Missing objects and endangered material knowledge in the Kalahari
Start date: 1st October 2019
Application Deadline: Friday 3rd May 2019 at 23h59min
Interviews will take place on Monday 20th May 2019 at UEA in Norwich
Dr Chris Wingfield (Sainsbury Research Unit) - Chris.Wingfield@uea.ac.uk
Prof. Ceri Ashley (British Museum) - CAshley@britishmuseum.org
In a letter to his brother dated 12 April 1823, the early missionary to South Africa, Robert Moffat (1951, 72), wrote:
As to clothing, I shall first mention what can be procured here. I often wear a Bichuana cap made of fox [jackal] skins. Trousers of a prepared antelope skin… Last winter I had a waistcoat and jacket made of tiger [leopard] skin for the cold weather.
The British Museum holds a number of artefacts sent to London by Moffat, acquired from the London Missionary Society museum (Wingfield 2018), but, sadly, no leather trousers or leopard skin waistcoats. In attempting to tell alternative stories that challenge museum visitors’ perceptions about the past, it can become necessary to consider objects that did not find their way into museum collections, and to explore ways in which they may nevertheless be implicated in these collections.
The primary focus of this project are the relevant historic collections at the British Museum: a number of more traditional leather items, as well as needles and needle cases (some made from leather), and knives (some with sheaths made from leather). Worn suspended from the neck by leather straps, these speak to the significance of leather processing in the daily lives of many nineteenth century Kalahari residents.
This PhD will involve working with relevant collections alongside historic accounts to develop a detailed understanding of nineteenth century leather and skin processing in the Kalahari. It is anticipated that it will also involve a period of fieldwork, working with partners in Botswana, to document contemporary methods used by craftspeople in the region today.
Research questions include:
- How closely do contemporary modes of craft leather processing relate to examples from historic collections?
- To what degree did leather production, already a focus for precolonial trading networks (Wilmsen 1989), become re-oriented towards the European market?
- What was the ecological impact of new hunting technologies such as guns and horses?
- How did the production of leather clothing respond to missionary endorsed forms of dress (Comaroff & Comaroff 1997)?
- Was the technology of leather production impacted by contact with European modes of tanning, including the preparation of skins for taxidermy by natural history collectors in the region (such as William Burchell & Andrew Smith)?
This PhD would contribute an important strand to the umbrella project, Re-collecting the Missionary Road, initiated in 2017. This seeks to re-collect and re-assemble a wide range of artefacts associated with the missionary road: written accounts, images and objects brought to Europe by missionaries and travellers, alongside the evidence of these encounters that remains embedded in African landscapes and communities. An ongoing field project led by Wingfield and Ashley at the Kuruman Moffat Mission, a national heritage site in South Africa, included archaeological excavations focused on a trading complex associated with the early mission in 2018. Archival evidence (Morton & Hitchcock 2013) suggests that the resident trader sold 300 fur karosses at Grahamtown in the Eastern Cape in 1845 for around £240 (approximately £20k today), described as ‘of beautiful workmanship’ and displaying ‘in a very favourable light the industry as well as the ingenuity of the Bechuana tribes from whom they are obtained’.
Scope for Moulding the Project
The intention of this project is that it could be undertaken by students from a range of disciplinary backgrounds across the humanities, including Archaeology, Anthropology, Art History, History, or Conservation Science. Depending on the background and experience of the successful student, we anticipate that different approaches to the research outlined above may become more or less prominent.
Details of Award
· 3.5 year award (includes a "Student Development Fund" equivalent to 0.5 years of funding)
· The award pays tuition fees up to the value of the full time home/EU UKRI rate for PhD degrees as well as full maintenance for UK citizens and residents only. The value of the maintenance stipend is around £15,559*.
· The student is eligible to receive an additional travel and related expenses grant during the course of the project courtesy of the British Museum, worth up to £1000 per year for three years.
· The Sainsbury Research Unit will also provide the student with £2000 research support funds and £500 in conference support funds over the course of the studentship.
· The successful candidate will be eligible to participate in CDP Cohort Development events.
· Due to restrictions on the funding this studentship is open to UK/EU students who meet the residency requirements set out in the UKRI Conditions of Research Council Training Grants: https://www.ukri.org/funding/information-for-award-holders/grant-terms-and-conditions/
· Applicants should ideally have or expect to receive a relevant Masters-level qualification, or be able to demonstrate equivalent experience in a professional setting. Suitable disciplines are flexible, but might include Archaeology, Anthropology, Art History, History, or Conservation Science.
· Applicants must be able to demonstrate an interest in the museum sector and potential and enthusiasm for developing skills more widely in related areas.
· As a collaborative award, students will be expected to spend time at both the University and the British Museum.
· Part time study will be considered for this studentship.
How to apply
· Candidates should to apply for a PhD at the University of East Anglia, clearly indicating that the application is for the AHRC/ British Museum CDA (WINGFIELDC_U19cdpSMAC_BM) at the Sainsbury Research Unit. See: https://www.uea.ac.uk/study/postgraduate/research-degrees/how-to-apply
As part of your application, you will need to include:
· A research statement of up to 1000 words, explaining why you are interested in studying for this PhD topic, what you would bring to the research and how you think you would take the project forward.
· A sample of writing, up to 3000 words, describing an object from the British Museum's collections, and how this might be used to understand something about the society in which it was made.
· Two references from external referees.
Comaroff, J. and J. L. Comaroff (1997). Of revelation and revolution : The Dialectics of Modernity on a South African Frontier. Chicago ; University of Chicago Press.
Moffat, R. and I. Schapera (1951). Apprenticeship at Kuruman : being the journals and letters of Robert and Mary Moffat, 1820-1828. London, Chatto & Windus.
Morton, F. and R. Hitchcock (2013). "Tswana Hunting: Continuities and Changes in the Transvaal and Kalahari after 1600." South African Historical Journal 66(3): 418-439.
Wilmsen, E. N. (1989). Land filled with flies: a political economy of the Kalahari. Chicago, University of Chicago Press.
Wingfield, C. (2018). "Articles of Dress, Domestic Utensils, Arms and Other Curiosities: Excavating Early 19th-Century Collections from Southern Africa at the London Missionary Society Museum."Journal of Southern African Studies: 1-20.
*based on RCUK National Minimum Doctoral Stipend for 2018 of £15,009 plus an additional £550 per annum for CDA students