BA History of Art with Gallery and Museum Studies

Key details

BA HISTORY OF ART WITH GALLERY AND MUSEUM STUDIES

Start Year

2020

Attendance

Full Time

Award

Degree of Bachelor of Arts

UCAS course code

V3P1

Entry Requirements

ABB

Duration (years)

On this degree programme you’ll learn about the most important periods in the history of European art whilst exploring the arts of other cultures, including art in the ancient world, and contemporary art in India, Asia, Africa and the Americas. You’ll engage with artworks from pre-history right through to the present, and with a wide variety of art forms including painting, sculpture, photography and video art, architecture, and installation and performance art.

In your first year you’ll establish firm foundations for the study of works of art from a variety of traditions. In your second and third years, you’ll select from a range of optional modules focused on particular periods and addressing specific topics and themes that cut across history of art and history of art institutions. These currently include the relationship between modern art and gender, contemporary art history, the role of the gallery and museum, the rich culture of the Renaissance, the fascinating world of medieval life, indigenous art and the politics of art and art display.

All this results in a degree with incredible breadth and depth. As well as expanding and deepening your knowledge and understanding of art, you will cultivate key intellectual and professional skills including the visual analysis of images, critical thinking, and confident communication.

You’ll have the opportunity to study the world-famous collection of art held in the Sainsbury Centre for Visual Arts. That means you will have access to important artworks from Asia, Africa, the Pacific, the Americas, and Europe. You will be able to study relevant objects at first-hand, while learning about the processes of collecting such objects in museums. You will also be taught by world-leading experts from a range of disciplinary backgrounds, who will encourage you to approach works of art from different perspectives.

The department of Art History and Word Art Studies at UEA is a world-leading department. Our main areas of research are the history of art and architecture in Europe and North America, the arts of Africa, Asia, Oceania and South America, the archaeology and anthropology of art, and museum studies and cultural heritage.

We are part of a close network of internationally-renowned centres for the study and display of art; the Sainsbury Centre for Visual Arts, the Sainsbury Research Unit for the Arts of Africa, Oceania and the Americas, and the Sainsbury Institute for the Study of Japanese Arts and Cultures.

About

You will study history of art in conjunction with an exploration of how art is collected, curated and displayed. You will find out about how art is made, about the artists who make it, about its meanings and its cultural context and you will explore these themes within the context of its place in public museums and private collections.

Alongside key themes in art history, you’ll also study topics central to a career in museums, galleries, and the heritage sector. You’ll examine public engagement with art, exploring the history of museums, the implications of different kinds of display, and the varied practices of curators, conservators and educators.

You’ll engage with contemporary debates about the status of art and the role of galleries and museums in the present and going forward into the future. You will explore how museums and galleries work and consider what is involved in the organisation of successful exhibitions and displays.

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Sainsbury Centre for Visual Arts

The Sainsbury Centre is one of the most prominent university art galleries in Britain, and a major national centre for the study and presentation of art.

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Important Information

Whilst the University will make every effort to offer the courses listed, changes may sometimes be made arising from the regular review of course programmes. Where this activity leads to significant (but not minor) changes to programmes, there will normally be prior consultation of students and others. Changes may for example consist of variations to the content and method of delivery of programmes, courses and other services, to discontinue programmes, courses and other services and to merge or combine programmes or courses. The University will endeavour to keep such changes to a minimum, and will inform students.

Assessment for Year 1

You won’t sit any formal examinations. Instead, you’ll be assessed on written coursework, usually in the form of essays. Our assessment methods have been developed to measure your skills, but also to aid your learning. For example, when you submit an essay you’ll receive feedback on a piece of related ‘formative’ work first. You’ll then have a chance to make revisions and improvements before handing in a ‘summative’ essay for assessment. This helps you identify and focus on areas for improvement.

Structure

You’ll begin your studies by studying artists, artisans, and the process of creating. You’ll engage directly with artworks first-hand in order to explore different techniques and visual effects, and deepen your appreciation of their functions and meanings. You’ll be introduced to art history as a discipline before exploring some of the most crucial topics in art history, beginning with the role of portraiture in shaping our identities. You’ll explore the history of galleries and museums, the implications of different kinds of display, and the varied practices of those working in such institutions.

Teaching and Learning

You’ll be taught by leading scholars in the field of art history and will learn through a combination of lectures, seminars and field trips.

You’ll almost always be in a seminar group of no more than 18 students. This allows plenty of dialogue between tutors and students. Teaching methods vary but most sessions are organised around investigation of particular topics supported by close analysis of artworks and texts. As you progress through your course you’ll expand your knowledge, skills and understanding as you become familiar with different art practices and techniques and become accustomed to reading diverse historical sources and art historical and critical texts.

You’ll be asked to prepare material for classes. You’ll then often use that as a starting point for an essay. You’ll also be given the opportunity to engage with a diverse range of relevant presentation styles such as catalogue entries and exhibition reviews.

In lecture modules you’ll engage with a range of art-historical problems and methods. Your lectures will be delivered by members of staff from art history, anthropology and archaeology.

As you develop specialist knowledge in your final year you’ll also begin work on a dissertation. This will enable you to refine your understanding of a particular topic and develop the independent perspective crucial to practising art history beyond university.

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Assessment for Year 2

Structure

You’ll be encouraged to think about the strange and varied ‘lives of objects’ as they move through different contexts and how art history interacts with anthropology and archeology. In your spring semester you’ll be invited to consider how your historical studies relate to contemporary debates about the status of art and the role of galleries and museums in the present. Alongside these lectures you’ll choose from a range of optional modules through which you’ll develop more specialist knowledge of particular problems and periods.

Teaching and Learning

You’ll be taught by leading scholars in the field of art history and will learn through a combination of lectures, seminars and field trips.

In lecture modules you’ll engage with a range of art-historical problems and methods. Your lectures will be delivered by members of staff from art history, anthropology and archaeology.

Admissions Live Chat

Open Days

Assessment for Year 3

Structure

In your final year of study you’ll take two optional modules which involve close engagement with advanced topics in art history. Currently our optional modules address topics such as public art and memory, modernism in India, and medieval cartography and the myths that surround the artist. You’ll also take the compulsory module Galleries and Museum Practice and write a dissertation on a topic that has most sparked your interest, working closely with a supervisor to design your own research programme.

Teaching and Learning

You’ll be taught by leading scholars in the field of art history and will learn through a combination of lectures, seminars and field trips.

In lecture modules you’ll engage with a range of art-historical problems and methods. Your lectures will be delivered by members of staff from art history, anthropology and archaeology.

Admissions Live Chat

Open Days

Assessment for Year 1

Compulsory Modules

MAKERS AND MAKING

Code AMAA4002A

Credits 20

Making works of art – from objects to performances, bodies to buildings – involves a range of materials, activities and ideas. On this module, you’ll learn about the physical and technical properties of different materials as well as their social, economic and symbolic significance. You’ll hear from a range of experts in a series of lectures by our staff in Art History and World Art Studies. You will gain a wider perspective on how people at different times, in different cultures, have designed, crafted and created works of art - challenging narrow ideas about what (and who) an artist is. You will also develop the skills you need to write effective essays at university.

LEARNING ON SITE: THE SAINSBURY CENTRE FOR VISUAL ARTS

Code AMAA4007A

Credits 20

In this module, you will discover the art and architecture that makes up our department’s home in the Sainsbury Centre for Visual Arts (SCVA). Designed by Lord Norman Foster and opened in 1978, this building and the Robert and Lisa Sainsbury Collection have shaped the study of Art History and World Art Studies at UEA. Through readings, group discussions, and the close study of objects in the SCVA, you will be encouraged to challenge assumptions and preconceptions about different kinds of art – from around the world, and from prehistory to the 20th century. This module will also develop your abilities in library research and academic referencing.

Environment, Art and Culture

Code AMAA4004B

Credits 20

Most works of art – whether objects, buildings, or performances – are designed to serve a set of purposes. How their forms and functions relate may be straightforward and practical, or complex and elusive. Through a range of case studies, presented in lectures by our staff in Art History and World Art Studies, you will examine the connections between the uses, meanings, and appearances of art, culture, space, and landscape. You will also consider how these connections may change over time, especially in the context of cross-cultural contact. The opportunity to analyse texts on your own and in discussion groups will help you understand different points of view and construct an argument supported by evidence.

INTRODUCTION TO GALLERY AND MUSEUM STUDIES

Code AMAA4009B

Credits 20

This module will introduce you to some of the key concepts underpinning art galleries and museums. You’ll learn about the history of museums and their impact on society. You’ll consider how museums and galleries today use not only their displays but also a range of activities to attract, educate, and inspire visitors. You will also have a chance to study galleries and museums from around the world and if circumstances permit, we will visit a museum together in person or online.

INTRODUCTION TO ART HISTORY

Code AMAA4001A

Credits 20

This module introduces you to the study of art history. You will discover what makes art history distinct as an academic discipline. By learning about the themes art historians have explored over time, and some of the methods they use to study art, you will start to understand the subject better – and to appreciate how it fits into your degree. As a seminar, this module also gives you the chance to experience the small-group discussions that are central to our teaching.

PORTRAITURE AND IDENTITY

Code AMAA4025B

Credits 20

How do you represent a person? On this module, you will explore the genre of portraiture as it has been practiced by visual artists from the ancient world to the present day. You will develop the skill of visual analysis as you consider issues such as 'likeness'; the face; the self-portrait; portraiture as the embodiment of political, social and aesthetic power; the ways in which portraiture has variously reinforced and challenged concepts of class, race and gender; the photographic portrait, and the role of portraiture in contemporary art and culture. You will also continue to develop your writing skills, as we analyse works of art alongside histories and concepts of the individual self – perhaps the supreme artefact of all.

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Important Information

Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring, review and update of modules. Where this activity leads to significant (but not minor) changes to programmes and their constituent modules, the University will endeavour to consult with students and others. It is also possible that the University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff. In some cases optional modules can have limited places available and so you may be asked to make additional module choices in the event you do not gain a place on your first choice. Where this is the case, the University will inform students.

Assessment for Year 2

Compulsory Modules

THE LIVES OF OBJECTS

Code AMAA5089A

Credits 20

Your main objective in this module will be to develop your critical skills as they pertain to thinking, reading, writing and looking. To enable this, the module will fall into two main sections. In the first section, you’ll focus on one particular methodology – object biographies – used in archaeology, anthropology, museum studies and art history. You’ll examine this methodology in detail, breaking it down into its component sections. You’ll then consider its strengths and its weaknesses, as we subject it to a thorough critical evaluation. In the second half of the module, you will study a range of theories and methodologies used in the study of material culture. In this part of the module, you will focus more broadly on what critical thinking is, both in general and within each of the four disciplines taught in the Department of Art History and World Art Studies. You’ll be taught through a combination of two weekly lectures and one discussion seminar. The lectures will offer you an introduction to the relevant topic, and will end with an opportunity to discuss/debate the issues raised. During the discussion seminars, you’ll consider key issues raised in preceding lectures and the weekly class readings which accompany them.

ART IN THE CONTEMPORARY WORLD

Code AMAA5090B

Credits 20

Art is a resource which can be used both positively and critically to affect the contemporary world around us. It may be exploited, most obviously for its economic value, but also for broader social or political gain. You will explore these different uses of art by addressing the factors that condition our contemporary reception of art works and visual culture. You will begin by examining some of the key methodologies for interpreting art’s contemporary functions, including its capacity to create contemporary identities and world-views. You will then turn to focus on the museum and gallery as spaces for these contemporary issues to emerge, before considering the same ideas at work in more quotidian ways. And, finally, you will conclude with a reflection on your own position as art historians, anthropologists, and archaeologists working with art in the contemporary world.

CONTEMPORARY GALLERY AND MUSEUM STUDIES

Code AMAA5102A

Credits 20

You will examine how contemporary artists have explored the way in which contemporary galleries and museums function. Since the 1960s artists have adopted the museum as both subject and medium in their artworks. These seminars will examine how such projects impact on our idea of what galleries and museums are, how they operate, and what role they have in public life today. Throughout, key ideas regarding aesthetics, politics, memory, and audience participation will be approached by way of specific artworks and exhibitions. These sessions will be supplemented by workshops exploring art criticism, as well as a study trip to London.

Optional A Modules

(20 credits)

MATERIAL WORLDS

Code AMAA5009A

Credits 20

We live our lives surrounded by material objects. In many ways, our lives are dictated by the consumption of goods. How then, should we understand our relation to materiality? In this module, you'll learn about contemporary archaeological and anthropological perspectives in the study of material culture. Questions that come up include: why the Summer Solstice is celebrated at Stonehenge; how houses differ across cultures; why we give each other gifts and wrap them; and how clothing gives us identity? Studying human-object relations from a range of perspectives, this module equips you to understand the role of materiality in your life and to think in nuanced ways on our consumer society.

MEDIEVAL BODIES

Code AMAA5086A

Credits 20

This module looks at how bodies were conceptualised and represented in the middle ages (roughly 800 to 1500). We will look at bodies alive and dead, human and animal, divine, angelic, and demonic, and some that move between these categories. In the process, we will investigate questions of how gender, race and class identities were represented and constructed in the medieval period, and how scholars interpret these constructions today. In addition to looking at how bodies were represented in texts and images, we will consider the embodied experiences of medieval artefacts – how buildings were occupied and moved through, and how objects were handled, touched, kissed, worn, adorned, hidden, or destroyed.

AMERICAN ART AND AMERICAN PHOTOGRAPHY 1900-1950

Code AMAA5103A

Credits 20

You will examine the relations between art and photography in the United States in the first half of the 20th century. The central debate in American modernism has concerned the role of the medium, and considering photography in relation to the other visual arts permits a reassessment of this debate. Artists and photographers examined include Alfred Stieglitz, Georgia O’Keeffe, Marcel Duchamp, Diego Rivera and Walker Evans.

INDIGENOUS ARTS AND INDIGENOUS PEOPLES

Code AMAA5105A

Credits 20

You will begin by analysing what is meant by Indigenous arts and peoples. In particular, we shall consider the link between the anthropology of art and Indigenous identity. The inter-disciplinary approach continues, by examining issues related to the interpretation of indigenous arts in wide-ranging geographic and cultural contexts from North America, to India and Australia. It then questions Indigenous peoples' engagement with notions of ethnicity and heritage, as well as the formation of an ‘Indigenous media’ through film-making.

Optional B Modules

(20 credits)

ARCHAEOLOGIES OF THE MEDITERRANEAN WORLD

Code AMAA5098B

Credits 20

Using a range of case studies from the Mediterranean World, this module introduces students to some of the most significant themes and debates in the archaeology of the Mediterranean and archaeology more generally. Case studies will be drawn from a range of time periods and will address ‘the big themes’ in archaeology, such as cultural transmission, cultural development, societal collapse, trade and exchange, conflict, migration, empire and expansion, the emergence of urban societies, climate and society and ritual and religion. Often more than one theme will be included in a case study and the aim will be to understand how they relate to each other. For example, how does conflict or climate change contribute to migration or societal collapse?

ACTION / ABSTRACTION:ART AFTER 1945

Code AMAA5103B

Credits 20

You will explore the rich history of art made after 1945, with a particular emphasis upon the problem of the relationship between the idea of art's autonomy and claims for its capacity to engage directly with social and political conditions. You will be introduced to key tendencies in art and a wide variety of artistic media made since 1945, with a (non-exclusive) focus upon Europe and North America.

Optional C Modules

(20 credits)

ART AND ARCHITECTURE IN VENICE

Code AMAA5093B

Credits 20

Positioned at the hub of trade routes which spanned out across the known world, the city of Venice was a major commercial and political power during the medieval, renaissance, and early modern periods. It also grew to be one of Europe's most important centres of artistic production, with Venetian painters, sculptors, glassmakers, and architects channelling their city's diverse multiculturalism into a vast range of influential artworks. You will examine the development of art and architecture in the city from its earliest foundations through to the present day, tracing the aesthetic and urban history of what its inhabitants came to call 'La Serenissima,' the most serene city on earth. In previous years this module has featured a study trip to Venice.

THE ANTHROPOLOGY OF AMAZONIAN AND ANDEAN ARTS AND MUSIC

Code AMAA5106B

Credits 20

An anthropological approach to the arts and music of Amazonia and Andean Indigenous peoples. You’ll discuss the subjects through key Amerindian themes with a special focus on tangible and intangible cultural heritage, cosmology, shamanism, ritual, and cultural identity. In many Amerindian societies, ritual itself is a major artwork combining music, dance, body art and artefacts into an integrated oeuvre. You’ll read anthropological texts and watch ethnographic films to analyse the relationships between ritual, material culture and music and its socio-cosmological meanings. Documentary film will also be covered as an important and innovative art among Native South Americans, with a special focus on the Kuikuro Indians of Southeastern Amazonia.

ARTS AND HUMANITIES PLACEMENT MODULE

Code HUM-5004B

Credits 20

This module will provide you with the opportunity work within a creative/cultural/charity/ heritage/media or other appropriate organisation in order to apply the skills you are developing through your degree to the working world and to develop your knowledge of employment sectors within which you may wish to work in the future. The module emphasises industry experience, sector awareness and personal development through a structured reflective learning experience. Having sourced and secured your own placement (with support from Career Central), you work within your host organisation undertaking tasks that will help you to gain a better understanding of professional practices within your chosen sector. Taught sessions enable you to acquire knowledge of both the industries in which you are placed as well as focusing on personal and professional development germane to the sector. Your assessment tasks will provide you with an opportunity to critically reflect on the creative and cultural sector in which you have worked as well as providing opportunities to undertake presentations, gather evidence, and articulate your newly acquired skills and experiences.

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Assessment for Year 3

Compulsory Modules

DISSERTATION

Code AMAA6112B

Credits 30

On this module you will undertake a research project on a topic related to your specialised interests, in consultation with an appropriate member of ART Faculty, leading to a 9,000 word dissertation.

GALLERIES AND MUSEUMS PRACTICE

Code AMAA6126A

Credits 30

This module explores a variety of practical and conceptual considerations in Gallery and Museum Studies by focusing on specific aspects of these institutional structures: from building, housing and caring for collections, to curating shows and exhibitions, and producing texts and writing criticism. You will develop your engagement with the practice of conceiving, designing and mounting exhibitions, exploring both the conceptual demands of putting on a successful show and the practical considerations involved in doing so. Finally we consider the role of interpretation and learning in galleries and museums practice, thinking about how texts of various sorts operate in exhibitions and collections displays.

Optional A Modules

(30 credits)

MAPPING WORLDS

Code AMAA6121A

Credits 30

Each map creates a version of the world. They help us to grasp abstract concepts in tangible visual form: maps document and maintain relationships of power and ownership, they present concepts of geography, history and faith, the earth and the heavens, the familiar and the unknown, the ‘us’ and the ‘them’. They record real or imagined journeys of trade, war, and pilgrimage. Sometimes they even show how to get from one place to another. This course takes maps as a starting point for understanding the visual, intellectual, and imaginative cultures of Europe and the Middle East, from late antiquity up to 1500. Each week we will consider a different aspect of medieval culture through its maps and diagrams, to appreciate the variety of premodern conceptions of space, time, and knowledge.

ARTS OF THE PACIFIC: AGENCY OF REPRESENTATION

Code AMAA6123A

Credits 30

Representations are not unconditional or without engagement. In this module, representation is not merely understood as praxis, but as praxis with agency. Following Alfred Gell's notion of the agency of art, we will consider representation as a process that not merely describes, displays and communicates, it also does. Clues to its agency lie in the processes from which it emanates and in which it eventuates. We will discuss contemporary views on the Pacific by particularly focusing on the role of visual and material culture in these representations. The aim of this module is to promote a critical awareness of what artefacts socially do in the Pacific, to understand how they materialise relationships, are condensations of knowledge and how people use these forms to engage with their life worlds.

MODERNISM AND GENDER: FRANCE AND GERMANY 1900-1939

Code AMAA6128A

Credits 30

On this module you will study some of the most important modernist artists of the first part of the twentieth century. We will explore the work of male and female artists and also consider how gender structures representation and art practice. The module provides an opportunity to reconsider key works by Henri Matisse, Pablo Picasso, Paula Modersohn-Becker, Suzanne Valadon, Hannah Hoch and Claude Cahun, amongst others.

Optional B Modules

(30 credits)

MAKERS' MYTHS: THE PERSONA OF THE ARTIST AFTER 1945

Code AMAA6127B

Credits 30

The figure of the artist has for centuries been the object of celebration, curiosity and myth-making. Since World War II powerful narratives have developed around some of the most prominent artists. You’ll explore the construction of such “makers’ myths” and ask: How is an artist’s public persona constructed and what bearing does it have on the interpretation of specific artworks? What idea of art’s social role do different personae imply? How do these roles relate to our idea of what art can or should contribute to the contemporary world?

ART AND ARCHAEOLOGY OF ANCIENT IRAQ AND IRAN

Code AMAA6137B

Credits 30

Ancient Mesopotamia, what is now Iraq and parts of Iran, is recognisable today by two of its most impressive and powerful cultures, the Sumerians and the Assyrians. Situated between the Euphrates and the Tigris Rivers, Mesopotamia remained largely autonomous for nearly 3000 years, during which time its power and influence over neighbouring regions ebbed and waned. At the heart of Mesopotamian society was competence and skill in a broad range of arts and crafts, but it is most famous for being the world's first literate society. Along with writing, the glue of Mesopotamian society was cultic practice and religious belief, most visibly attested to in the art of temples and burials. At all periods art was fundamental to Mesopotamian culture; it coloured their rituals and beliefs, it was integral to their writing system, and was used in both politics and warfare. You will explore the significance of artistic practice in the development of Mesopotamian society.

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Entry Requirements

A Levels

ABB or BBB with an A in the Extended Project.

T Levels

ABB or BBB with an A in the Extended Project.

BTEC

DDM. Excludes BTEC Public Services, BTEC Uniformed Services and BTEC Business Administration.

Scottish highers

AAABB

Scottish highers advanced

BCC

Irish leaving certificate

3 subjects at H2, 3 subjects at H3

Access course

Humanities & Social Science pathway preferred. Pass the Access to HE Diploma with Distinction in 30 credits at Level 3 and Merit in 15 credits at Level 3.

European Baccalaureate

75%

International Baccalaureate

32 points

GCSE offer

You are required to have Mathematics and English Language at a minimum of Grade C or Grade 4 or above at GCSE.

Additional entry requirements

If you do not meet the academic requirements for direct entry, you may be interested in one of our Foundation Year programmes.

If you do not meet the academic and or English requirements for direct entry our partner, INTO University of East Anglia offers guaranteed progression on to this undergraduate degree upon successful completion of a preparation programme. Depending on your interests, and your qualifications you can take a variety of routes to this degree:

International Foundation in Business, Economics, Society and Culture (for Year 1 entry to UEA)

International Foundation in Humanities and Law (for Year 1 entry to UEA)

Alternative Qualifications

UEA recognises that some students take a mixture of International Baccalaureate IB or International Baccalaureate Career-related Programme IBCP study rather than the full diploma, taking Higher levels in addition to A levels and/or BTEC qualifications. At UEA we do consider a combination of qualifications for entry, provided a minimum of three qualifications are taken at a higher Level. In addition some degree programmes require specific subjects at a higher level.

Students for whom english is a foreign language

Applications from students whose first language is not English are welcome. We require evidence of proficiency in English (including writing, speaking, listening and reading):

IELTS: 6.5 overall with a minimum of 5.5 in each component

We also accept a number of other English language tests. Please click here to see our full list.

If you do not yet meet the English language requirements for this course, INTO UEA offer a variety of English language programmes which are designed to help you develop the English skills necessary for successful undergraduate study:

Pre-sessional English at INTO UEA

English for University Study at INTO UEA

Interviews

Most applicants will not be called for an interview and a decision will be made via UCAS Track. However, for some applicants an interview will be requested. Where an interview is required the Admissions Service will contact you directly to arrange a time.

Gap year

We welcome applications from students who have already taken or intend to take a gap year. We believe that a year between school and university can be of substantial benefit. You are advised to indicate your reason for wishing to defer entry on your UCAS application.

Intakes

This course is open to UK, EU and International applicants. The annual intake for this course is in September each year.

Admissions Live Chat

Sainsbury Centre for Visual Arts

The Sainsbury Centre is one of the most prominent university art galleries in Britain, and a major national centre for the study and presentation of art.

LEARN MORE >

Ask a Student

This is your chance to ask UEA's students about UEA, university life, Norwich and anything else you would like an answer to.

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UEA Award

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Course Reference Number: 667165

BA HISTORY OF ART WITH GALLERY AND MUSEUM STUDIES