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People built elaborate masonry structures using stone from local rock outcrops. Vertical faces were made by combining the flat sides of large and small stones, directly on top of bedrock. Rubble and mud mortar filled and cemented the space between these veneers. Later renovations coopted or built over existing walls.
The ceremonial program of Recuay peoples at Chinchawas included the use and veneration of carved stone sculptures. Dozens of monoliths, depicting anthromorphs (probably ancestors) and felines, were originally engaged as parts of walls to special residential (right) and religious buildings. Vertical stone slabs and horizontal lintels were the principal forms. Their contexts at Chinchawas indicate that local groups venerated ancestors near their settlements, and that their imagery was vital in the social and political life of the community.
To the east of the ridgetop, local peoples established a
cemetery. Initially, subterranean shaft tombs were used, but later, interments
occurred in aboveground mausolea, known in many parts of the Andes as
chullpas. Interaction with coeval cultures is demonstrated by the
presence of goods acquired through long-distance trade, especially of marine
shell (from the coast), precious stones, obsidian (Ayacucho area) and imported
pottery, especially connections to the North Coast (late Moche), North
Highlands (Recuay and Cajamarca), Central Highlands (Wari styles), and the
Central Coast (Nievería and Supe styles). A dramatic surge in regional interaction
and other socio-cultural transformations become evident at Chinchawas during
the Middle Horizon (A.D. 700 - 1000), a time associated with the religious and
economic sway of the Wari state.
Interaction through
time
Throughout its
occupation, Chinchawas was a peripheral community in the affairs of influential
regional polities. Located along one of the major passes from the lower coastal
valleys to the Callejón de Huaylas, Chinchawas served, among other
functions, as a node for coast-highland trading networks in Northern Peru.
Local peoples probably insinuated a role in regional commerce by providing
agro-pastoral products, including tubers, camelid meat, raw textile fiber, and
possibly finished cloths, in return for much-desired sumptuaries and exotic
commodities, like salt, coca, dried seafood, and fruits.
The first phase, Kayán (circa
A.D. 300-600), is characterized by a fairly insular community that drew
culturally from connections with a Recuay to Late Recuay center based in
Huaraz. The nature of Chinchawas' rapport with Huaraz is unclear, but it is
reasonable that it was at least partly based on exchange of Recuay kaolinite
pottery and its attendant cultural/ideological content.
By the end of the Chinchawasi 2 phase
(circa A.D. 850), Chinchawas was flourishing in a larger social and economic
network associated with Wari's expansion into the North Highlands. This is a
period that sees considerable broadening of exchange ties and economic
intensification, especially of camelid-based industries, but there is no
evidence for direct Wari control of Chinchawas. On the contrary, patterns in
material culture and ceremonial practices manifest marked reinforcement of
local highland traditions even in the face of imperial expansion. The patterns
of economic growth and cultural vigor may be more expressive of local autonomy,
revitalization, and rural complexity rather than simple top-down domination
during the period of Wari expansion. The spread of Wari culture into other
Andean regions frequently coincides with exchange interests, and access to wool
resources, specifically, has been suggested as a motivation for Wari expansion
into parts of the Southern Highlands. I argue that small autonomous communities
like Chinchawas entered into exchange relationships with Wari for prestige
goods and to enable increased economic interaction.
Cultural transformations are the
strongest during the Warmi occupation, dating to the 9th and 10th century, with
dramatic changes in local decorated pottery and religious practices. Also,
trade pottery is the most common during this period. Unlike earlier occupations
when highland styles were the most significant, coastal trade wares take center
stage for Warmi peoples, probably reflecting stronger cultural influences from
the Central, North-Central, and North Coasts. Notably, camelid production drops
considerably during this period, suggesting that previous economic orientations
privileging fiber/textile production, associated with earlier Wari exchange
interests in the region, did not continue.
The new cultural patterns at
Chinchawas were not simple emulations or direct results of Wari culture.
Rather, they appear to reflect local strategies based on earlier Recuay
traditions that were adopted to respond to new socio-political priorities.
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