ENV 3C62
Pollution Toxicology and Chemistry

LITERATURE/ATTITUDES TO LOS ANGELES AIR POLLUTION


Introduction

When I was living in Hampton VA and working at NASA Langley Research laboratory my evenings were long and dull. No Arts Cinema for miles. I spent six months reading novels about Los Angeles convincing the local librarians I was crazy as I read through the shelves from A-Z.

During the class seminar we will look at a wide range of quotations from novels of the 20th C.You should give particular attention to the role of air pollution as:

  1. a back drop (accurate and inaccurate visions)
  2. a symbol for corruption, confusion, ill-health
  3. up to the minute commentary of the politics of non-attainment
  4. yielding the word smog as an interesting literary word, often to break cliches.

In February 2008 we tended to synthesise the argument to the notions of how rapidly ideas change and did London and Los Angeles smogs persist long in their respective literatures. Not much late century materials were presented in the class, although there were some good quotations from areas of industrial decline in Britain in the 1960-1980s, where smoke was absent from chimneys. This Sporting Life seemed rather inspiring in its vision of the 1960s' midlands. Howard McGrath and Booth Tarkington were authors of 1915 with great visions of industrial primary pollutants. The Amber Spyglass gave a real vision on odour in the early 21st C and we were treated to some memorable poems and songs of pollutants and industrial decline. Some very imaginative materials, but really is Anglo-Saxon poetry 20th C literature?

Our groups in February 2007 were a little smaller than usual, but we did have some good discussion. There were as always lots of reference to TSEliot and DHLawrence and some of the issues discussed in previous years. However Virginia Woolfe, Ted Hughes and JB Priestley were introduced, particularly in relation to the closure of factories "Many chimneys have stopped smoking...". There was James Joyce on the spectacle of Dublin commerce "... the barges signalled from far away by their curls of wooly smoke". The recent Novel and Film The Perfume was a great example of focus on odour in past urban environments. However some of our best discussions seemed to centre about Los Angeles and the notion of non-attainment and the accurate representation of smog...

Our seminar class of January 2006 discussed many of the issues of other years with key features being T S Elliot's Love Song of Alfred J Prufrock, discussions of late 20th C novels more difficult to find, DHLawrences writings became particularly associated with the "burning bings" (coal waste) a huge but almost forgotten problem of the 1920's and 30's (if you wish to know more there is an excellent article (J. Sheail , J. Historical Geography, 31, 134-148[2005]). We touched on apocalypse in both Lawrence and other writings. Some excellent songs presented - in one case even sung to raptuous applause. However detective novels won the day because of the polluted poorer urban areas where detectives work, along with comment about the pyramidal society pictured in Blade Runner. The focus of seminars seem to be the differences between pollution in Victorian detective fiction and that of photochemically polluted Los Angeles. The role of the primary smog was related to "covering" or perhaps "uncovering" in London's fiction, while the seconmdary smog seems to be more an explanation of evil/criminality in the more thoughtful LA novels. We also mentioned the use of "smog" to jazz up cliches.

In February 2005 the class discussions focussed on a number of key issues evident in the UK literature:

  1. It seemed easy to find references to air pollution in novels from the industrial north, but London also there in the early 20th C.
  2. Comment in late 20th C novels more difficult to find - some argued that the pollution was more visible in the past
  3. Much discussion of Sherlock Holmes, fogs there but not as common as cold winters - fog as a symbol for confusion
  4. D. H. Lawrence, much as 2004 below.
  5. T S Elliot's Love Song of Alfred J Prufrock a very popular image of the London smog. We thought about it as a comforting diversion within an otherwise gloomy poem about a failed proposal (see below also).
  6. Older references certainly captured the key elements of coal burning England - a sense of nostalgia seemed to mean that this iconography lived on
  7. Air pollution in detective novels from Los Angeles seemed quite different (see quotation list below)
  8. Talked about smog at the wrong time of day in Los Angeles novels... accuracy an icons.

There was no shortage of interesting material. In particular I was stuck by a quote from London Irish Zane Radcliffe " a small coal fire burned illegally... " - reminding us that coal was banned under the Clean Air Act 1956 - this is reminiscent of Elizabeth Gaskill's novel North and South (1855) which talks of "unparliamentary smoke" following the Health of Towns Act.

A delightful little comment from Sylvia Plath in the 1950's "I feel even if I washed myself all day in cold clear water, I could not rinse the sticky, unholy film away" - great description of experience of smog, but also uses a taboo-religious word much as in Lady Chatterly's Lover.

In John Wyndham's science fiction novel The Day of the Triffids it is the absence of pollution, after everyone goes blind, that draws comment: " ...what struck me most... was the sharpness, the clear definition of everything- even the distant housetops... no chimney, large or small, was smoking... "

In January 2004 the class discussions of UK literature covered some of the same topics, most notably (i) and (v).

Perhaps rather different was a stronger interest in poetry songs and ballads and we mentioned the rhythm achieved by chemical terms such as "sulfur dioxide, carbon monoxide,benzo(a)pyrene... ". As usual T.S.Eliot was much discussed, especially his Love Song of J Alfred Prufrock that tells of a failed journey to propose to a woman. There was disagreement as to whether the pollution here was nostalgic and cosy or reflected the loneliness inherent in the poem. Lots of thoughts about detective and mystery fiction. We had an argument about why "pea-soupers" were called such and few seemed to entirely trust my thought that pea-soup would be yellow. On this matter I can only appeal to Delia Smith.

There was a very nice quotation from a modern Chinese novel set in Beijing, which identified petrol fumes and yellow spring-time dust - processes of very recent importance. Someone wisely looked at Do Androids Dream of Electric Sheep?, which is the book that became Blade Runner. Some disappointment at the lack of comment on pollution in D.H. Lawrence's Sons and Lovers, but I guess some of Lawrence's ideas on pollution can be found on the openning page of Lady Chatterly's Lover, with all its sense of apocalyptic finality. We also talked about Jack the Ripper and the modern links of fog to the ripper story and the sense of Jack as a messianic figure. Also along the apocalyptic vein was the recent book Dead Air by Iain Banks. It has llttle on air pollution, but the cover is amazing. It has the smokeless chimneys of Battersea Power Station (see reading list) and a plane symbolic of the Twin Towers collapse - the cover designer was clearly inspired...

In February 2002 the class discussions of UK literature ranged over:

  1. the transition from the coal burning - smoky chimneys of the early 20th C pollution - the images were so frequent that there was a hint of nostalgia particularly noted in the comments of an Irish writer returning to his small town that had not been a victim of Victorian smoke
  2. visitors to towns seemed more sensitive to pollution
  3. the modern prevalence of petrol fumes and photochemistry, only occassionally commented on in UK fiction, but certainly beginning to be evident in London fiction of the 1990's notably Lisle, J. A Perfect Match 1996. Oddly in Rayner, R. A Murder Book 1999, Los Angeles emerged more like London than LA, although a little reminiscent of Blade Runner - was this an attempt to return to a detective fiction where air pollution related to concealment? Take a peek at the 2001 exam paper question, below. It looks like the novelist may have made the same mistake as the Dreamworks team!
  4. Although there are some fiction of the 1990's that seem to have the CO2-greenhouse effect and air pollution forcasts - not so common
  5. images tended to be from poorer industrial parts of towns and therefore novels about detectives, industrial work had more on pollution
  6. pollution sometimes seemed associated with more than just unhealthiness, but evil
  7. there were often apocalyptic visions associated with air pollution Lady Chatterly's Lover, Heart of Darkness &tc. We wondered why no Utopian visions

2001 Exam question

The draft of this question read... "You have been hired by Stephen Spielberg’s Dreamworks to give advice on a new movie about the 1940’s detective Philip Marlowe. Dreamworks wants to create a character that is as closely related to air pollution, as Sherlock Holmes was to the great fogs of Victorian London. The trouble is that Spielberg’s team doesn’t appear to understand the distinction between primary and secondary pollution. After a frustrating studio meeting you are required to write internal memo, explaining secondary pollution. The producer demands that you "cut the crap" and also show what it means to the visual representation and perception of air pollution within the planned movie. Draft this memo within your examination book."


Quotations

  1. G. Davis Silk Lady, Warner Books, NY Co.

  2. Campbell, R. 1986 In La-La Land We Trust, The Mysterious Press, NY.
    A Chandleresque detective story with rain throughout much of the early parts of the novel.

  3. Cohen, S.C. Marital Affairs

  4. Dick, P.K. 1985 Puttering about in a Small Land, Academy Chicago Publishers.

  5. Lynds, D. (pseudonym Saddler, M.) 1986 Deadly Innocents, Walker & Co. NY.

  6. Gerber, M.J. 1978 The Lady with the Moving Parts, Arbor House NY.

  7. Stinson, J. 1986a Double Exposure, Charles Scribner Sons NY.

  8. Stinson, J. 1986b Low Angeles, Charles Scribner Sons NY.

  9. Gregory, M.L. 1986 Equal to Princes, Doubleday & Co. Inc. 1986.

  10. Kincaid, D. 1986 The Sunset Bomber, The Linden Press, Simon & Schuster, NY.

  11. Glasco, G. 1981 Second Nature, St. Martin's Press, NY.

  12. Schopp, M., 1985, St Martins Press, NY.

  13. Lochte, D. 1985 Sleeping Dog, Arbor House, NY.

  14. Maremaa, T. 1978 Studio, William Morrow & Co., NY.

  15. Parker, T.J. 1985 Laguna Heat, St Martin's Press, NY.

  16. Petievich, G. 1983 To Die in Beverley Hills, Arbor House, NY

  17. Wambaugh, J. 1983 The Delta Star, Periogord Press, NY.

  18. See, C. 1981 Rhine Maidens, Coward, McCann & Geoghegan, NY.

  19. Babitz, E. (1974) Eve's Hollywood, Delacorte Press, Seymour Lawrence.

  20. Babitz, E. (1982) L.A. Woman, Simon & Schuster, NY.

  21. Susann, J. 1969 The Love Machine, Simon and Schuster, NY.

  22. Cunningham, E.V. (aka Fast, H.) 1984 The Case of the Murdered Mackenzie Delacorte Press, NY.

  23. Braudy, S. 198* Who killed Sal Mineo?, Wyndham Books, NY.

  24. Kazan, E. 1967 The Arrangement, Stein and Day, NY.

  25. McDonald, R. The Underground Man

  26. Lippincot, D. 1975 Tremor Violet, G.P. Putnam's Sons, NY.

  27. Lyons, A. 1974 The Dead are Discreet, Mason and Lipscomb, NY.

  28. Lyons, A. 1981 Hard Times, Holt, Rinehart and Winston, NY.

  29. Ellis, B.E. 1985 Less Than Zero, Simon and Schuster, NY.