|Lecturer in Creative Writing||
Steven dot Waters at uea dot ac dot uk
Tel: +44 (0)1603 59 7589
I am a working playwright and writer for radio and screen.
Four Cities, Four Stories (2013) - Birmingham Rep in collaboration with theatres in Croatia, Germany and Poland.
'Radio Stars' - a new play for Birmingham Repertory Theatre, developed in collaboration with the Institute of Astronomy in the University of Cambridge
'Capernaum' - a short play in response to 'The Gospel According to Mark' for The Bush Theatre's '66 Books', opening October 2011
'Little Platoons', The Bush theatre, January/February 2011, published by Nick Hern books.
'Amphibians' with Offstage Theatre company, developed at the National Theatre Studio 2010, staged as site-specific show at The Bridewell Theatre in London, January 2011; to be revived by Birmingham Rep in Moseley swimming pool 2012
'The Contingency Plan' (On The Beach and Resilience)The Bush Theatre, London April-June, 2009; shortlisted for John Whiting Award, 2009; published by Nick Hern books; subsequent productions in the USA, Australia; adapted for Radio 3, broadcast December 2009; currently being adapted to Film by Film Four and Cowboy Film Productions.
'Scribblers' commissioned by National Theatre; currently in development with Out of Joint theatre company.
'Out of Your Knowledge', 2008, Pleasance Theatre, Edinburgh and East Anglian tour (2007) by Menagerie Theatre Company.
'Fast Labour', West Yorkshire Playhouse and Hampstead Theatre (April-June 2008); published Nick Hern Books; longlisted for The John Whiting Award.
'06/07/05', for Arcola Theatre March 2007, ‘Miniaturist’ evening; also ‘Hotbed’ festival for Menagerie 2006.
'Flight without End' (adaptation of Joseph Roth’s novel) for LAMDA ‘long project’, May 2006.
'The Unthinkable', Sheffield Crucible Studio, Oct/Nov. 2004;published by Nick Hern Books.
'World Music', June 2003, Crucible Theatre, Sheffield transferred Donmar Warehouse, Feb/March 2004; published Nick Hern Books; runner up to Meyer-Whitworth Award 2004; translated into French, produced by TheatreFirst in Oakland California, May/June 2006.
'Habitats' translation/adaptation Philippe Minyana’s play The Gate Theatre, London, December 2002; published by Oberon books; revived at Tron Theatre, Glasgow, November 2004.
'After the Gods', Hampstead Theatre, May/June 2002,published by Faber; translated into German.
'English Journeys', Hampstead Theatre 1998; revived by Weaver-Hughes Theatre Company at Edinburgh Festival 2003.
Adapting 'The Contingency Plan' for Film 4/Cowboy Films, slated for production 2012.
'The Air Gap', new play for Radio 4, for Autumn 2012.
‘Little Platoons’ broadcast Radio 4, June 18th as Saturday Play.
‘The Contingency Plan’ broadcast Radio 3, December 2009.
‘The Parliament of Rooks’ , ‘From Fact to Fiction’, Radio 4, May 2009.
‘The Family Project’ broadcast on ‘The Verb’, Radio 3, March 2005.
‘The Moderniser’ afternoon play, Radio 4, September 2001.
‘Safe House’ BBC4 November 2002.
Editing and contributing to a forthcoming edition of 'Contemporary Theatre Review' on ‘Teaching Playwriting’.
'The Career of Playwrights' in 'Body of Work: 40 Years of UEA'.
Contributed to 'Close-Up Magic: 40 years at The Bush' to be published Autumn 2011.
‘Political Theatre: The Art of Thinking in Public’ for TOPOI, Autumn 2011.
The Secret Life of Plays, Nick Hern Books, (2010).
‘Bergman’s Rigour’ and ‘Winchester Fragments’ in ‘Studies in Theatre and Performance’, June 2010.
‘The Pinter Paradigm’ in The Cambridge Companion to Pinter, ed. Raby, Peter (second edition), Cambridge (2008).
‘Sarah Kane: From Terror to Trauma’, Blackwells Companion to Modern Drama, ed. Luckhurst, Mary, Blackwells (2006).
‘The Proof of the Pudding:Teaching Practitioners’, Teaching Drama 11-18, ed. Nicholson, H., Cassell (2000).
Founder member of ‘British Theatre Conference’ with David Edgar, Dan Rebellato, Janelle Reinelt and Julie Wilkinson; co-convenor of conferences:
‘Next Act: The Future of New Writing’ at MMU, November 2010.
‘2020: Teaching Playwriting’, at the University of Birmingham, March 2010 ‘All Together Now? Theatre after Multiculturalism’, University of Warwick, June 2009, ‘How was it for you? Theatre under Blair’, December 2007.
Co-author of report with BTC on Theatre Writing for The Arts Council, ‘Writ Large’, published 2009.
Interviewed by BBC World Service about theatre and climate change, February 2011.
Book launch event for The Secret Life of Plays at The Bush theatre, January 2011.
External examiner for BA in English/Drama and Education, Faculty of Education, University of Cambridge 2010-2011.
Panellist at the Bush theatre on ‘Teachers to Playwrights’ January 2011.
Interviewed Steven Berkoff for Cambridge Word Festival November 2010.
Interviewed by Aleks Sierz for ‘TheatreVoice’ about The Secret Life of Plays (November 2010) and Fast Labour and new writing (May 2008).
Panel member at ICA on ‘Theatre and Climate Change’ July 2010.
Panel member on ‘Dramatising Climate Change’ at ‘High Tide’ festival in Halesworth, Suffolk, June 2010.
Talk on dramatizing Climate Change for CRASSH at the Faculty of English, Cambridge, November 2009.
Convenor of ‘From Fact to Fiction’ conference at Birmingham University, September 2007.
‘Heatmapping: dramatizing climate change’ at conference on ‘Writing and Globalisation’ at Bath Spa University, March 2007.
‘The Career of the Playwright’ paper at conference at Manchester Metropolitan University, March 2007.
Gave paper on ‘Clare’s Walk’ at a conference on Historical Reconstruction, at Vanderbilt University, Nashville, Tennessee, October 2006.
Paper on ‘Drama and Stereotypes’ for CRASSH conference on ‘Stereotypes’, Cambridge, June 2005.
Reconstructing ‘The Golden Rump’; co-convened ‘Stage and State’ conference Cambridge, May 2004; paper on Henry Fielding; directed and wrote reconstruction of lost play The Golden Rump which prompted 1737 Stage Licensing Act.
‘Elective Affinities and Long Shadows: Intertextuality in Contemporary Playwriting’ paper given to ‘In-Yer-Face Theatre’ conference in University of the West of England, September 2002.
For The Guardian Theatre Blog:
‘Aristotle Knew Nothing about Theatre’ (September 2010), ‘Double Trouble: when writers direct’, ‘We need theatres not soulless complexes’, ‘Where are the Public Intellectuals?’, ‘Taking Liberties with Theatre’, ‘Can Theatre do anything about climate change? (Sept-November 2009).
For The Guardian ‘Comment and Analysis’ page: ‘Beyond the Theatre of Fact’ (Feb ’04); ‘The Case for Complexity’ (June ’04);‘Dangerous Minds’ (October ’04); ‘The Paralysis of Creation’ (Oct. ’06), ‘Narrative nailed.
Dead’ (Dec. ’06).
For New Statesman:
‘Where the SUV is king’ November 2006; ‘The Future Lasts a Long Time’ article on Louis Althusser June 2002; ‘In Theory: A Play on Words’ in The Times Higher Education Supplement June 2002.
‘Spot the Sign’ article on Roland Barthes for New Statesman in 1990;consultant on Late Show BBC 2 documentary on Barthes.
Co-running an Arvon week long workshop at Lumb Bank in August 2011 on ‘Dramatising Worlds’.
‘Associate Artist’ at Institute of Astronomy, University of Cambridge, May-July 2011.
Honorary Teaching Fellow at Grinnell College, Iowa, USA, September 2010.
Talks on playwriting at University of York, January 2010, and University of Nottingham, November 2009.
Participant in ‘Coming Up’ a three-day development course for selected TV writers for Channel 4, August 2009.
Invitee to ‘Tipping Point’ conference, Oxford September 2008.
Co-ran a week long Arvon Writers Course on ‘Realism and Naturalism’ at Totleigh Barton, Devon, July 2008.
Participated in ‘Writing Space’ a weekend on narrative and theatre, University of Winchester, March 2008.
Resident playwright for LAMDA ‘long project’ 2005/6.
‘Attachments’ at National Theatre Studio July 2010, June 2003, summer 2005.
Ran day long workshop on playwriting at Chapter House theatre in Cardiff for Theatre Clwyd, Spring, 2007.
Ran workshop and led new writing scheme at ‘Hall for Cornwall’ theatre in Truro, December 2006.
Playwright tutor for Old Vic New Voices ‘Twenty-Four Hour Plays’ Scheme 2005.
Tutor for Theatre Royal, Haymarket Masterclass writing scheme July 2002-05.
Junior Judith E. Wilson Fellow 2000, University of Cambridge, Fellow Commoner at Jesus College.
Pearson Television Resident Playwright at Hampstead Theatre,1999-2000.
Led London New Writing Scheme for writers 14-18; with Hampstead Theatre 1999-2000.
Donmar Warehouse/Theatre Museum/Mousetrap Foundation workshops with teachers and students on playwriting 2000-2002.
Residency in Bury St Edmunds Upper School developing play with Year 10 students on Medicine for Creating the Debate Festival in June 2000 for Y-Touring/NT education.
2000/01 Year of the Artist residency at Drama Centre/Junction theatre Cambridge coordinating new writing projects in Writing the City initiative.
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