BA English Literature and Philosophy (VQ53)

Course Code UNU1VQ53301
Duration 3 Years
Attendance Full Time
Award Degree of Bachelor of Arts

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Overview

According to Socrates the most serious question for humanity is: How are we to live? This question, amongst others, is one that philosophy tries to answer. It asks: What is justice? How can our minds know the world? What is truth? Can we prove anything about God? How do we tell good reasoning from bad? Philosophy considers these questions in a systematic attempt to make sense of human life and the world in which it is lived. But there are other ways of trying to make sense of human life and the questions it raises. One of the most important of these is to be found in literature. Jane Austen’s novel Pride and Prejudice can be interpreted as a reflection on Socrates’ question; Shakespeare’s play The Tempest raises questions about the gap between the mind and the world, and whether there is such a thing as natural justice; and Eliot’s poem Four Quartets is a meditation on the concealed nature of God. Again and again, artists and philosophers consider the same questions in different ways. This is what makes the combination of English literature and philosophy so fruitful.

This very popular course will be especially suitable for you if you are interested in existential and intellectual themes in literature. Students take a full range of philosophy and literature modules, developing skills in both fields. Interdisciplinary links are emphasised, with some philosophy modules - eg Moral Philosophy, Film and Literature as Philosophy - making ample use of literary examples.

Course Structure

In Year 1 you take six compulsory modules, three each from philosophy and literature.

In Year 2, you must take one module in English theory and one module from a list of English second-level modules, plus any two second-level philosophy modules. In addition, you are entitled to two free choice modules, which can be chosen from any eligible module within the University. You may choose to focus, doing more philosophy or literature modules, or to broaden your interests by taking modules from another humanity, a social science or even a science. Or you can take a language or a more practical career-based module, in preparation for employment after university.

In your third year you must take the compulsory literature and philosophy module plus any third-level English module and any two third-level philosophy modules. Some students choose the dissertation module (in either English or philosophy) in the final year: the 10,000-word dissertation, on a philosophical or literary subject, or interdisciplinary between the two, is prepared under the guidance of a tutor (this is recommended for students thinking of going on to do postgraduate study).

Teaching and Assessment

Philosophy thrives on discussion and the exchange of views. Only some parts of it can be done in large lecture classes. So we do have some of those—but when we do, they are designed to set you thinking, not to tell you facts. It's about learning how to think, and how to express what you think, not learning what to say. All the units have small group seminars or tutorials in which you work on the problems with a member of staff.

During the year your written work is marked by the seminar tutors. They give you comments and feedback to help you improve. Time is set aside for you to call on the lecturers to discuss your work or to get individual guidance.

Assessment is by a mixture of essays, longer projects or dissertation, and examinations. Each unit has its own mix of assessment. The degree result is calculated from the results of all the units in your final two years. You can find more information on the modules available on this course on the 'What will I study?' page.

Course Organiser

Dr Jeremy Goodenough

Course Brochure

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Related Courses

Entry Requirements

A Level AAB-ABB including a B grade in English Literature
International Baccalaureate 33-32 points including a score of 5 in Higher Level English
Scottish Advanced Highers AAB-ABB including a B grade in English Literature
Irish Leaving Certificate AABBBB
Access Course Please contact the university for further information
HND Please contact the university for further information
European Baccalaureate 80-75%

Students for whom English is a foreign language

If English is not your first language you must have a recognised English Language qualification: Minimum IELTS 6.5 with a 6 in each sub-section, or TOEFL 585 (238 CBT / 93 IBT). Please contact us for more information about other qualifications that we may consider.

Interviews

The School does not currently interview all applicants for undergraduate entry as standard, however we may interview mature students, those returning to study or applicants with alternative qualifications. All applicants who are made an offer are given the opportunity to meet with an academic on a Visit Day in order to gain a deeper insight into the course(s) you have applied for.

Gap Year

Normally there is not a problem in deferring entry for a year. Offers are made in the usual way to applicants who ask for deferred entry.

Special Entry Requirements

As part of the A level entry requirements, you should have at least a grade B in A level English Literature. Students taking the International Baccalaureate will be expected to have a minimum of 5 in Higher Level English.

Intakes

The School's annual intake is in September of each year.

Alternative Qualifications

If you have alternative qualifications that have not been mentioned above then please contact university directly for further information.

GCSE Offer

Students are required to have Mathematics and English at grade C or above at GCSE level.

Assessment

For the majority of candidates the most important factors in assessing the application will be past and future achievement in examinations, academic interest in the subject being applied for, personal interest and extra-curricular activities and the confidential reference. We consider applicants as individuals and accept students from a very wide range of educational backgrounds and spend time considering your application in order to reach an informed decision relating to your application. Typical offers are indicated above. Please note, there may be additional subject entry requirements specific to individual degree courses.

Year 1
Year 2
Year 3

Year 1

Compulsory Study (100 credits)

Students will select 100 credits from the following module(s).

Name	Code	Credits	Period
Classic Readings in Philosophy This introductory module for first year students is designed to invite you into philosophical enquiry by way of a detailed study of some of the most famous books by the founding fathers of Western Philosophy. The set texts typically include a classic work by Plato, from the birth of philosophy in Classical Greece, and a classic work by Descartes, the father of modern philosophy. One or two texts by Aristotle or later Greek and Mediaeval thinkers may also be included. The texts are studied in modern English. No prior knowledge of philosophy is required, and this module is suitable for students from other disciplines who are taking no other philosophy modules It is taught annually. more...	PHI-1A01	20	Semester 1
Literature in History 1 This is the main introductory module to the study of literature. It aims to help new students to read historically, by offering a range of models of the relationship between literature and history, explored through the study of selected historical and literary moments. The module is taught by a weekly lecture, with an accompanying seminar. more...	LDCE1F01	20	Semester 1
Literature in History II This module follows on from Literature in History I, taking in more recent history, and including discussion of how writers of the present make use of the past. The module is taught by lectures, with an accompanying seminar. Attendance at both lectures and seminars is compulsory. more...	LDCE1F10	20	Semester 2
Modern Readings in Philosophy This module introduces students to the history of modern philosophy by studying the work of a number of major philosophers, including Spinoza, Locke, Hume, Kant, Schopenhauer, Nietzsche, Russell and Wittgenstein. We look at the different answers they give to a common set of problems, beginning with problems in epistemology, i.e. problems about the nature and limits of human knowledge, about what we can know and how we can know it. These problems then connect with questions about what the world must be like in order for us to know it and what we (our minds) must be like in order to know the world. Close reading of texts is assessed by argument analysis exercises and there is also an examination. The module is taught annually. more...	PHI-1A04	20	Semester 2
Reading Texts: Tutorial Class This module provides the opportunity to work closely on selected texts within the contexts of a small group. It aims to develop and explore modes of textual analysis. By the end of the module the students will have highly developed reading skills, a sense of the implications of interpreting texts and the individual research skills essential for a university degree. Not available to Visiting Students. more...	LDCE1F03	20	Semester 1

Option A Study (20 credits)

Students will select 20 credits from the following module(s).

Name	Code	Credits	Period
Great Books In `Great Books', students will read three or four of the greatest books that the world has ever seen. The module will normally be team-taught, with experts on the books in question lecturing on them and seminars following in which the books will be close-read. `Great Books' will be themed each year: possible examples of themes include 'Literary masterpieces on existential and spiritual need' (e.g. a Greek tragedy, Augustine's City of God, Nietzsche's Thus spoke Zarathustra, and Coetzee's Disgrace); or 'Great books of science' (e.g. Galileo's Dialogues, Darwin's Origin of Species, Freud's Interpretation of Dreams); or 'The essence of religion' (e.g. Feuerbach's The essence of religion, Buber's I and thou, Tolstoy's The gospel in brief and Gandhi's Hind Swaraj); or 'War and philosophy' (e.g. Sun-Tze's The art of war, Machiavelli's The Prince, Kant's Perpetual peace, Primo Levi's, If this is a man). The module is assessed on the basis of two essays. `Great Books' is suitable for students from across the university. more...	PHI-1A08	20	Semester 2
Reasoning and Logic Philosophy is the study of arguments. But what exactly are philosophical arguments and how can we handle them? How should we read, understand and interpret philosophical texts? And how can we develop arguments ourselves? This module is designed to equip students with basic philosophical skills for answering these questions. The module is taught annually. more...	PHI-1A06	20	Semester 2

Year 2

Option A Study (20 credits)

Students will select 20 credits from the following module(s).

Name	Code	Credits	Period
Critical Theory and Practice Through a combination of lectures and seminars, this module will explore changing responses to the central questions of poetics, from Plato and Aristotle in the classical period to contemporary theory. What kinds of truth, if any, do poetry and fictional writing tell? What is the nature of the imagination or the role of invention? How does fictional writing relate to philosophy, religion, rhetoric or science? This module will approach these questions through a combination of historical, theoretical and practical approaches. This module enables students to identify, assess and employ a range of critical methods in their study of literature. more...	LDCE2X15	20	Semester 1
Cultural Theory and Analysis This seminar module introduces a range of critical approaches to ideas of culture and encourages their assessment and application, paying particular attention to the role of literature and visual culture (art, film, advertising). Organised broadly historically and focussing on the twentieth century, it considers different appraoches to 'culture', including key debates around the concept of 'high' and 'low' culture and power, the impact of mass culture, culture industries, gender and culture, modernism and postmodernism. Theorists to be studied include Matthew Arnold, Raymond Williams, Theodor Adorno, Walter Benjamin, Roland Barthes, Pierre Bourdieu, Michel Foucault, Dick Hebdige, Simone de Beauvoir, Judith Butler and Fredric Jameson. Assessment is by means of joint or individual seminar presentation which is then written up and a longer essay. more...	LDCE2X17	20	Semester 1

Option B Study (20 credits)

Students will select 20 credits from the following module(s).

Name	Code	Credits	Period
17th-Century Writing: Renaissance, Revolution, Restoration This module explores 17th-Century writing in diverse forms, familiar and unfamiliar: the masque, poetry, prose fiction, political prose and the antecedents of what we now call 'journalism'. We will consider the place of these works in society and in their intellectual and cultural contexts, and examine the traffic between literary writing and broader (popular?) print culture. more...	LDCE2Y13	20	Semester 1
Eighteenth-Century Writing This module reads major British fiction and some poetry of the eighteenth century in terms of its relation to the development of society which is recognisably modern. We will examine such writers as Defoe, Swift, Pope, Richardson, Fielding and Sterne, and exploring the `rise of the novel', the coming dominance of prose representation in journalism and fiction, the rise of the middle class, the move to an urban cash-nexus society governed by reason and contractual economic exchange, and the construction of new kinds of subjectivities for men and women according to the needs of middle-class patriarchy. In many ways, this module studies the development of the `modern mind'. more...	LDCE2Y11	20	Semester 1
Medieval Writing This module is designed to provide an introduction to the study of medieval English language and literature. In a series of lectures and seminars students will work through a small but representative selection of medieval texts, including lyrics, romance, and poetry, in order to develop a working knowledge of the language - Middle English - and an appreciation of different forms and genres found in medieval writing. Medieval texts and contexts will be used as a means of familiarising students with medieval language, and form the basis for further modules in medieval writing that may be taken within the School. more...	LDCE2Y15	20	Semester 1
Modernism The purpose of this module is to study the literature of the early decades of the twentieth century - very roughly 1900-1930 - in particular the work of those authors who attempted to break with received norms of literary style and content. The module is organised as a series of thematic explorations - poetic experiment, memory and desire, myth and innovation, and so on - and thus does not follow a chronological structure. The sequence of guiding lectures focuses its deliberations on a set of specific texts, with their contexts, and these are taken up for discussion in the accompanying seminars. 'Modernism' is this constructed gradually over the semester as a mosaic of closely related issues, each one reflecting on the others. As well as providing an overview of defining textual features, in prose and poetry, the module is concerned also with the interrelation of text and context, offering a range of ways of conceiving of modernist literature as both of, and self-consciously ahead of, its historical moment. more...	LDCE2Z15	20	Semester 1
Nineteenth-Century Writing This module introduces students to classics of nineteenth-century fiction, primarily British but also including two famous French novels to provide comparative foil. The lectures will direct attention to such formal and ideological matters as the free indirect style, literary realism, authorial omniscience and moral didacticism, the representation of history, comic and gothic elements, and the shift towards aestheticism and impressionism in the second half of the century. These features will be related to larger patterns of social change, notably changing relations between social classes, the role of the novel in bourgeois ideology, moral urgency and complacency, the repression of women, the retreat from progressive models of history and the development of a commodifying cultural sphere. more...	LDCE2Z30	20	Semester 2
Shakespeare The aim of this lecture-seminar module is to help you become a better reader of Shakespearean drama. He was writing between about 1590 and about 1610; obviously his plays speak to us over a great cultural distance, and we can find fresh ways of reading them by exploring the theatrical, generic and historical frameworks in which they were written and staged. The lectures, then, will introduce a range of contexts, and the seminars will seek to turn them to account in the reading of the dramatic texts themselves. more...	LDCE2Y04	20	Semester 2

Option C Study (40 credits)

Students will select 40 credits from the following module(s).

You may pick any of the modules that begin with:

PHI-2

Semester Abroad - Autumn The School of Philosophy has various ERASMUS arrangements with European Universities where it is possible to spend a semester abroad. For more information on this please contact the ERASMUS Director, Dr O Kuusela. more...	PHI-2A21	60	Semester 1
Semester Abroad - Spring The School of Philosophy has various ERASMUS arrangements with European Universities where it is possible to spend a semester abroad. For more information on this please contact the ERASMUS Director, Dr O. Kuusela. more...	PHI-2A24	60	Semester 2
Language and Reality Twentieth century philosophy is characterised by a preoccupation with language. This attention involved a great deal of reflection on language itself and also on the possibility that traditional philosophical problems might be resolved or dissolved by thinking about the language in which the problems are posed. The period also witnessed great upheavals, with the rise and fall of logical positivism and ordinary language philosophy, the development of formal theories of meaning, and the eventual resurgence of pragmaticism and metaphysics. The module will explore these major themes through consideration of the work of major thinkers from the last fifty years, including Quine, Davidson, Putnam, and Kripke. This is a compulsory module for all students taking V500 Philosophy, and is available as an option for all other Philosophy students. more...	PHI-2A55	20	Semester 1
Knowledge and Perception The module provides a problem-focused introduction to epistemology. It explores how some simple and compelling arguments led to the view that whenever we perceive (see or hear, etc.) anything we (also) perceive `ideas' or `perceptions' in our minds, how this lastingly influential view led to some mind-boggling paradoxes that question the possibility of knowledge, and how the struggle with that view and its consequences led to the major philosophical theories of perception and to attempts to properly understand the concept of `knowledge' and related notions like `justification'. The module is assessed primarily by examination, but students must also give a seminar presentation. This module will be offered biennially. more...	PHI-2A66	20	Semester 2
Philosophy of Science As any intellectual enterprise, natural science poses fascinating and deep problems. Think e.g. of mechanics: in order to describe observable motion it appeals to such unobservable entities as forces, and in order to talk about real bodies it refers to ideal entities like points endowed with a mass. These facts lead to challenging questions: what is the role of unobservable entities within a scientific theory? Why do we need to resort to ideal hypotheses in order to study the real world? Is there a fundamental divide between theoretical science and experimental science? We will explore these issues by looking at scientific practice from a philosophical standpoint. This module is self-contained and presupposes no previous knowledge of physics or other sciences. It is offered biennially. more...	PHI-2A78	20	Semester 2
Early Analytical Philosophy and Wittgenstein Ludwig Wittgenstein was one of the most influential philosophers in the 20th century. This module focuses on his early philosophy, especially as articulated in his 'Tractatus', and its background in the thought of Frege and Russell. Central topics discussed are the 'Tractatus' conception of logic and language as well as the nature of philosophical problems and philosophical inquiry, including ethics. Students will benefit most from this module if they are already taken one or both of the following: Philosophy of Mind, Logic and Language. This module is offered biennially. more...	PHI-2A76	20	Semester 2
Nietzsche and Post-Kantian Philosophy Friedrich Nietzsche (1844-1900) radically challenged traditional ideas of what philosophising involves and has had an enormous influence on subsequent thinkers. This module will explore some of Nietzsche's key writings, situating them in the context of Post-Kantian philosophy. Some or all of the following themes will be explored: appearance and reality, genealogy, truth, naturalism, nihilism, aesthetics and the critique of morality and religion. This module is offered biennially. more...	PHI-2A46	20	Semester 2
The Rationalists The great rationalist philosophers Descartes (1596-1650), Spinoza (1632-77) and Leibniz (1646-1716) were preoccupied by the same themes: substance, God, knowledge and the relationship between mind and body. All of them were in the vanguard of the new scientific culture of the XVIIth century, but all were also concerned to reconcile science with religion. If Descartes and Leibniz ultimately seek to support an orthodox theism, Spinoza arrives at a humanistic and pantheistic ethic of living. We shall explore the different paths taken by the three thinkers from a shared starting point, rooted in reason and commitment to method. This module is offered biennially. more...	PHI-2A29	20	Semester 1
Moral Philosophy - the Basics What is morality? What is it to be a moral agent and to engage in moral deliberation? What is it to justify moral judgments and is there such a thing as a justification of moral practices themselves? What does it mean to be or try to become a good person? In this module we take a look at various theories about the nature of morality as well as examine critically the idea that what one needs to understand the phenomenon of morality or to engage successfully in moral thinking is a moral theory. This module is offered biennially. more...	PHI-2A25	20	Semester 1
Philosophy of Religion The module focuses on the claims of theistic religion, and on the nature of religion, including non-theistic religion. It seeks to clarify the concept of God. It also seeks to examine some of the standard arguments for and against the existence of God. In doing this, we see how some central issues in the philosophy of religion are inter-related with questions of epistemology, logic and mind. We will furthermore investigate conceptions of God which bypass the standard arguments for and against God's existence, which takes us close to the claims of Buddhism and other more or less non-theistic religions/philosophies. This module is offered biennially. more...	PHI-2A18	20	Semester 2
The Enlightenment and Its Critics The 18th century saw a radical change take place in European culture. A new value was placed upon knowledge, new views of the ways in which society should be run were formed, new attitudes towards religion occurred, new theories of art and culture arose. This module looks at these changes and the effects they had upon epistemology, political philosophy and aesthetics. Enlightenment figures studied include Diderot, d'Alembert, Voltaire, David and Condorcet in France, Kant in Germany, Hume in Scotland. As a counterpoint to this we study some of the works of Jean-Jacques Rousseau, both an Enlightenment figure and yet perhaps its greatest critic. This module is offered biennially. more...	PHI-2A44	20	Semester 2
Philosophy of History What is history? Is it reasonable to apply moral criteria to the historical process? In what sense, if any, can we understand history as progressive? On what basis can we divide history into epochs and how should we understand the change from one epoch to the next? Are there laws in history? From the 18th century enlightenment to Marxist historical materialism, strong claims have been made in response to these questions. They have come under severe attack from the later 19th century on to the present. The module will examine the arguments and concepts employed in this debate. This module is offered biennially. more...	PHI-2A31	20	Semester 1
"Space, Time and Reality Among the Greeks" 2500 years ago Parmenides invented metaphysics by arguing that there is one thing that never changes. Plato responded with a theory of Forms, stable realities quite unlike the world of appearances. But later in his life he attacked that theory. Why? And did Aristotle have a better answer to how reality relates to other things in this world? This module explores some of the most influential texts in the field and provides a sound foundation in central themes from classical philosophy. This module is offered biennially. more...	PHI-2A39	20	Semester 1

Free Choice Study (40 credits)

Students can select modules worth 40 credits from the course catalogue with the approval of their School.

Year 3

Compulsory Study (30 credits)

Students will select 30 credits from the following module(s).

Name	Code	Credits	Period
Literature and Philosophy This module explores the relations between literature and philosophy and differing understandings of the self, love and ethics through close reading of philosophical and literary texts. It is organised chronologically and moves from the classical writing of Plato to modern literature. The module designed for final year students who are studying Literature and Philosophy. It is also open only to students in Literature who have taken modules in Philosophy in years one and two; or by special concession at the discretion of the module organiser to other students who have substantial experience in both Honours level Literature and Honours level Philosophy. more...	LDCE3X45	30	Semester 1

Option A Study (30 credits)

Students will select 30 credits from the following module(s).

You may pick any of the modules that begin with:

LDCE3

Fin De Siecle: Fantasies of Decadence and Degeneration Max Nordau's 1892 Degeneration, attacking fin de siecle decadence, draws together fears of cultural decline and corrupting artistic practice through pseudo-Darwinian thinking about devolution. Yet Nordau's urgent and apocalyptic claims about 'diseased' art draw an ambivalent response from contemporary writers, such as those associated with the aestheticism and decadence of The Yellow Book. It is within the fantastic, however, that Nordau is most directly confronted and social norms most explicitly deformed by art. Wilde's swift move from pedestal to pederast may remove a key figure, but texts such as The Strange Case of Dr Jekyll and Mr Hyde; The Novel of the White Powder; Dracula; Wells' science fiction dystopias and, more recently, Moore and Campbell's From Hell, rehearse, react to, or reflect upon such concerns. These writings share a central tension: are the effects of decadence and degeneration offering pessimistic prophesy or optimistic alternatives? This module would complement nineteenth-century options and offer a perspective on the Modernist module. For students also taking the Gothic it would be related, although usefully focusing on the closing years of the nineteenth century with a different emphasis. more...	LDCE3X50	30	Semester 2
Henry James: Questions of Art, Life and Theory In this module students engage with the range of Henry James's writing and also the reproduction of his life and work in contemporary culture. This module aims not simply to add to understanding of James but also to explore the issues that his work raises in relation to the art and history of fiction, philosophy and cultural reproduction. It is suitable not only for literature students who want to study this writer who spans realism and modernism, and short stories, literary criticism and fiction, but also for creative writing students and literature and philosophy students. The final assignment will have a creative writing option that comprises a piece of creative writing with a critical reflection. It can be taken by students who have studied modules in nineteenth-century writing or modernism. more...	LDCE3Z42	30	Semester 2
Literature Dissertation: Post-1789 (Spr) This module is an advanced-level module, for final year students only. It provides students with the opportunity to write an 8000-word dissertation on literature of the period from 1789 to the present day (excluding American literature). The dissertation topic must be agreed by a supervisor, and both topic and supervisor approved by the module organiser by the end of the previous semester. more...	LDCE3X18	30	Semester 2
Nervous Narratives `We all say it's nerves, and none of us knows what it means', says a character in Wilkie Collins' 1860 novel, The Woman in White. Our aim is to think about how a discourse of the `nerves' ' the `nervous temperament' and nervous illness ' can be both so pervasive culturally and so slippery in its meaning. This interdisciplinary module takes you from the late 17th century, when the concept of `neurologie' first emerged, to the 21st century, linking literary, medical and philosophical writing to explore the representation of the `nerves'. The historical range of the module is not meant to imply a transhistorical understanding of nervous illness or temperament, but rather will enable us to analyse the historically specific nature of the nervous body and what it is made to mean, culturally, within different contexts. In this way, we will be working with issues as diverse as religious `enthusiasm', hysteria and hypochondria, sensibility, sensation, fear of modernity, manliness and effeminacy, shell-shock, PTSD and the concepts of the healthy or fragile body of the nation. Spanning time and genre, the literary texts studied will take us from the earliest, Jonathan Swift's satire, A Tale of a Tub (1704) up to the contemporary: Siri Hustvedt's novel, What I Loved (2003) and her analytical memoir, The Shaking Woman, Or, A History of My Nerves (2010). more...	LDCE3X83	30	Semester 1
Literature Dissertation: Post-1789 (Aut) This module is an advanced-level module, for final year students only. It provides students with the opportunity to write an 8000-word dissertation on literature of the period from 1789 to the present day (excluding American literature). The dissertation topic must be agreed by a supervisor, and both topic and supervisor approved by the module organiser by the end of the previous semester. more...	LDCE3X15	30	Semester 1
Literature and Human Rights Reading key philosophical, political, legal and literary texts, this module will track the emergence of human rights as a cultural idea from their conception in the eighteenth century, through to the United Nations Declaration of Human Rights (UDHR) and beyond in the period after World War Two. The module will address the following questions: What type of human being was presupposed by the declarations of rights? How did the novel help form perceptions about rights and human sympathy? In what ways did the UDHR re-imagine concepts of human rights after the Holocaust? How were these changes reflected in new forms of post-war writing, such as post-colonial and late modernist writing? How can we think about the relation between rights and literature today? This module will suit students who have enjoyed the challenges of philosophy and literary theory. It should also appeal to those who are interested in thinking seriously about the relationship between literature and its `real world' applications and significance. more...	LDCE3X54	30	Semester 2
Chaucer This module explores Chaucer's major writings in their historical, cultural and literary contexts. The module will introduce Chaucer's writing in a range of genres and will examine his works' representation and exploration of society, identity, chivalry, politics, religion and gender, and will also consider the medieval reception of Chaucer's writing. Previous experience of medieval literature will be useful but is not required. more...	LDCE3Y05	30	Semester 1
Drama and Literature: the Question of Genre This seminar will explore the boundaries between drama and other genres (kinds, art-forms, media) in an attempt to investigate a number of interrelated theoretical questions. We shall explore these issues via various types of activity - practical criticism, critiques of literary theory, performance analysis, dramatising prose narrative. The set texts are works of literature which do not quite fit generically - particularly plays that seem to be in some sense 'epic', or novels in some sense 'theatrical', ranging from Shakespeare in the 17th century through to Gay and Fielding in the 18th and Dostoyevsky and Chekhov in the 19th. more...	LDCE3X06	30	Semester 2
John Milton's Paradise Lost Paradise Lost is perhaps the finest poem in the language. Its ambition is breathtaking: it begins before time, ends with time, spans the whole of the created universe, and yet focuses on a single, human relationship, on betrayal, recrimination and reconciliation. It is an attempt to explain the co-existence of evil and an omnipotent good God, a response to defeated political aspirations, and an attempt to create a republican poetics. In the module we will read the poem intensively, and seek to understand it in its historical context. Was there a republican aesthetic? How did writers respond to the collapse of radical political ideals and (comparative) religious toleration when 1660 brought the restoration of Charles II? How have literary historians participated in the occlusion of Britain's republican traditions? While there are no pre- or co-requisites, some knowledge of seventeenth-century literature or history, especially through LITE2Y13 Seventeenth-Century Writing, would be an advantage. more...	LDCE3Y70	30	Semester 2
Madness, Medicine, Science and Women's Writing in the Regency This module will study late 18th-century and early 19th-century writings in the context of scientific and medical innovation. We consider whether it may be appropriate to view the work of novelists such as Maria Edgeworth, Jane Austen and Mary Shelley as a response to, and even a protest against these newly (or, more correctly, nearly) professionalised, male-dominated worlds. These women writers often concern themselves with the 'consumers' as well as the providers of the services offered by these professions; this module considers why that might be and how this kind of contextualisation might impact upon our readings of their work. more...	LDCE3X75	30	Semester 1
Virgil's Classic Epic This module will explore the centrality of Virgil's Aeneid to Medieval and Renaissance culture. It will examine developing attitudes to the Classical literary legacy and accommodation and reinvention of Virgil's epic poem within new religious, political and literary contexts. The course will begin with exploration of Virgil's poem on its own terms before turning to reworkings of the 'Aeneid' by Augustine, Dante, Chaucer, Douglas and Marlowe, the Renaissance invention of a 13th Book to 'complete' Virgil's poem, and the recasting of classical epic within the very different conventions of medieval and Renaissance romance. Previous experience of classical or medieval literature is not required. more...	LDCE3Y18	30	Semester 2
Ulysses This module will provide students with the opportunity to read one of the most famous, yet notoriously unread, novels of the twentieth century. The module has a number of aims. First, it will give students the time and opportunity to try to read and understand James Joyce's Ulysses. Secondly, the module will introduce students to some of the formal innovations typical of modernist writing through the close analysis of techniques such as interior monologue and mythic analogy. Thirdly, it will allow students to read a wide range of responses to Ulysses, both among Joyce's contemporaries, and in the history of twentieth century criticism. Fourthly, the module will situate the text historically, with a particular focus on the way that the text's obscenity affected its reception and circulation in the 1920s and 1930s. more...	LDCE3Z50	30	Semester 2
The Condition of England Novel 1818-2000 This module will examine the classic nineteenth-century 'Condition of 'England' novel alongside mid-to-late twentieth-century representations of England (and myths of national identity). Attention will be given to post-colonial writing as a significant part of the question: What is it to be English (or British)? more...	LDCE3Z09	30	Semester 1
The Literature of World War One The module will examine representations of World War One. As a Level 3 module, the focus will be inter-disciplinary. Literary materials will be contextualised using historical and other sources. Use will also be made of memoirs, letters, diaries, and photographs. Students will be encouraged to conduct research using the internet and other facilities. more...	LDCE3Z10	30	Semester 2
Literature and Deconstruction In an interview with Derek Attridge, Jacques Derrida describes literature as `this strange institution which allows one to say everything'. This module explores the writings of Derrida and related thinkers alongside a range of literary texts, including works by Keats, Shakespeare and Joyce. Through a combination of lectures and seminars, we will think about the strangenesses of literature, look at the ways in which it is an `institution' and consider the kinds of freedom ' of speech, writing and thinking ' it permits. Our aim throughout will be to establish the possibilities for literary criticism opened up by deconstruction. The module is open to everyone, but may be of particular interest to those who studied critical theory in the second year. more...	LDCE3X87	30	Semester 1
Shakespeare: Shadow and Substance Platonist epistemology permeated Elizabethan culture: the aim of this module is to explore the relationship of Shakespeare's topic of the world as a stage to Neoplatonic conceptions of perception, politics, poetry and love. more...	LDCE3Y36	30	Semester 2
The Gothic This module seeks to cover some 'canonical' texts of the Gothic Novel (1764-1820) in Walpole, Radcliffe, Mary Shelley, and to consider some later developments of the gothic mode in later 19th and 20th centuries: Poe, Le Fanu, Stevenson, MR James, Elizabeth Bowen, David Storey and Angela Carter. The course also seeks to introduce students to some of the theoretical and historical arguments around the contested nature of the term 'gothic', the Uncanny, the subversiveness or otherwise of this kind of writing, and its relation to the novel genre. more...	LDCE3X41	30	Semester 1
Satire `Satire is problematic, open ended, essayistic, ambiguous in relation to history, uncertain in its political effects, resistant to final closure, more inclined to ask questions than provide answers, ambivalent about the pleasures it offers' (Dustin Griffin). The aim of this module is to investigate the problematic territory of satire. Using examples from modern and contemporary fiction and journalism alongside early modern and classical satire, we will formulate a critical and conceptual map, which will in turn allow us to discuss some of the problems of satire (those of genre, of gender, of politics, of morality, of history), and to explore some of the paradoxes of its strategies and functions (freedom versus limits; subversion versus conformity; transformation versus stasis). Writers under discussion will include Juvenal, Horace, Swift and Pope; John Dryden, Aphra Behn, and Lady Mary Wortley Montague; Evelyn Waugh, Stella Gibbons, and Jonathan Coe. more...	LDCE3X62	30	Semester 2
Nervous Narratives THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X83: NERVOUS NARRATIVES AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X85	20	Semester 1
Children's Literature THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X67: CHILDREN'S LITERATURE AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X69	20	Semester 1
Queer Literature and Theory THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X58: QUEER LITERATURE AND THEORY AND IS AVAILABLE TO VISITING/ EXCHANGE STUDENTS ONLY. more...	LDCE3X60	20	Semester 2
Literature and Philosophy THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X45: LITERATURE AND PHILOSOPHY AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X61	20	Semester 1
Literature and Human Rights THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X54: LITERATURE AND HUMAN RIGHTS AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X56	20	Semester 2
Lost Worlds: Nineteenth-Century Science Writing THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Z64: LOST WORLDS: NINETEENTH-CENTURY SCIENCE WRITING AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Z66	20	Semester 2
Madness, Medicine, Science and Women's Writing in the Regency THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X75: MADNESS, MEDICINE, SCIENCE AND WOMEN'S WRITING IN THE REGENCY AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X77	20	Semester 1
Literature and Deconstruction THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X87: LITERATURE AND DECONSTRUCTION AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X89	20	Semester 1
Satire THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X62: SATIRE AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X64	20	Semester 2
Fin De Siecle: Fantasies of Decadence and Degeneration THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X50: FIN DE SIECLE: FANTASIES OF DECADENCE AND DEGENERATION AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X52	20	Semester 2
Children's Literature This module offers students the chance to learn about children's literature and its development and also to try to write a piece of children's literature themselves. It starts with the history of children's literature, looking at its use as a pedagogical tool, moving through Aesop's fables, fairy tales, Mother Goose, Lewis Carroll's Alice's Adventures in Wonderland, and examining other authors such as A.A. Milne, Dr. Seuss, Roald Dahl, Sherman Alexie and Nancy Garden, amongst others. The course looks at issues of genre and content as well as historical context. By studying the development of children's literature, this module also analyses the development of the concept of childhood in Western society. more...	LDCE3X67	30	Semester 1
Poetry After Modernism This module will survey a wide range of post-war British poetry actively engaged with the Modernist tradition of Eliot, Pound and others. Reading critical texts alongside poems, it will introduce students to lesser-known writers, such as the Welsh poet Lynette Roberts and the Scottish poet W.S. Graham, as well as considering well-known English poets such as Philip Larkin and Ted Hughes from a Modernist perspective. Recognising the influence of contemporary American verse on experimental poets such as J.H. Prynne and Paul Muldoon will also be an important theme. A chronological syllabus will take students from 1945 up to the present day, and there will be a chance to write creatively as well as critically as part of the assessment. Students wishing to take this module must have taken LDCE2Z15 Modernism. more...	LDCE3Z60	30	Semester 2
The Condition of England Novel 1818-2000 THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Z09: THE CONDITION OF ENGLAND NOVEL: 1818-2000 AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Z03	20	Semester 1
Shakespeare: Shadow and Substance THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Y36: SHAKESPEARE: SHADOW AND SUBSTANCE AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Y40	20	Semester 2
Henry James: Questions of Art, Life and Theory THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Z42: HENRY JAMES: QUESTIONS OF ART, LIFE AND THEORY AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Z32	20	Semester 2
Regency Women Writers This module situates the work of various women writers of the Regency period in literary and historical contexts. The main texts under discussion are by Mary Wollstonecraft, Mary Hays, Jane Austen, Mary Shelley, and Maria Edgeworth. The unit considers themes which - although not exclusive to women's writing at this time - occur strikingly frequently in the work of Regency women. These themes include sanity, madness and ideas about the mind, and literary devices such as the love-mad woman. Health, ill-health and the development of medicine are central to these fictions and the course, and we also discuss the figure of the doctor, the quack and the 'psychiatrist' in these texts. We look at writings by Regency women travellers whose destinations ranged from Italy to Bath, Sweden and Revolutionary France. more...	LDCE3X80	30	Semester 2
Literature Dissertation: Post-1789 (Spr) THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X18: LITERATURE DISSERTATION: POST-1789 (SPR) AND IS AVAILABLE TO VISITING AND EXCHANGE STUDENTS ONLY more...	LDCE3X30	20	Semester 2
Through the Looking-Glass: Nonsense and Modern Writing THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X01: THROUGH THE LOOKING-GLASS: NONSENSE AND MODERN WRITING AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X03	20	Semester 1
Traumaturgies: Reading and Writing Trauma Across Contexts THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X91: TRAUMATURGIES: READING AND WRITING TRAUMA ACROSS CONTEXTS AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X93	20	Semester 1
Literature Dissertation: Pre-1789 (Aut) This module is an advanced-level unit, for final year students only. It provides students with the opportunity to write an 8000-word dissertation on literature of the period up to 1830 (excluding American literature). The dissertation topic must be agreed by a supervisor, and both topic and supervisor approved by the module organiser by the end of the previous semester. more...	LDCE3Y77	30	Semester 1
Revenge Tragedy: Ancient and Modern This seminar explores the different ways in which the concept of revenge has been conceived and represented in a range of dramatic texts. The module covers three distinct groups of primary materials: classical tragedy (in translation) including Aeschylus's Oresteia; early modern revenge tragedy including works by Shakespeare, Tourneur and Kyd; and modern cinematic explorations of the revenge formula including Get Carter, Old Boy and Tarantino's Kill Bill movies. Topics discussed include the relationship between classical and Christian attitudes to revenge, contemporary strictures upon private vengeance, the representation of justice through the ages, the limitations of the revenge tragedy formula. more...	LDCE3Y86	30	Semester 2
Mind, Body and Literature The sense of loss in a Hardy poem, the parallel universe of a science fiction story, the sombre world of a Scandinavian crime novel: all have in common that they make the reader think, feel and possibly act. Drawing on an understanding of literature as writing which both engages and affects us, we look at a variety of literary texts (e.g, by Blake, Hardy, Lawrence, Hughes) and consider what they have in common with the everyday (clocks, teddy-bears, congregation ceremonies) and the bizarre (zombies, unicorns, ghosts). We consider how we understand text worlds, how metaphor relates to the body, whether real emotions can arise from fictional texts. Participants should have an open mind, a desire to understand literary theories, and a readiness to think outside the box. more...	LDCE3X09	30	Semester 1
Literature Dissertation: Pre-1789 (Aut) THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Y77: LITERATURE DISSERTATION: PRE-1830 (AUT) AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Y79	20	Semester 1
Poetry of the Long Nineteenth Century THIS IS A 20 CREDIT VERSION OF LDCEX371: POETRY OF THE LONG NINETEENTH CENTURY AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X73	20	Semester 1
Through the Looking-Glass: Nonsense and Modern Writing It's widely recognised that modernist literature is characterised by a revolution of the word. Less widely recognised, and little explored, is the relationship between modernist linguistic experimentalism and literary nonsense, as practised by Lewis Carroll, Edward Lear, and others. This course will begin with these well-known nonsense writers and explore their roots in earlier nonsense, including Shakespeare's, before going on to examine some of the adventures in language of major modernist and postmodernist writers. Authors studied are likely to include late Joyce, early Auden, Stein, Stevens, Cummings, Crane, Nabokov, Koch, Muldoon, Ashbery. The course will also set these avant-garde writers in the unfamiliar context of the mainstream fantasy writers who also come out of Carroll and the nonsense tradition, most likely Tolkien and Peake, whose imaginary worlds are based on their own invented languages. This is not a course on children's literature, but on some very challenging modern literature, though it should appeal to those who take a childish pleasure in wordplay and fantasy, and equally to those intrigued by philosophical issues around language. It would follow on very well from the second-year Modernism module. more...	LDCE3X01	30	Semester 1
Poetry of the Long Nineteenth Century The poetry of the nineteenth century is often thought of as being caught between the two stools of Romanticism and Modernism. This module examines the development of poetry from Romanticism to Modernism, and asks in particular whether the poetry of the nineteenth century can claim our attention in its own right, rather than as a late avatar of Romanticism or as a foretaste of the excitements of Modernism. The focus of the module, then, is on close critical engagement with a large range of nineteenth century poetry and poetics, including the work of poet-critic Matthew Arnold, poet-priest Gerard M. Hopkins, and of other writers from Christina Rossetti to Algernon Charles Swinburne. Due notice will also be taken of nineteenth-century continental and American poetry. more...	LDCE3X71	30	Semester 1
Literature and Philosophy This module explores the relations between literature and philosophy and differing understandings of the self, love and ethics through close reading of philosophical and literary texts. It is organised chronologically and moves from the classical writing of Plato to modern literature. The module designed for final year students who are studying Literature and Philosophy. It is also open only to students in Literature who have taken modules in Philosophy in years one and two; or by special concession at the discretion of the module organiser to other students who have substantial experience in both Honours level Literature and Honours level Philosophy. more...	LDCE3X45	30	Semester 1
Literature Dissertation: Post-1789 (Aut) THIS MODULE IS A 20 CREDIT VERSION OF LDCE3X15: LITERATURE DISSERTATION: POST 1789 (AUT) AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X31	20	Semester 1
Poetry After Modernism THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Z60: POETRY AFTER MODERNISM AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Z62	20	Semester 2
Queer Literature and Theory This module offers students the chance to learn about LGBTQ literature and its development in English-speaking countries, as well as approaches to queer theory. This means analysing sexuality and gender and the representation of such identities in literature. Authors studied may include Virginia Woolf, James Baldwin, Alison Bechdel, Gore Vidal, and Sarah Waters, as well as children's books and young adult novels by Alex Sanchez, Nancy Garden, Ellen Wittlinger, and Marcus Ewert. Authors of theoretical texts looked at may include Eve Kosofsky Sedgwick, Judith Butler, Leo Bersani, and Teresa de Lauretis. Understanding how LGBTQ characters are featured in literature also helps us to see how queer people are understood in a given society in general. This course also aims to look at a variety of genres in order to see how these different text types work and how they approach similar material in different ways. more...	LDCE3X58	30	Semester 2
The Gothic THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X41: THE GOTHIC AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X51	20	Semester 1
Mind, Body and Literature THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X09: MIND, BODY AND LITERATURE AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X11	20	Semester 1
Literature Dissertation: Pre-1789 (Spr) THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Y78: LITERATURE DISSERTATION: PRE-1830 (SPR) AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Y80	20	Semester 2
Traumaturgies: Reading and Writing Trauma Across Contexts Trauma haunts the writing of the twentieth century. Slavery, war, patriarchy, terrorism, genocide, colonialism, modernity, technology and post-modernity: these legacies demand to be written and read, and engender a writing singular to their traumas. Yet the writing of these wounds, and the critical work that reads it, raises fundamental questions about whether trauma can ever be represented or understood. Spreading beyond their contexts, these questions effect their own traumas, cracking open our assumptions about what it is possible to read, to write, and indeed to think. Working roughly from the turn of the twentieth century to the present, this module reads a selection of theoretical, literary and critical texts that aim to write and read trauma across cultural, historical, personal and public contexts. more...	LDCE3X91	30	Semester 1
Literature Dissertation: Pre-1789 (Spr) This module is an advanced-level module, for final year students only. It provides students with the opportunity to write an 8000-word dissertation on literature of the period up to 1830 (excluding American literature). The dissertation topic must be agreed by a supervisor, and both topic and supervisor approved by the module organiser by the end of the previous semester. more...	LDCE3Y78	30	Semester 2
Virgil's Classic Epic THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Y18: VIRGIL'S CLASSIC EPIC AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Y32	20	Semester 2
Early English Drama THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Y81: EARLY ENGLISH DRAMA AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Y83	20	Semester 1
Writing Life: Biography and Creative Non-Fiction How do writers attempt to capture 'life' in all its various forms? What, if any, are the different requirements in writing the life of a famous (or not so famous) person and that of a city or landscape? What about the 'life' of travel or food and how do you approach writing about the natural world? These are just some of the questions that this module sets out to address. We will be reading a wide variety of texts, from the 'traditional' biography to some of the more experimental examples of creative non-fiction. From Samuel Johnson to essays in The New Yorker, all human (and non-human) life will be there! Students may choose between writing their own piece of Biography or creative Non-Fiction as their final project or submitting a critical essay. more...	LDCE3X46	30	Semester 2
Ulysses THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Z50: ULYSSES AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Z52	20	Semester 2
Regency Women Writers THIS MODULE IS A 20-CREDIT VERSI0N OF LDCE3X80: REGENCY WOMEN WRITERS AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X82	20	Semester 2
Medieval Arthurian Traditions THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Y82: MEDIEVAL ARTHURIAN TRADITIONS AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Y84	20	Semester 2
Early English Drama This module focuses on the medieval and early sixteenth century period, exploring conceptions and deployments of drama. Comparative work of different forms of drama, the drama and other artistic media, and the drama and social attitudes will be encouraged. You will explore whether drama successfully produces civic unity; how audiences are addressed and constructed; the theatricality of how the Biblical past is imagined, the significance of staging, place, and gesture; the social and political functions of drama, the representation of women; and protests against the drama from various quarters. Our period ends just as the suburban professional theatre was establishing itself in London in a form that was fundamentally influenced by these much earlier dramatic activities. We shall explore how spectacle and ceremony enabled pre-Reformation communities to celebrate their existence and assert an often contested or otherwise problematic sense of their cultural identity. more...	LDCE3Y81	30	Semester 1
Medieval Arthurian Traditions From Welsh folklore to Monty Python, the tales of Arthur and the Knights of the Round Table have excited and intrigued generations. Why? To answer this question we explore the development of the legend from its twelfth-century Celtic roots through to a number of twentieth-century film adaptations. How the legend has been translated across form, genres, cultures and ages will be studied, including examples from Middle English Arthurian Texts, translations of the Welsh Mabinogion, of Monmouth's Latin chronicle and French romance texts. This module will enable students familiar with Sir Gawain and the Green Knight to enhance their awareness of the wider Arthurian traditions within which this text belongs, but is also suitable for students who are encountering medieval literature for the first time. more...	LDCE3Y82	30	Semester 2
Writing Life: Biography and Creative Non-Fiction THIS MODULE IS A 20-CREDIT VERSION OF LDCE3X46: WRITING LIFE: BIOGRAPHY AND CREATIVE NON-FICTION AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3X48	20	Semester 2
Revenge Tragedy: Ancient and Modern THIS MODULE IS A 20-CREDIT VERSION OF LDCE3Y86: REVENGE TRAGEDY: ANCIENT AND MODERN AND IS AVAILABLE TO VISITING/EXCHANGE STUDENTS ONLY. more...	LDCE3Y88	20	Semester 2

Option B Study (60 credits)

Students will select 60 credits from the following module(s).

You may pick any of the modules that begin with:

PHI-3

Philosophy of Social Science This module examines different approaches to understanding the social world, tracing their philosophical presuppositions and their implications for the study of economics and politics. It focuses on two contrasts: between the positivist and the hermeneutic approaches, and between individualistic and holistic styles of explanation. This module is a 30 credit version of PHI-3A23 and is not suitable for PPE students. more...	PHI-3A57	30	Semester 1
Philosophy Dissertation Module This module is open only to students who have achieved an overall second-year mark of 60% or above. When enrolling you must include a second choice on your enrolment form, so that if your marks are below 60% you can transfer smoothly to another module. Before enrolling, you MUST also complete a special application form available from the Philosophy Office. The module enables Philosophy majors and joint majors to pursue a topic of their own choosing under the individual supervision of a member of faculty. It is assessed as a project on the basis of an extended essay of about 10,000 words. There is no specific timetable slot for the module, arrangements for tutorial meetings being made between the individual tutor and student. more...	PHI-3A21	30	Semester 1
Language in Mind What is language? Following on from the work of Noam Chomsky, many linguists, philosophers and psychologists answer: an innate faculty of mind. This module will explore the arguments for and against this position. Topics to be covered include: innateness, the idea that the mind is a computer, the possibility of ape linguistic competence, and the relation between syntax and meaning. The module will close by considering what significance Chomsky's work might have for our conception of human nature, both morally and theoretically. This module is offered annually. more...	PHI-3A41	30	Semester 1
Philosophy of Social Science This module examines different approaches to understanding the social world, tracing their philosophical presuppositions and their implications for the study of economics and politics. It focuses on two contrasts: between the positivist and the hermeneutic approaches, and between individualistic and holistic styles of explanation. This module is compulsory for PPE students and cannot be taken by any other students. more...	PHI-3A23	20	Semester 1
Advanced Knowledge and Perception Advanced Theories of Knowledge covers the same topics as Theories of Knowledge, but differs from the latter in two respects. First, it requires coursework instead of an examination. All students must also give a seminar presentation. Secondly, the Advanced version demands more sophisticated work, so both the coursework and presentation are marked at a higher standard (hence the Level 3 rating). Students on the Level 2 version and the Advanced Level 3 version attend the same lectures, but Advanced students have separate seminars, and also have some tutorial contact in relation to their written work. This module will be offered biennially. more...	PHI-3A66	30	Semester 2
Advanced Philosophy of Science As any intellectual enterprise, natural science poses fascinating and deep problems. Think e.g. of mechanics: in order to describe observable motion it appeals to such unobservable entities as forces, and in order to talk about real bodies it refers to ideal entities like points endowed with a mass. These facts lead to challenging questions: what is the role of unobservable entities within a scientific theory? Why do we need to resort to ideal hypotheses in order to study the real world? Is there a fundamental divide between theoretical science and experimental science? We will explore these issues by looking at scientific practice from a philosophical standpoint. This module is self-contained and presupposes no previous knowledge of physics or other sciences. It is offered biennially. more...	PHI-3A78	30	Semester 2
Philosophy Dissertation Module This module is open only to students who have achieved an overall second-year mark of 60% or above. When enrolling you must include a second choice on your enrolment form, so that if your marks are below 60% you can transfer smoothly to another module. Before enrolling, you MUST also complete a special application form available from the Philosophy Office. The module enables Philosophy majors and joint majors to pursue a topic of their own choosing under the individual supervision of a member of faculty. It is assessed as a project on the basis of an extended essay of about 10,000 words. There is no specific timetable slot for the module, arrangements for tutorial meetings being made between the individual tutor and student. [As an experiment in Spring 2012, en lieu of writing the dissertation, undergraduates taking this module had the option of contributing to the production of a 30-minute radio programme on a philosophical topic assigned by the module organiser in consultation with the faculty member in charge of producing the programme. Students taking this option had to submit a philosophical essay of up to 8,000 words on the agreed topic as well as a script for a radio programme, of up to 4,000 words. In addition, they participated in the production of the 30-minute programme. This radio/essay option may become available in spring 2013: we will advise students as soon as we receive confirmation from the radio station.] more...	PHI-3A24	30	Semester 2
Advanced Themes in Early Analytical Philosophy and Wittgenstein This module explores the same ground of Wittgenstein's early work as the level 2 version, but at a more advanced level. Students on both modules attend the same lectures but Advanced students attend their own seminars and are required to meet higher standards. Unlike the level 2 version, there is no assessment by examination: students will be required to submit coursework and an advanced level project. The module is biennial, and alternates with Wittgenstein: Later Writings. more...	PHI-3A76	30	Semester 2
"Space, Time & Reality Among the Greeks - Advanced Themes" 2500 years ago Parmenides invented metaphysics by arguing that there is one thing that never changes. Plato responded with a theory of Forms, stable realities quite unlike the world of appearances. But later in his life he attacked that theory. Why? And did Aristotle have a better answer to how reality relates to the things in this world? This module explores some of the most influential texts in the field. In addition Level 3 students move beyond the basics to do an advanced project on Aristotle, or a topic in Stoic or Epicurean metaphysics. This module is offered biennially. more...	PHI-3A59	30	Semester 1
Classical Philosophy Special Subject The module explores a selected area of Classical Philosophy with detailed attention to selected texts and issues. The topic of study will be chosen by the lecturer from themes such as "Mind and perception", "Theology, creation and first causes", "Beauty and representation", "Language and meaning". Other suitable experience may be accepted in lieu of the pre-requisites, after consultation with the module organiser. The module is offered annually. more...	PHI-3A68	30	Semester 2
Advanced Studies in the Enlightenment and Its Critics The 18th century saw a radical change take place in European culture. A new value was placed upon knowledge, new views of the ways in which society should be run were formed, new attitudes towards religion occurred, new theories of art and culture arose. This module looks at these changes and the effects they had upon epistemology, political philosophy and aesthetics. Enlightenment figures studied include Diderot, d'Alembert, Voltaire, David and Condorcet in France, Kant in Germany, Hume in Scotland. As a counterpoint to this we study some of the works of Jean-Jacques Rousseau, both an Enlightenment figure and yet perhaps its greatest critic. Advanced Studies in the Enlightenment and Its Critics covers the same topics as PHI-2A44. However it requires more work than the latter (hence the 30 credit rating), and it also requires more sophisticated work (hence the Level 3 rating). Students on the Level 2 and Level 3 modules attend the same lectures, but Level 3 students have separate seminars and some tutorial contact in relation to their written work. The module is offered biennially. more...	PHI-3A44	30	Semester 2
Advanced Philosophy of Religion The module focuses on the claims of theistic religion, and on the nature of religion, including non-theistic religion. It seeks to clarify the concept of God. It also seeks to examine some of the standard arguments for and against the existence of God. In doing this, we see how some central issues in the philosophy of religion are inter-related with questions of epistemology, logic and mind. We will furthermore investigate conceptions of God which bypass the standard arguments for and against God's existence, which takes us close to the claims of Buddhism and other more or less non-theistic religions/philosophies. Advanced Philosophy of Religion covers the same topics as Philosophy of Religion but differs in two respects. First it requires coursework as well as the 2 hour exam taken by students on the Level 2 version, hence the 30 credit rating. Secondly, the Advanced version demands more sophisticated work marked at a higher standard, hence the Level 3 rating. Students on the Level 2 and the Advanced Level 3 version attend the same lectures, but Advanced students have separate seminars, and also have some tutorial contact in relation to their written work. This module is offered biennially. more...	PHI-3A18	30	Semester 2
Advanced Themes in the Rationalists The great rationalist philosophers Descartes (1596-1650), Spinoza (1632-77) and Leibniz (1646-1716) were preoccupied by the same themes: substance, God, knowledge and the relationship between mind and body. All of them were in the vanguard of the new scientific culture of the XVIIth century, but all were also concerned to reconcile science with religion. If Descartes and Leibniz ultimately seek to support an orthodox theism, Spinoza arrives at a humanistic and pantheistic ethic of living. We shall explore the different paths taken by the three thinkers from a shared starting point, rooted in reason and commitment to method. This module covers the same topics as Level 2 The Rationalists, but differs from that module in two respects: it has an advanced reading list, and requires more sophisticated work which is marked at a higher standard. Hence the Level 3 and 30 credit rating. Students on the Advanced module attend the same lectures, but have separate seminars and possible tutorials relating to their written work. Students will produce two large-scale pieces of coursework. This module is offered biennially. more...	PHI-3A29	30	Semester 1
Moral Philosophy With Additional Meta-Ethics What is morality? What is it to be a moral agent and to engage in moral deliberation? What is it to justify moral judgments and is there such a thing as a justification of moral practices themselves? What does it mean to be or try to become a good person? In this module we take a look at various theories about the nature of morality as well as examine critically the idea that what one needs to understand the phenomenon of morality or to engage successfully in moral thinking is a moral theory. Students on this Level 3 version pursue a more advanced project in meta-ethics for their extended essay. This module is offered biennially. more...	PHI-3A25	30	Semester 1
Advanced Studies in Nietzsche and Post-Kantian Philosophy Friedrich Nietzsche (1844-1900) radically challenged traditional ideas of what philosophising involves and has had an enormous influence on subsequent thinkers. This module will explore some of Nietzsche's key writings, situating them in the context of Post-Kantian philosophy. Some or all of the following themes will be explored: appearance and reality, genealogy, truth, naturalism, nihilism, aesthetics and the critique of morality and religion. Students on this advanced version will not sit an exam but will submit a piece of coursework and an advanced project. This module is offered biennially. more...	PHI-3A46	30	Semester 2
Advanced Themes in the Philosophy of History This module covers the same topics as Level 2 Philosophy of History, but differs from that module in that it requires more sophisticated work which is marked at a higher standard. Hence the Level 3 and 30 credit rating. Students on the advanced module attend the same lectures, but have separate seminars and possible tutorials relating to their written work. Students will produce two pieces of work: a 2000-word essay (worth 33%), and a 4000-word project (worth 67%). This module is offered biennially. more...	PHI-3A31	30	Semester 1

Disclaimer

Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring, review and update of modules and regular (five-yearly) review of course programmes. Where this activity leads to significant (but not minor) changes to programmes and their constituent modules, there will normally be prior consultation of students and others. It is also possible that the University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff or sabbatical leave. Where this is the case, the University will endeavour to inform students.

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