Undergraduate Degrees

BSc Computing Science, Imaging and Multimedia ( G450 )

UCAS Course Code:: G450
Duration:: 3 years
Attendance:: Full Time
Award:: Degree of Bachelor of Science
School of Study:: Computing Sciences
Brochure:: School of Computing Sciences Undergraduate Brochure (PDF)
Typical A-Level Offer:: ABB

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Course Profile
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Why take this course?

The degree of Computing Science, Imaging and Multimedia allows you to combine an interest in video and sound processing with computing science. Throughout the course you will not only learn the computing science that underpins imaging and multimedia, but you will also the study modules in the areas of music, film and TV which provide a unique creative component to the degree. The course benefits from the expertise of research-active academic staff within the School of Computing Sciences in areas such as computer graphics, computer games development, speech and audio processing and computer vision, as well as the skilful know-how from experts in professional film, video and TV production at the School of Film and Television Studies. In the first year you will be introduced to basic computing science subjects including programming in Java, alongside an introductory module in film and TV studies. The second and third years of the degree allow you to specialise in areas such as computer graphics, sound and image processing, film, TV and video production, and/or music processing. Our academic faculty has strong links with many related imaging and multimedia companies and we use these contacts to help us to shape the degree content as well as designing coursework projects around real-world problems. In summary, this course is designed for applicants who wish to enter the film, media, games and entertainment industries whilst being well-equipped with modern day advanced computing science skills.

This programme has full Chartered IT Professional (CITP) accreditation as well as leading to Chartered Engineer (CEng) status from the (BCS - The Chartered Institute for IT)

Contact time

Students have on average 15 hours of contact time per week with teaching staff through lectures, laboratory sessions and seminars, though this may vary depending on module choices. Additionally, students should allocate at least 25 hours per week for study, coursework assignments and projects.

Career opportunities

Some of our former students now work for a special effects company called FXHome. The above examples were produced using FX home software.

I was very pleased with this course. I recommend it to anyone who enjoys filming and computing. I do believe that this course is very good for those that would like to work on television or in the game industry, since it fulfils technical gaps that are not covered in typical Film and TV degrees, and it offers a different perspective to those developing graphics applications.

Manuel Marquez

Your prospects as a graduate student in Computing Science, Imaging and Multimedia are manifold. Depending on which specialties you studied during your degree course, you will have the necessary skills to work for example in a special effects studio, as a Consultant or as part of a larger film company, or write music tracks for games, or work for a media and graphical arts company, just to give a few examples. In general, any profession which requires the combination of film and/or music technology, together with a solid computing background, can be yours for the taking.

Contact: admissions@uea.ac.uk

Course Organiser:Dr. Rudy Lapeer

The School of Computing Sciences (CMP) has an excellent reputation in teaching. 90% Satisfied with teaching in Guardian University Guide 2013.

The school offers undergraduate and postgraduate degree courses in Computing Science and subject areas allied to it that include computer graphics, computer systems engineering, actuarial sciences, business information systems and computational biology.

All of our degree courses are designed to give you a flexible structure that enables you to choose subjects that interest you and that are aligned with your career aspirations.
You will be taught by academics at the cutting edge of their respective fields. In the last research assessment exercise 95% of our research was regarded as world-leading or as internationally excellent or recognised.
The School of Computing Sciences has an excellent reputation in teaching having been awarded the top grade of ‘commendable’ in all categories from the Quality Assurance Agency (QAA).
Our undergraduate computing degrees have full Chartered IT Professional (CITP) accreditation (many of the Masters programmes also have the Further Learning Element status)as well as leading to Chartered Engineer (CEng) status from the (BCS - The Chartered Institute for IT).
Much of our work is concerned with real-world problems and applications and we have excellent links with industry both for our teaching and research.
The facilities and student experience in the school are excellent. We have a range of different laboratories for students that cater for the different disciplines taught in the school. We also have a Help Desk that provides support for our students, as well as a student common room and a Staff Student Liaison Committee.
Our teaching is delivered in a variety of ways including lectures, laboratory classes, seminars and group projects. Our laboratory class and seminars are run with a 1-to-16 staff to student ratio ensuring you can obtain good support.
The School of Computing Sciences leads the university in utilizing its internationally recognized research commercially, through SYS Consulting, its Consulting company and through Knowledge Transfer Partnerships.
Our students also use their technical and entrepreneurial skills to play influential roles in the creation of companies such as Travel Republic, Evoke systems, Fyfo and Shoretech systems.

Compulsory Study (100 credits)

Students must study the following modules for 100 credits:

Name	Code	Credits
ANALYSING FILM AND TELEVISION	FTMF1F09	20
The module is designed to provide students with core study skills and techniques and methods of textual analysis. The module will cover the analysis of a range of formal features and frameworks such as narrative, mise-en-scene, camera work, editing and sound used in the analysis of film and television. The study skills covered will include use of the library and internet for research, as well as note taking, essay planning and the conventions of academic writing. In the process the module will cover issues such as referencing and plagiarism. It will be taught by lecture, seminar and screening.
COMPUTING FUNDAMENTALS 1	CMPC1F02	20
The module introduces key concepts in discrete mathematics, logic and statistical analysis essential for any degree in computing. More...
COMPUTING SYSTEMS 1	CMPC1M01	20
The module is designed to introduce students to some of the principal technologies of contemporary computing systems and to software development in a web context. More...
COMPUTING SYSTEMS 2	CMPC1M02	20
The module is designed to provide students with: an overview of the organisational, cultural and technical context of current software development, experience of developing software in a web context, and an introduction to the principal architectures of contemporary computing systems. More...
PROGRAMMING 1	CMPC1M0Y	20
The purpose of the module is to give the student a solid grounding in the essential features of object-oriented computer programming using the Java programming language. The module is designed to meet the needs of a student who has not previously studied programming, although it is recognised that many will in fact have done so in some measure. On completing this module the student should be capable of developing, testing and documenting simple but non-trivial object-oriented programs, and of using the appropriate technical terminology in discussing these programs. More...

Option A Study (20 credits)

Students will select 20 credits from the following modules:

Name	Code	Credits
MATHEMATICS FOR COMPUTING A	CMPC1F1Y	20
The module is designed to provide students who have not studied A level Mathematics with sufficient understanding of basic algebra to give them confidence to embark on the study of computing fundamentals. Various topics in discrete and continuous mathematics which are fundamental to Computer Science will be introduced. More...
MATHEMATICS FOR COMPUTING B	CMPC1F3Y	20
This module is designed for students with an A level (or equivalent) in Mathematics. For these students it provides an introduction to the mathematics of counting and arrangements, a further development of the theory and practice of calculus, an introduction to linear algebra and its computing applications and a further development of the principles and computing applications of probability theory. In addition 3D Vectors are introduced and complex numbers are studied. More...

Compulsory Study (60 credits)

Students must study the following modules for 60 credits:

Name	Code	Credits
GRAPHICS I	CMPC2G04	20
This module covers the basics of computer graphics for all computer scientists and concentrates on two-dimensional and three-dimensional graphics fundamentals. It puts an emphasis on 2D graphics, algorithms, interaction and OpenGL. Other topics covered include fonts, algorithms for line drawing, curves, clipping and colour. Ability to program is a pre-requisite. An introduction to C++ will be presented as part of the module. More...
PROGRAMMING 2	CMPC2M13	20
This is a compulsory module for all computing students and is a continuation of 1M0Y/1X04. It contains greater breadth and depth and provides students with the range of skills needed for many of their subsequent modules. We recap Java and deepen your understanding of the language by teaching topics such as nested classes, generics, swing and threaded programming. We will also broaden your programming knowledge by giving you a basic grounding in Matlab and C++. More...
SOUND AND IMAGE I	CMPE2I06	20
There has recently been a huge growth in the power and sophistication of tools that enable people to manipulate images and sounds on computers, and the techniques underlying these tools are also key for the development of artificial intelligence. In this module, we study the nature of audio and video signals from devices such as cameras and microphones and how they are captured and represented on a computer. This includes the coverage of essential ideas of topics such as sampling, time, spatial and frequency domains, filtering, Fourier representation etc. and practical work (using MATLAB) on processing sounds and images to e.g. produce effects, extract information from, or recognize a sound or an image. More...

Option A Study (20 credits)

Students will select 20 credits from the following modules:

Name	Code	Credits
INTRODUCTION TO VIDEO PRODUCTION	FTMF2P81	20
This module will enable students to acquire the essential skills to undertake video production and create coherent video programmes. Practical instruction and familiarisation is supported by workshop sessions focusing upon elements of the relationship between technique and the inscription of mise-en-scene within film. Whilst specific craft skills are recognised there is greater emphasis upon the overall requirements of the production process, including elements of production management, and an understanding of how these components integrate to maximise the communication potential of a production. Learning is structured around the production of an individual portfolio of practical tasks supported by associated research tasks investigating the application of technique to the interpretation and reception of audio-visual texts, and a project executed within small production groups. An individual evaluation of learning during the module is also required.
INTRODUCTION TO VIDEO PRODUCTION	FTMF2P82	20
This module will enable students to acquire the essential skills to undertake video production and create coherent video programmes. Practical instruction and familiarisation is supported by workshop sessions focusing upon elements of the relationship between technique and the inscription of mise-en-scene within film. Whilst specific craft skills are recognised there is greater emphasis upon the overall requirements of the production process, including elements of production management, and an understanding of how these components integrate to maximise the communication potential of a production. Learning is structured around the production of an individual portfolio of practical tasks supported by associated research tasks investigating the application of technique to the interpretation and reception of audio-visual texts, and a project executed within small production groups. An individual evaluation of learning during the module is also required.
TELEVISION STUDIO PRODUCTION	FTMF2P33	20
AVAILABLE ONLY TO STUDENTS ON COURSE(S): U1G450302, U1QW36301, U1TW76301, U1TW76401, U1W610301, U1WV63301, U1P300302. This module introduces students to television studio production, using the resources of the campus television studio. Once students have learned the basic skills of both live and recorded studio production (including directing, vision and sound mixing, camera-work, lighting, floor management and editing), they work towards the production of a short television programme. They are also required to write a report analysing and evaluating the production process and the finished product.
TELEVISION STUDIO PRODUCTION	FTMF2P32	20
AVAILABLE ONLY TO STUDENTS ON COURSE(S): U1G450302, U1QW36301, U1TW76301, U1TW76401, U1W610301, U1WV63301, U1P300302. This module introduces students to television studio production, using the resources of the campus television studio. Once students have learned the basic skills of both live and recorded studio production (including directing, vision and sound mixing, camera-work, lighting, floor management and editing), they work towards the production of a short television programme. They are also required to write a report analysing and evaluating the production process and the finished product.

Option B Study (20 credits)

Students will select 20 credits from the following modules:

Name	Code	Credits
APPLIED STATISTICS A	CMPC2S10	20
This is a module designed to give students the opportunity to apply statistical methods in realistic situations. While no advanced knowledge of probability and statistics is required, we expect students to have some background in probability and statistics before taking this module. The aim is to cover 4 topics from a list including: Estimating population abundance, Extremes and quartiles, Linear models, Bootstrap methods and their application, Sample surveys, Simulations, Subjective statistics, Forecasting and Clustering methods. The topics on offer may vary to cover the interests of those in the class. More...
ARCHITECTURES AND OPERATING SYSTEMS	CMPC2M09	20
This module studies the organization of both the system software and the underlying hardware architecture in modern computer systems. The role of concurrent operation of both hardware and software components is emphasized throughout, and the central concepts of the module are reinforced by practical work involving Lego robots and Java programming exercises. More...
ARTIFICIAL INTELLIGENCE	CMPC2A12	20
This module aims to introduce concepts of classical Artificial Intelligence. Topics include an introduction to a logic programming language, knowledge representation, expert systems, case base reasoning, problem solving paradigms and game playing. More...
CIRCUITS AND SYSTEMS	CMPE2D01	20
This module introduces students to techniques for analysis of analogue electronic circuits and systems. The module comprises lectures, workshops and laboratories. Workshops develop analytical and problem solving skills. Practical exercises and projects, undertaken in the Lewin Laboratory support the underpinning theory and enable students to build a range of simple electronic devices, e.g. AM comms system, video-scope, digital thermometer, etc. More...
DATA STRUCTURES AND ALGORITHMS	CMPC2M11	20
This is a compulsory module for all computing students and provides the necessary foundation in data and storage structures for all computing streams. In addition, the module emphasises systematic algorithm design and discusses algorithm analysis. At the same time, the module provides the student with the opportunity to reinforce and enhance the programming skills developed in the first year. More...
DATABASE SYSTEMS	CMPC2B08	20
This module covers most aspects of databases, database manipulation and database management systems. The module is mainly based on the relational model, although other models are also discussed. The students will explore the tools and methods for database design as well as the programming of database applications. Part of the practical experience gained will be acquired using a modern commercial relational database management system. Students will also gain programming experience using SQL, and using the Java JDBC interface. A high level language programming module is a pre-requisite. More...
DIGITAL SYSTEMS DESIGN	CMPE2D04	20
This module is concerned with the design and implementation of digital electronic systems that form basic components of modern computers. Topics include an introduction to switching algebra, synthesis of combinational and sequential circuits and techniques for circuit minimization. The module also provides a practical introduction to VHDL, an industry standard hardware description language. Students gain practical experience by undertaking a number of projects based on programmable logic devices. More...
FURTHER MATHEMATICS	CMPC2F01	20
This module is for those students who have passed CMPC1F01 in their first year and would like to study further theory that is a pre-requisite for several other 2nd and 3rd level modules in CMP. For such students it provides an introduction to the mathematics of counting and arrangements, a further development of the theory and practice of calculus, an introduction to linear algebra and its computing applications and a further development of the principles and computing applications of probability theory. More...
SOFTWARE ENGINEERING 1	CMPC2M02	20
Software Engineering is one of the most essential skills for work in the software development industry. Students will gain an understanding of the issues involvedin designing and creating software systems from an industry perspective. They will be taught state of the art in phased software development methodology, with a special focus on the activities required to go from initial class model design to actual running software systems. These activities are complemented with an introduction into software project management and development facilitation. More...
SYSTEMS ANALYSIS	CMPC2B05	20
This module considers various activities associated with the development of all types of computer based information systems including project management, feasibility, investigation, analysis, logical and physical design, and the links to file design, software design, and user interface design. It makes use of a number of analysis and design tools and techniques in order to produce readable system specifications. Students are introduced to a number of development methods including structured, object oriented, soft systems, participative, iterative and rapid approaches. More...
THEORETICAL COMPUTING	CMPC2F02	20
A required module for Computer Science students starting after 2007, this module provides an introduction to computing theory with an emphasis on its application within software development. Topics covered include syntax and semantic models, prepositional and predicate calculus and formal correctness proofs. More...

Option C Study (20 credits)

Students will select 20 credits from the following modules:

Name	Code	Credits
ANIMATION	FTMF2F33	20
Animation is one of the most popular and least scrutinised areas of popular media culture. This module seeks to introduce students to animation as a mode of production through examinations of different aesthetics and types of animation from stop motion through to cel and CGI-based examples. It then goes on to discuss some of the debates around animation in relation to case study texts. Example debates include: who animation is for (children?), the limits of the term “animation” in relation to CGI, the industrial frameworks for animation production (art vs commerce) and character vs star debates around animation icons. A range of approaches and methods will therefore be adopted within the module, including political economics, cultural industries, star studies and animation studies itself. The module is taught by seminar and screening.
CREATIVE MUSIC TECHNOLOGY A	MUS-2X01	20
A practical module which explores a variety of approaches to using digital technology in music. The module does not assume previous knowledge of music technology. It is aesthetically rather than technically driven - the technology is learned through a series of musically-focused assignments which accumulate to form the final, assessed portfolio of work. THIS MODULE IS NOT OPEN TO STUDENTS ON W300.
CREATIVE MUSIC TECHNOLOGY B	MUS-2X02	20
A practical module which explores a variety of approaches to using digital technology in music. The module does not assume previous knowledge of music technology. It is aesthetically rather than technically driven - the technology is learned through a series of musically-focused assignments which accumulate to form the final, assessed portfolio of work. THIS MODULE IS NOT OPEN TO STUDENTS ON W300.
ELECTROACOUSTIC COMPOSITION 2	MUS-2E02	20
A practical module in which students use a variety of digitally-based techniques to process and manipulate sound. Assignments are equally balanced between aesthetic and technical experiment and the final project is a musical composition, performed and assessed in a public concert. Previous experience of music technology is not essential, although some familiarity with computers is an advantage. Students may incur a small recharge for consumables used during the course.
FILM THEORY	FTMF2F43	20
This module explores aspects of film theory as it has developed over the last hundred years or so. It encompasses topics including responses to cinema by filmmaker theorists such as Sergei Eisenstein; influential formulations of and debates about realism and film aesthetics associated with writers and critics such as André Bazin, Siegfried Kracauer, Rudolf Arnheim and Bela Bálázs; the impact of structuralism, theories of genre, narrative and models of film language; theories of authorship; feminist film theory and its emphasis on psychoanalysis; intertextuality; theories of race and representation; reception models. The module is taught by lecture, screening and seminar. Students will work with primary texts - both films and theoretical writings - and have the opportunity to explore in their written work the ways in which film theories can be applied to film texts.
POPULAR MUSIC	FTMF2F52	20
This module encourages students to explore the ways in which popular music has been understood by scholars in the field of media and cultural studies. The module will examine the debates over popular music industries, texts and audiences, and incorporate an exploration of a range of popular musical forms, including folk music, rock, pop, rap and/or hip-hop, and dance music cultures. It will also examine the relations of popular music to other media, such as television and the internet.
TELEVISION GENRE	FTMF2F54	20
Work on television genre continues to draw on theories developed in relation to film, despite the fact that these theories have been heavily criticised. Not only can this ignore the differences between film and television genres, it can also work to privilege film over television, so that television is often seen as an inferior copy of genres developed elsewhere. The module will therefore explore the theory of genre in relation to television, the historical development of television genres, and the operation of genre in the production, mediation and consumption of television and its programmes. The module will also examine these debates in relation to concrete case studies. The module is taught by seminar and screening.
THE BUSINESS OF FILM AND TELEVISION	FTMF2F35	20
The module provides an intensive introduction to the business of film and television; including the development, financing, production, distribution and exploitation of films and television programmes. It is based around a detailed understanding of the film and television value chain, showing how different businesses and creative people work together to create and exploit programmes. It will also cover the process by which scripts or TV programme ideas are written and developed. Emphasis will be placed on UK, European and American Independent film models, as well as the US studio model. It includes a wide range of recent case studies and real-life examples, with companies from Pixar to Working Title, and film-makers from Ken Loach to Terry Gilliam. Issues raised will include the impact of new technologies; changing business models; the conflict between commerce and art; entrepreneurship and managing creative people; and the complex and difficult relationships between writers, directors, producers, executives, financiers, and distributors. It is a practical forward-looking course about current and future business practise, which will be a valuable foundation for anyone interested in working in the media, film or television sectors. It will also be valuable to anyone studying film and television programmes and culture, so that they can fully understand the financial and business context in which programmes are created. By the end of the module you will know how films and TV programmes get dreamt up, how they get developed, and how they get financed and distributed. You will learn how the industry actually works.

Compulsory Study (40 credits)

Students must study the following modules for 40 credits:

Name	Code	Credits
COMPUTING PROJECT	CMPC3P2Y	40
Available to any student registered in the School of Computing Sciences, the objective of this module is to enable students to gain experience of independent project work, both from a technical and an organisational standpoint. Each student will be allocated to a supervisor who will offer technical guidance and advise on presentation of reports. More...

Option A Study (20 credits)

Students will select 20 credits from the following modules:

Name	Code	Credits
COMPUTER VISION (FOR DIGITAL PHOTOGRAPHY)	CMPC3I16	20
This module covers the various stages in processing the image recorded at the sensor level in a camera so that the output is an attractive photographic image. The first half of the course will cover topics including demosiacking, denoising, white point correction, dynamic range compression and image rendering. The second half will look at higher level functions such as finding faces in images, content recognition (including face recognition) and facial coding in images. The last topic is particularly interesting in the context of mobile phone applications. More...
GRAPHICS II	CMPC3G91	20
This module introduces the fundamentals of 3D transformations and viewing using OpenGL. It teaches the theory and implementation of fundamental visibility determination algorithms and techniques for lighting, shading and anti-aliasing. Issues involved with modern high performance graphics processor are also considered. More...
NETWORKS	CMPC3M06	20
This module introduces the important concepts in data transmission and computer network design, implementation and management. Architectures and protocols for both local and wide-area networks are studied in detail with an emphasis on performance evaluation and real-time use. An emphasis is placed on issues concerned with real-time delivery of data and maintaining quality of service, for example through study of applications such as voice over IP. More...
SOUND AND IMAGE II	CMPE3I07	20
This module continues the exploration of computer processing of sound and image signals begun in Sound and Image I. In the “sound” component, we focus on speech processing, a technology that has already had a huge impact and holds great promise for the future. We cover: 1) speech-coding, which enables us to understand how one of the most significant technologies of recent times (the mobile telephone) is able to transmit speech at a low data-rate; 2) speech recognition, which is now becoming commonplace in interactive voice systems; and 3) speech synthesis. In the “image” component, we focus on the analysis of image signals and learn how to apply advanced filtering and enhancement techniques to images to restore them, and the basics of computer vision systems. These concepts are re-enforced with practical coursework, which gives students hands-on experience of processing audio and video signals. More...

Option B Study (60 credits)

Students will select 60 credits from the following modules:

Name	Code	Credits
ADVANCED GRAPHICS	CMPC3G02	20
This is an advanced module aiming to acquaint the student with the techniques of three-dimensional modelling, high-quality rendering, ray tracing, radiosity and modern 3D graphics hardware. It also introduces computational geometry which is the study of algorithms and data structures for solving geometric problems on a computer. The module is a logical continuation of Graphics I and II. More...
COMPUTER VISION (FOR DIGITAL PHOTOGRAPHY)	CMPC3I16	20
This module covers the various stages in processing the image recorded at the sensor level in a camera so that the output is an attractive photographic image. The first half of the course will cover topics including demosiacking, denoising, white point correction, dynamic range compression and image rendering. The second half will look at higher level functions such as finding faces in images, content recognition (including face recognition) and facial coding in images. The last topic is particularly interesting in the context of mobile phone applications. More...
CREATIVE MUSIC TECHNOLOGY A	MUS-2X01	20
A practical module which explores a variety of approaches to using digital technology in music. The module does not assume previous knowledge of music technology. It is aesthetically rather than technically driven - the technology is learned through a series of musically-focused assignments which accumulate to form the final, assessed portfolio of work. THIS MODULE IS NOT OPEN TO STUDENTS ON W300.
CREATIVE MUSIC TECHNOLOGY B	MUS-2X02	20
A practical module which explores a variety of approaches to using digital technology in music. The module does not assume previous knowledge of music technology. It is aesthetically rather than technically driven - the technology is learned through a series of musically-focused assignments which accumulate to form the final, assessed portfolio of work. THIS MODULE IS NOT OPEN TO STUDENTS ON W300.
CREATIVE WORK IN THE MEDIA INDUSTRIES	FTMF3F57	30
This module offers students the opportunity to gain an understanding of the industries that many of them may well wish to work in. The media industries are those that produce culture, and so they naturally include television, film, music, publishing (books, newspapers and magazines) and so on. People often want to work in the media since this kind of work offers opportunities to be ‘creative’, to think independently and engage in activities which interest them already. But what does ‘creativity’ mean in different kinds of media work and what kind of conditions do those working in the media typically face? To explore such questions, we reflect on changes in the nature of work itself in modern societies. That is, when so much modern work is either temporary and precarious, with many in advanced industrial countries working longer hours than ever before, is there a danger that work is detracting from the quality of our lives rather than enhancing it? The module explores the potential to find pleasure, fulfilment (and a steady income), as well as pressure, frustration and precariousness in media work. It also looks at the extent to which it is feasible to do ‘good work’ in the media industries, as they become seemingly ever more commercial and competitive. How possible is it to produce challenging, innovative, groundbreaking, thoughtful or just genuinely entertaining media products? This means engaging with academic research and other writing, both historical and contemporary in nature. The above issues cannot be addressed through simple description. They raise important theoretical and historical issues about the place of artistic and professional creativity in modern societies.
DIRECTED STUDY 1	CMPC3Z11	10
RESERVED FOR STUDENTS ON U1G450302, COMPUTING SCIENCE, IMAGING AND MULTIMEDIA (LEVEL 3). This Autumn Semester directed studies module offers 10 credits as part of the coursework of any 20 credit Autumn Semester CMP module available in Options A and B range of the third year of the Computing Science, Imaging and Multimedia course. More...
DIRECTED STUDY 2	CMPC3Z12	10
RESERVED FOR STUDENTS ON U1G450302, COMPUTING SCIENCE, IMAGING AND MULTIMEDIA (LEVEL 3). This Spring Semester directed studies module offers 10 credits as part of the coursework of any 20 credit Spring Semester CMP module available in Options A and B range of the third year of the Computing Science, Imaging and Multimedia course. More...
ELECTRICITY GENERATION AND DISTRIBUTION	ENG-3E02	20
This module builds on the introductory material of the first and second year theme of electricity by studying the technical aspects, e.g. transformer design, cable constraints, of the provision of a national grid for electricity together with the practical aspects and costs involved. Detailed consideration of the various contributions to demand and their mis-match with supply will lead naturally to considerations of the established and novel methods for storing electricity, e.g. pumped-storage schemes or super-capacitors.
ELECTROACOUSTIC COMPOSITION 2	MUS-2E02	20
A practical module in which students use a variety of digitally-based techniques to process and manipulate sound. Assignments are equally balanced between aesthetic and technical experiment and the final project is a musical composition, performed and assessed in a public concert. Previous experience of music technology is not essential, although some familiarity with computers is an advantage. Students may incur a small recharge for consumables used during the course.
EMBEDDED SYSTEMS	CMPE3D02	20
Embedded processors are at the core of a huge range of products e.g. mobile telephones, cameras, passenger cars, washing machines, DVD players, medical equipment, etc. The embedded market is currently estimated to be worth around 100x the 'desktop' market and is projected to grow exponentially over the next decade. This module builds on the material delivered in CMPC2M09 to consider the design and development of real-time embedded system applications for commercial off the shelf (COTS) processors running real-time operating systems (RTOS) such as eLinux. More...
GRAPHICS II	CMPC3G91	20
This module introduces the fundamentals of 3D transformations and viewing using OpenGL. It teaches the theory and implementation of fundamental visibility determination algorithms and techniques for lighting, shading and anti-aliasing. Issues involved with modern high performance graphics processor are also considered. More...
INTRODUCTION TO MEDICAL PHYSICS	SCI-2P19	10
For students not studying this module in their first year. The module gives an overview of the role physics plays in medicine, covering three of the core disciplines of medical physics: Diagnostic and therapeutic radiological physics and medical nuclear physics. As well as a series of lectures, a number of field trips to the Norfolk and Norwich University Hospital enables students to gain an insight into routine work and clinical research undertaken by medical physicists.
NETWORKS	CMPC3M06	20
This module introduces the important concepts in data transmission and computer network design, implementation and management. Architectures and protocols for both local and wide-area networks are studied in detail with an emphasis on performance evaluation and real-time use. An emphasis is placed on issues concerned with real-time delivery of data and maintaining quality of service, for example through study of applications such as voice over IP. More...
PHYSICS OF MUSIC	SCI-2P15	10
This module explores the physics behind the generation and reception of music. We begin by developing some of the essential physics of wave motion and defining sound measurement terms. This equips us to analyse the physics of stringed instruments (bowed, plucked and struck), woodwind instruments, brass instruments, percussion instruments and the acoustics of singing. We also look at tuning systems, human hearing, and the physics of sound in rooms. Lab-classes include an introduction to MATLAB to enable you to record and analyse the sound of your own instrument, which constitutes the coursework. A-level standard of mathematics is preferred, but anyone without this level who is prepared to work a little to enhance their understanding of mathematics in one or two areas will be able to take this module.
PROFESSIONAL VIDEO PRODUCTION	FTMF3P81	30
This module gives students the opportunity to produce digital video projects to specifications set down by the university and a range of external bodies. The briefs might include events such as conferences, study days and exhibitions or might involve students working with community groups to produce video based material. Students will benefit from a holistic experience, working in groups to take projects from brief to realisation and will gain a professional experience in producing viable yet creative production solutions to the specifications of their ‘clients’. This module will provide experience of working in a ‘real life’ style production scenario and as such will be a valuable addition to the CV of any student wishing to pursue a career within the demanding and competitive production company environment.
PROFESSIONAL VIDEO PRODUCTION	FTMF3P82	30
This module gives students the opportunity to produce digital video projects to specifications set down by the university and a range of external bodies. The briefs might include events such as conferences, study days and exhibitions or might involve students working with community groups to produce video based material. Students will benefit from a holistic experience, working in groups to take projects from brief to realisation and will gain a professional experience in producing viable yet creative production solutions to the specifications of their ‘clients’. This module will provide experience of working in a ‘real life’ style production scenario and as such will be a valuable addition to the CV of any student wishing to pursue a career within the demanding and competitive production company environment.
SELLING SPECTACLE	FTMF3F45	30
Spectacle is the cornerstone of the modern film industry, in Hollywood and in other national cinemas around the world. Blockbusters and other films are produced, marketed and exhibited using epic language, hyperbolic visuals and overblown promotional materials. Yet despite these excessive claims, the world of selling spectacle and epic marketing techniques are often overlooked in academic or critical discussions. This module will explore the history of spectacle within the global film industries, the cinematic technologies that have been created to enhance that spectacle, and the advertising and promotional techniques that were utilised to emphasise and display it. Following the work of theorists such as Tom Gunning, Geoff King, Janet Staiger and Barbara Klinger, the module will demonstrate the historical development of spectacle and selling that lies behind the modern system of film production, distribution and exhibition. Understanding the theory and methodologically distinct approaches needed to analyse posters, press books, trailers, websites, interviews, and critical reviews will be an essential component to this module. Students will be expected to engage with both theories of film advertising and analysis of marketing materials and other related epiphenomena. While the module will consider some films that may be described as belonging to the ‘epic’ genre ('The Ten Commandments', 1956; or 'Gladiator', 2000) this module is not concerned with generic traits so much as spectacular production practices throughout film history, and the industrial practices that were invented to educate audiences in such new, spectacular, images and concepts. Using specific case studies, the module will trace the historical development of spectacle within filmmaking, and its role in redefining the function of film advertising and promotion.
SOFTWARE ENGINEERING II	CMPC3M08	20
Using data-centric software engineering principles, this module explores the development of distributed, industrial-strength information systems for Web-based implementations. Topics include dynamic object-oriented system design, the use of persistent objects with Relational databases, business models, business objects, and the practical design and implementation for an architecture n-tier, server-based, systems environment. The use of these techniques, for both e-Commerce and other systems, will be discussed. Coursework will concentrate on the practical use of Java Enterprise Edition version 5 (Java EE 5)-based techniques. Confidence in Java programming language skills and knowledge of Java SE 5 enhancements are pre-requisites. More...
SOUND AND IMAGE II	CMPE3I07	20
This module continues the exploration of computer processing of sound and image signals begun in Sound and Image I. In the “sound” component, we focus on speech processing, a technology that has already had a huge impact and holds great promise for the future. We cover: 1) speech-coding, which enables us to understand how one of the most significant technologies of recent times (the mobile telephone) is able to transmit speech at a low data-rate; 2) speech recognition, which is now becoming commonplace in interactive voice systems; and 3) speech synthesis. In the “image” component, we focus on the analysis of image signals and learn how to apply advanced filtering and enhancement techniques to images to restore them, and the basics of computer vision systems. These concepts are re-enforced with practical coursework, which gives students hands-on experience of processing audio and video signals. More...

Disclaimer

Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring, review and update of modules and regular (five-yearly) review of course programmes. Where this activity leads to significant (but not minor) changes to programmes and their constituent modules, there will normally be prior consultation of students and others. It is also possible that the University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff or sabbatical leave. Where this is the case, the University will endeavour to inform students.

Entry Requirements

Qualification:: BTEC National Diploma: DDM
A Level:: ABB
International Baccalaureate:: 32 points overall inc. 3 HL subjects at Grade 6
Scottish Highers:: AABBB
Scottish Advanced Highers:: ABB
Irish Leaving Certificate:: AABBBB
Access Course:: See below
European Baccalaureate:: 75% overall

Students for whom English is a Foreign language

We welcome applications from students from all academic backgrounds. We require evidence of proficiency in English (including writing, speaking, listening and reading). Recognised English Language qualifications include:

IELTS: 6. overall (minimum 5.5 in any component)
TOEFL: Internet-based score of 78 overall (minimum 20 in Speaking component, 17 in Writing and Listening components and 18 in Reading components.
PTE: 55 overall (minimum 51 in any component).

If you do not meet the University's entry requirements, our INTO Language Learning Centre offers a range of university preparation courses to help you develop the high level of academic and English skills necessary for successful undergraduate study.

Interviews

The majority of candidates will not be called for an interview. However, for some students an interview will be requested. These are normally quite informal and generally cover topics such as your current studies, reasons for choosing the course and your personal interests and extra-curricular activities.

Gap Year

We welcome applications from students who have already taken or intend to take a gap year, believing that a year between school and university can be of substantial benefit. You are advised to indicate your reason for wishing to defer entry and may wish to contact the appropriate Admissions Office directly to discuss this further.

Special Entry Requirements

We ask our applicants to have at least one of the following A Levels (or equivalent): Mathematics, Physics, Chemistry, Biology, Computing, Electronics or Economics.

General Studies and Critical Thinking are not accepted.

Intakes

The School's annual intake is in September of each year.

Alternative Qualifications

We encourage you to apply if you have alternative qualifications equivalent to our stated entry requirement. Please contact us for further information.

Pass the Access to HE Diploma with Distinction in 36 credits at Level 3 and Merit in 9 Level 3 credits.

GCSE Offer

Students are required to have Mathematics at minimum of Grade B and English Language at minimum of Grade C or above at GCSE Level.

Fees and Funding

Undergraduate University Fees

We are committed to ensuring that Tuition Fees do not act as a barrier to those aspiring to come to a world leading university and have developed a funding package to reward those with excellent qualifications and assist those from lower income backgrounds. Full time UK/EU students starting an undergraduate degree course in 2013 will be charged a tuition fee of £9,000. The level of fee may be subject to yearly increases. Full time International students starting an undergraduate degree course in 2013 will be charged a tuition fee of £14,400. The level of fee may be subject to yearly increases.

Scholarships and Bursaries

Home/EU - The University of East Anglia offers a range of Bursaries and Scholarships. To check if you are eligible please visit http://www.uea.ac.uk/study/undergraduate/finance/university-financial-support

International Students - The University offers around £1 million of Scholarships each year to support International students in their studies. Scholarships are normally awarded to students on the basis of academic merit and are usually for the duration of the period of study. Our University international pages gives you more details about preparation for studying with us, including Fees and Funding http://www.uea.ac.uk/international

How to Apply

Applications need to be made via the Universities Colleges and Admissions Services (UCAS), using the UCAS Apply option.

UCAS Apply is a secure online application system that allows you to apply for full-time Undergraduate courses at universities and colleges in the United Kingdom. It is made up of different sections that you need to complete. Your application does not have to be completed all at once. The system allows you to leave a section partially completed so you can return to it later and add to or edit any information you have entered. Once your application is complete, it must be sent to UCAS so that they can process it and send it to your chosen universities and colleges.

The UCAS code name and number for the University of East Anglia is EANGL E14.

Further Information

If you would like to discuss your individual circumstances with the Admissions Office prior to applying please do contact us:

Undergraduate Admissions Office

Tel: +44 (0)1603 591515
Email: admissions@uea.ac.uk

request a copy of our latest prospectus and subject brochures
get access to exclusive information personalised to your interests
keep up to date with news and events at UEA.

International candidates are also actively encouraged to access the University's International webpages.