlier periods of the Western canon of philosophy, will be studied, and chosen set texts may be selected for close attention as relevant. Topics might include the mind-body problem, the nature of mind and its relation to the brain, issues connected with meaning and understanding, how (if at all) language governs, limits or facilitates thought, and the relation between language and the things about which we use it to talk. By taking this module in your second year you will explore a selection of these topics. A further selection of these topics is available in the complementary Level 6 Mind & Language module, which you can take in your third year.

ETHICS FOR SECOND YEARS

Code PPLP5174B

Credits 20

What is morality? And in what ways does it impinge on our lives, in deciding what to do? There are issues relating to ethics that are theoretical and meta-ethical, about what kind of judgements are being made and what is their basis in fact or in some realm of values; there are normative issues, about how, if at all, a theory can help to predict or decide what a person ought to do or which dispositions are commendable; and there are practical issues, about the real dilemmas of life and death, about fairness, love and compassion, as we face them in the world, and not just in imaginary trolley-problems . To complete a course in ethics you would want to explore all these aspects of the subject, and during this module you’ll engage with a selection of these, focusing either on the theoretical aspects, including attention to some major historical figures, or more on practical ethics. This module can be taken as a stand-alone module, but you are also encouraged to enrol for the complementary Level 6 module, which will be available in your third year, so as to compile a more complete study of the whole range of these topics.

KNOWLEDGE SCIENCE AND PROOF FOR SECOND YEARS

Code PPLP5175B

Credits 20

Epistemology examines what knowledge is. Science is concerned with the acquisition of secure knowledge, and philosophy of science considers what counts as science, what objects the scientist knows about, and what methods can be used to attain such knowledge; logic uses formal tools to investigate different forms of reasoning deployed to acquire knowledge. You will be given an opportunity to explore a selection of these areas of philosophy, through teaching informed by recent and ongoing research: which ones will be explored on this occasion will be selected in the light of the lecturers’ current research interests and their general appeal.

PHILOSOPHY MEETS THE ARTS (SECOND YEAR MODULE)

Code PPLP5176B

Credits 20

Philosophy has much to say about the arts, and much to learn from them. In this module you will have a chance to explore some aspects of this relationship. Some issues that arise fall into what we would call aesthetics and the philosophy of art: we can ask about the value of art, aesthetic experience and judgement, artistic creativity, interpretation and representation, and we can investigate the views of many past thinkers on these matters. On the other hand, we can also use art to illuminate philosophy, and for this purpose we have chosen to focus primarily on cinema (while “literature and philosophy” investigates similar questions in connection with literature”). This module will focus on one or other of these two aspects of the encounter with beauty and the arts, but you may also wish to take the complementary module at level 6, in your third year, in order to cover both aspects of the subject.

ENVIRONMENTAL PHILOSOPHY FOR SECOND YEARS

Code PPLP5177B

Credits 20

How can we avoid environmental catastrophe? How can philosophy help? The relationship between human beings and the natural world is the basis of everything we are and yet we do not seem to have found a way to avoid destruction, degradation and potential catastrophe. In this module we will examine various ways in which philosophy can examine our relationship with the natural world and contribute to the fight to protect the planet. Topics may include the ethics of climate change; value theory and nature; human-animal relationships; the ways science, art and politics affect our relationships with the natural world. This module will cover a selection of these topics, and students may wish to continue the course by taking the complementary Level 6 module in their third year.

KEY THINKERS AND TEXTS FOR SECOND YEARS

Code PPLP5179A

Credits 20

The history of philosophy, from ancient times to our own, is richly studded with exciting and innovative thinkers, whose ideas still spawn a vast volume of research and reflective criticism. These great minds are our partners in many fascinating slow-motion dialogues that extend over decades, centuries and even millennia. We converse with them about some of the most significant issues in the field. In this module you’ll join in this discussion by taking part in seminars focused on reading and discussion of some more of the original texts (in English translation, if that is not the original language), under the guidance of a research expert in the field. Texts will be selected by the seminar leader, to complement your other second and third year modules, and will not include precisely the same texts as are included elsewhere in the philosophy Honours programme. Rather we’ll aim to focus on thinkers whose work is insufficiently addressed in the other modules. Examples of thinkers that will be most likely to appear in the seminars for this module include Plato, Aristotle, the Presocratic Philosophers, Ancient Sceptics, Enlightenment thinkers such as David Hume, Immanuel Kant, René Descartes, George Berkeley, thinkers from early Analytic philosophy, early or late Wittgenstein, Simone Weil or Iris Murdoch. During this module you’ll be taught in a seminar/reading group style, with each group meeting on a weekly basis for twelve weeks. One or more such seminar groups may meet, depending on student enrolments and staff availability, and each group will be reading a different text or texts, from a different period or school of thought. You’ll be enrolled into whichever group interests you most (you’ll need to say which one you want to attend when you sign up for the module). Seminar groups will run with a minimum of ten students in the group: if you choose a group with less than 10 participants, you’ll be offered a choice of a different seminar group or a different module. This is a free-standing module that can be taken by itself. However, by taking this module in year 2, and the complementary Level 6 module in year 3, you can create a two semester course, exploring a selection of historical thinkers and adding a fitting supplement to the topical modules that you’ll be taking over these two years.

EXISTENTIAL PHILOSOPHIES (SECOND YEAR MODULE)

Code PPLP5180B

Credits 20

How can we make sense of the vast and complex world we are plunged into at birth? What happens when we become alienated from the world and its everyday meaning? If there is no absolute meaning assigned to human life by divine authority, does life have any meaning at all? Are we absolutely free to make sense of the world in any way we choose? Does death present an ultimate limit to human existence and freedom? Existential philosophers have grappled with these questions and in the process developed new ways of thinking about art, science, politics, divinity and every aspect of human life. Friedrich Nietzsche is one of the key founders of existential philosophy and his work began an important tradition that influenced thinkers such as Martin Heidegger, Jean-Paul Sartre and Simone de Beauvoir. This module will focus either on the explosive work of Nietzsche himself or on the existential tradition he inspired, so you may also wish to take the complementary module at level 6, in your third year, in order to cover both aspects of the subject.

TRANSLATION AND ADAPTATION (LEVEL 5)

Code PPLT5024B

Credits 20

We will consider the processes of translation and adaptation in a range of media, such as films, games and theatre, and the issues associated with them from the perspective of ‘Translation Theory.' We will attempt to establish where the boundary lies between the terms ‘translation’ and ‘adaptation,’ and we will examine some of the most important theories of translation. You will look at various ways of thinking about key concepts such as ‘cultural and pragmatic equivalence,’ ‘fidelity,’ ‘coherence/cohesion,’ and the ethical role of the director/adaptor. You will devote your time to the exploration of types of adaptations in different genres, and you will present case studies from recent articles in a variety of adaptations in your language pair, such as adaptations for cross-cultural theatre, adapting from books to video games, cross-cultural adaptations of queerness in short stories, ideology, and children’s stories adapted for films across languages and cultures. You will develop the linguistic skills, cultural competence and critical thinking required for the production of a case study of a selected adaptation in your language pair. On completion of this module, you will be able to situate yourself in relation to critical readings in the field of ‘Translation Theory’ and to reflect on the ethical dimension of the translator, especially as it relates to the act of adapting in situations of intercultural conflict and communication. This module is only available to students with a foreign language.

TECHNOLOGICAL TOOLS FOR SUBTITLING AND DUBBING (LEVEL 5)

Code PPLT5026B

Credits 20

What factors need to be born in mind when creating subtitles? What tools are used to create these texts? This module provides first-hand experience of subtitling and dubbing of film clips and documentaries, which will provide you with first hand, practical, experience of this important media technique. You’ll become familiar with software used for interlingual and intralingual subtitling and dubbing at professional level, studying the linguistic and technical constraints for the creation of audio-visual texts. You’ll undertake practical exercises involving cueing, text compression and segmentation, respecting time and space constraints and that will teach you how to conform the conventions of good practice. You’ll explore, analyse and assess different types of technological tools used for audio-visual translation at professional and amateur levels, using selected film/TV series/documentary extracts in several languages. Practical activities are used creating challenges posed by the interplay of audio, image and text. Studying this module will provide you with the necessary skills for the creation of subtitles at a professional level, giving you practical experience of using professional software. Taught together with Level 6. Assessment commensurate with level. This module is not suitable for year 2 students of Japanese Ab Initio or Post GCSE because of the challenging nature of the assessment tasks (comprehension and translation of authentic Japanese video clip extracts). Should you wish to explore media accessibility tools, 'Technological Tools for Media Accessibility' (Level 5) is available. Please note that final year Japanese degree students are welcome to join the equivalent module at Level 6 'Technological Tools for Subtitling and Dubbing'.

TRANSLATION ISSUES ACROSS MEDIA (LEVEL 5)

Code PPLT5031A

Credits 20

Have you thought about how communication works when we need to get our message across in more than one language, or to reach more than one culture? For a start, we need to be aware of how people from different cultures might communicate in different ways, and also how our different languages might help or hinder us to do that. Whether you’re a student of language, communication or any subject where you might have an interest in issues associated with the globalisation of communication and the media, then this module will be relevant to you. We will consider a range of materials (texts and their translations, multilingual publications and packaging, film subtitles, dubbed soundtracks, IT-mediated text) to explore issues involved in the transposition and translation of (spoken and written) text into other media and other languages across different genres. Practical tasks give you insights into the full breadth of issues and processes involved in successfully moving messages between cultures. We aim to bring together students and staff from different linguistic backgrounds, and you are encouraged to extend your thinking to other languages you may know and to share examples with the wider group. You will be taught, and assessed, in English, but you will need receptive knowledge of one other language in addition to English in order to benefit from this module.

TECHNOLOGICAL TOOLS FOR MEDIA ACCESSIBILITY (LEVEL 5)

Code PPLT5176A

Credits 20

What tools are used for audiences with sensory impairments, both visual and/or hearing to help them access films, documentaries, TV series, etc? This module provides first-hand experience of the technical tools used to create this type of audio-visual text. You will learn the specific requirements and theoretical characteristics and become aware of the grammatical and syntactical features of the language used for subtitling for the Deaf and Hard of Hearing (SDH) and audio description (AD). You’ll explore and become skilled in the use of software used for media accessibility: professional subtitling software is used for pre-recorded subtitles as well as software for live subtitles (voice recognition). You’ll develop subtitling and audio description skills in a variety of registers and styles, translating programs from various sources (films, corporate videos, documentaries) and covering a broad range of specialised genres and media issues. The module is taught and all activities as part of the module are carried out in English. In addition, reflection on the practice of media accessibility in other languages will be encouraged and used as a key element for discussion in the module. The study of this module will provide you with the necessary skills for the creation of subtitles at professional level. Taught together with Level 6. Assessment commensurate with level.

WESTERN POLITICAL THOUGHT

Code PPLX5064A

Credits 20

In this second year module you will examine in depth the works of selected thinkers who are seminal to the Western tradition of political thought, and have shaped the ways in which we think about politics even today, including Plato, Hobbes, Locke, Rousseau, Mill and Machiavelli. You will also compare their work thematically, with a focus on themes such as the natural law and social contract traditions, and other schools of thought which have been influenced by these traditions. The module will be based on the study and interpretation of key primary texts and will enable you to develop skills of textual analysis and critique. It will also provide some of the historical background necessary to study more contemporary political theory at 3rd year undergraduate level, as well as building substantially on some of the political theories encountered on Social and Political Theory at first year level. The module is taught by a combination of weekly lectures and seminars, supported by private study of your own, and you will be assessed by coursework, usually a combination of an essay and a portfolio which reflects on your reading and seminar performance throughout the semester.

POWER AND SOCIETY

Code PPLX5159B

Credits 20

This module introduces students to key perspectives in 19th & 20th century social and political theory. Central to this module is an interest in the relationship between economic, social and cultural structures and individual agency and identity. Areas explored include the following: social conflict and consensus; conceptions of power and domination; Marxism and neo-Marxism; critical theory; structuralism; poststructuralism; ideology and discourse; postmodernity; the self and consumer society.

STATES, INSTITUTIONS AND CITIZENS

Code PPLX5162B

Credits 20

Political systems around the world are facing profound challenges and transformations. Established democracies in Europe and North America have seen the rise of populism, as marked by election of Donald Trump in the USA, the Brexit referendum in the UK or Jair Bolsonaro in Brazil. Democracy has also been in retreat in many states which democratised or partly democratised after the cold war such as Russia and Poland. At the same time, autocratic regimes in the Middle East and North Africa have come under pressure, with movements such as the Arab Spring signalling aspirations amongst many people for a more democratic system of governance. Meanwhile, there are new threats to democracy worldwide posed by the spread of 'dark money' in election campaigns and online misinformation. This module provides you with a critical understanding of how political systems vary around the world and the pressures facing them. It begins by focusing on the drivers of democratisation. It then proceeds to consider how political institutions such as the executive, legislature and the degree of decentralisation vary - and the effects that this has. Finally, we consider new trends in citizen's voting behaviour at the ballot box and pressure groups campaigning for change. You'll gain a critical awareness of current debates in comparative politics and develop key skills including critical evaluation, analytical investigation, written presentation, and oral communication.

Optional B Modules

(0-40 credits)

EDUCATION AND GLOBAL DEVELOPMENT

Code DEV-5009A

Credits 20

The module is about the distinctive challenges that face low and middle income countries in providing quality education for all. We also consider sources of inequalities in the education systems of the Global North, aiming for a worldwide awareness of the issues affecting equity in education.

POLITICS, DEVELOPMENT AND SOCIETY

Code DEV-5019B

Credits 20

CHILDHOOD, YOUTH AND TRANSITIONS

Code EDUB5013A

Credits 20

This module will explore key ideas, contemporary issues and notions of 'risk' within the context of childhood, youth and transitions. It will draw on psychological and sociological theories to consider the role of education within these areas. This module aims to provide you with: - Knowledge and understanding of the sociology and psychology relating to transitions within childhood and youth sectors; - A theoretical understanding of notions of 'risk' and transition; - An analytical understanding of educational and social policy, provision and practice relating to childhood and youth sectors; - A critical understanding of contemporary issues for children and young people.

CHILDREN AND SPECIAL EDUCATIONAL NEEDS AND DISABILITY

Code EDUB5015B

Credits 20

This module aims to provide you with an understanding to the background and legislation influencing special educational needs education. It will enable you to identify historical, social, cultural and political considerations and to understand key issues related to the education of children with special educational needs. Drawing primarily on social, psychological and educational perspectives you will develop a critical approach to analysing special educational needs policy and reflect on how contemporary issues and the current Special Educational Needs Code of Practice is being put into practice in Early Years and Primary Settings. The module is underpinned by a reflection on our attitudes towards children and challenges of inclusion. It is expected that by completing this module, you will be able to: 1. Identify, outline and critically examine key legislation, regulations and codes of practice in relation to supporting children/young people with special needs and disabilities; 2. Demonstrate a critical understanding of the strategies for intervention and the impact of the assessment process on children, their parents and their settings; 3. Demonstrate a critical understanding of current inclusive educational policies and practices within settings; 4. Identify and develop strategies that overcome barriers to learning in a range of educational contexts; 5. Reflect on your own values in relation to children and special educational needs; 6. Demonstrate individually and/or cooperatively a range of problem- solving and reasoning skills, ethics, synthesis, communication and presentation of information. It is expected that by completing this module, you will be able to: • consider the historical and cultural background to current government policy regarding Special Educational Needs; • have an understanding of the SEN Code of Practice and assessment process; • have an understanding of the range of provision and professional support available; • consider the implications of the assessment process on children, their parents and their settings.

LGBT AND BEYOND: SEXUAL CULTURES, QUEER IDENTITIES, AND THE POLITICS OF DESIRE

Code HUM-5007A

Credits 20

CRIME AND SOCIETY

Code LAW-5031A

Credits 20

This module introduces students to the concept of crime, offering a critical introduction to the problem of crime and responses to it. It explores crime through a range of key topics and fundamental ideas and concepts within Criminology to provide a sound understanding of crime and criminal justice in today's society. It will consider how crime is defined, constructed and responded to, taking into account policy and practice relating to crime prevention and punishment; it gives though to victims as well as how offenders are treated; and will examine how social structures such as gender, age and ethnicity relate to crime.

CRIMINOLOGY

Code LAW-5032B

Credits 20

This module considers key theoretical perspectives in criminology, drawing upon this foundational knowledge to understand and explain different kinds of criminal behaviour, and society’s response to them. It considers how crime is defined and researched, situating the criminal law in social context. The aim of the module is to introduce students to the study of criminology, and to engage students in critical discussions of how crime is defined and by whom; why criminal behaviour is an enduring feature of contemporary liberal societies; and society's response to crime. The module aims to develop students' knowledge and understanding of: • key theoretical and empirical issues in criminology; • the value of theory in explaining patterns of crime and criminalisation. • the nexus between criminological theory and criminal justice policy in relation to specific case study examples.

GENDER AND POWER

Code PPLM5002A

Credits 20

MEDIA, GLOBALISATION AND CULTURE

Code PPLM5003B

Credits 20

THE MEDIA AND IDENTITY

Code PPLM5042B

Credits 20

DIGITAL MEDIA AND SOCIETY

Code PPLM5053A

Credits 20

POWER AND SOCIETY

Code PPLX5159B

Credits 20

STATES, INSTITUTIONS AND CITIZENS

Code PPLX5162B

Credits 20

FAMILIES AND THE LIFE COURSE

Code SOL-5002A

Credits 20

This module will explore the sociological concept of ‘family’ and how this is understood within a life course discourse. Specifically, this will examine how notions of ‘family’ have changed markedly from post war Britain. We will discuss the importance of the ‘family’ as a sociological construct and as an institution over which the Government relies greatly, but has very little direct control. We will examine how time has changed the structure of the family. We will examine the role that marriage/civil partnerships play in family life, and consider how the state understands single parent families, ‘blended families’, Lesbian and gay families, and families that foster/adopt. One of the key theses affecting all families is ‘transitions’ and this will be explored as a concept through the life course. We will also consider the role that family plays for older adults during their later years, and the impact that this has on the state’s role. We will look at gender and the family, and ethnicity and family in modern Britain. Finally, we will consider ‘intimacy’ within family life, particularly in relation to relationships, sex and notions of ‘belonging’, as well as violence and abuse.

EQUALITY AND DIVERSITY

Code SOL-5003A

Credits 20

This module gives students the opportunity to explore some of the key factors through which personal and social diversity and oppression may be experienced, including race and ethnicity, gender and disability, and other protected characteristics. We will reflect on these dimensions through the lens of our own lives and experiences and gain confidence in managing our own opinions and emotions in professional contexts. We will also explore a number of contemporary social contexts in which some of these equality and diversity issues have clashed and examine some of the political and social responses to these.

CHILD OBSERVATION USING A SOCIOLOGICAL ANALYSIS

Code SOL-5005B

Credits 20

This module will enable you to apply sociological and psychological theories around child development to a child, by organising and taking part in a series of observations of a young child in a nursery setting. This will enable you to become familiar with: the social life of a child within a nursery setting; children’s play – based learning approaches; role modelling behaviours; the role of boundaries as a driver to change behaviour; gender based issues in their natural environments. The psychological theories that students will learn about include cognitive theories, psychoanalytical theories, behavioural and social learning theories, evolutionary developmental theory etc. The Sociological theories includes theories of socialisation, sociology of childhood, dominant discourses on contemporary childhood, sociocultural systems theory etc. This module uses Observations as a key strategy to discover how young children interact and make sense of their world in their natural setting. It gives students the opportunity to critically explore some key dichotomies in the social sciences around the relationships, between biology and society, nature and nurture and the individual and society. Students are furthermore encouraged to adopt a critical stance when exploring this notion of ‘traditional development’, taking into consideration how children were subjected to standard measures of testing (Piaget’s intelligence testing, the Strange Situation), whereby their progress is continually contrasted against the yardstick of a ‘normal’ child based on ‘normal’ expectations of childhood within western societies, particularly Europe and the United States (Woodhead, 1999); the role of interventions to get them back on this path of development is also considered.

GENDER, VICTIMISATION AND OFFENDING

Code SOL-5006B

Credits 20

This module examines offending and justice for female offenders compared to male offenders. Specific topic areas will vary but are likely to cover pathways into offending, the complex relationship between offending and victimisation for women and girls, offenses committed by women and girls—ranging from status offenses (e.g. running away from home) to theft and shoplifting, against the person crimes and participation in gangs—experiences within the criminal justice system and, finally, desistance from offending. Theoretical perspectives drawn upon will include sociology, feminist criminology, and intersectionality, particularly the interplay between gender, age, class, socioeconomic status, race, and sexual orientation. Theoretical approaches and research will be covered alongside examples from popular media, film, current events, and case studies.

QUALITATIVE AND PARTICIPATORY RESEARCH METHODS

BA (Hons) LIBERAL ARTS WITH A YEAR ABROAD